CEO of Red Sea Film Festival Foundation: Saudi Arabia Will Rise to Unique Position in World Cinema

CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
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CEO of Red Sea Film Festival Foundation: Saudi Arabia Will Rise to Unique Position in World Cinema

CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.

Mohammed Al Turki, CEO of the Red Sea Film Festival Foundation, is confident that Saudi Arabia is on its way to claiming a "unique" position on the world cinema map.

Asharq Al-Awsat sat down for an interview with Al Turki after last week's announcement of the establishment of the Red Sea Film Festival Foundation and his appointment as its CEO. The festival will hold its second edition in Jeddah from December 1-10.

"As a film producer, I look at cinema with eyes that are filled with passion and love," Al Turki told Asharq Al-Awsat. "My role as CEO lies in encouraging art and creativity and providing full support to filmmakers, both inside the Kingdom and beyond, with the hope of pushing the industry forward and ensuring that its thrives."

A thriving cinema industry reflects thriving civilization, culture and arts and it also connects different peoples with each other, he remarked.

He pledged to provide greater support to filmmakers, vowing to help remove obstacles in the industry and to provide the necessary fertile conditions to make films. He also pledged to provide programs, activities and events that encourage the industry.

"I also vow to build on the success of the first edition of the festival that will be the top and constant platform for their ambitions, innovations and cinematic projects," added Al Turki.

Future surprises
Many have wondered how the second edition of the Red Sea Film Festival will set itself apart from the first. Al Turki said the second edition will bring many surprises that will be announced at the appropriate time.

"As for now, we are working tirelessly in planning and preparing for the event," he continued. "We promise that these surprises will meet the hopes and expectations."

He acknowledged some challenges that were encountered during the inaugural edition. "We can confidently say that we have overcome them, exceeding all expectations. This motivates us to build on the success we have achieved."

"Based on this, the new edition will have many surprises, activities and programs. It will feature more guests and stars on our red carpet. More local, regional and international films will be screened and more talents will share the spotlight," he pledged.

Global map
Asked whether Saudi films are ready to compete for festival awards, Al Turki adamantly replied: "Absolutely. Saudi cinema has made admirable strides."

This culminated when "Scales" (Sayidat Al Bahr), by Saudi director Shahad Ameen, won the Verona Film Club Award at the 2019 76th Venice Film Festival. Seven years earlier, at the 69th edition of the festival, Haifaa Al Mansour's film, "Wadjda", won three awards at the event.

"We are aware that the path for Saudi cinema to prosper is still long, but it is still ongoing," Al Turki said, while acknowledging that the industry in the Kingdom was still "relatively new compared to some countries in the region or the world."

"Nevertheless, it is on its way to claiming a special position on the world cinema map given its unique language and cultural and social context," he added. "We can now see that it is glowing under the light of Saudi Crown Prince Mohammed bin Salman's Vision 2030."

Early passion
Al Turki recalled to Asharq Al-Awsat how he first entered the world of cinema.

"I have been passionate about movies from a very young age. I have always loved classical films, Disney movies, westerns, the James Bond franchise and others," he said.

"I admired these movies and they piqued my extreme interest, from the days of videotapes to DVDs," he added. "My father also played a role in feeding this passion as he was an avid moviegoer."

Al Turki said he went on to develop his passion by taking photography and filmmaking classes during high school.

During his university years, he blended business management with the film industry by pursuing a double major. After graduating, he landed a job outside the industry but kept his eye out for the right opportunity that would fulfill his passion and it was a film by director Zeina Durra, called "The Imperialists Are Still Alive" (2010).

"This was my ticket into entering the film industry and I soon forged my way forward as a producer," said Al Turki.

He would eventually make his way to Hollywood and international fame. He joined a major production company and among his first and most successful projects was director Nicholas Jarecki's "Arbitrage", starring Richard Gere, who earned a Golden Globe nomination for his role.

Al Turki joined the Red Sea Film Festival Foundation in 2020 with the purpose of supporting the growth of the cinema industry in Saudi Arabia. He focused on initiatives and activities that were aimed at supporting a new generation of Saudi and Arab talents and innovators.

As CEO, he is determined to develop the festival even further in wake of the success of the inaugural edition in December 2021 that attracted over 30,000 people and 3,155 professionals from the industry from around the world.



Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."


‘Family Under Pressure’ at Berlin Film Festival

Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)
Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)
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‘Family Under Pressure’ at Berlin Film Festival

Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)
Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)

The 76th edition of the Berlin Film Festival opens on Thursday, featuring productions from over 80 countries and with German film legend Wim Wenders presiding over this year's jury.

AFP sat down with festival director Tricia Tuttle, who is in her second year at the helm, for a look-ahead at Europe's first big cinema festival of the year.

Here are five things to expect from this year's festival, which runs until February 22.

- 'Reflecting international cinema' -

Of more than 200 films shown during the10-day festival, 22 will compete for the coveted Golden Bear, which was won last year by the drama "Dreams" from Norwegian director Dag Johan Haugerud.

In assembling this year's diverse program, Tuttle said that "the guiding principle was to reflect where international cinema is right now".

She said that she had noticed "family and intimacy under pressure, questions of care, power, belonging, and the experience of living between worlds" as themes running through this year's selection.

"Many of the films look at how private lives are shaped by larger political and social forces."

The festival will also honor Malaysian actor Michelle Yeoh -- who won the best actress Oscar in 2023 for "Everything Everywhere All at Once" -- with a lifetime achievement award.

- Spotlight on women directors -

As in 2025, women directed most of the films being screened at the festival.

Among those in the official competition, nine out of 22 were directed by women, a higher proportion than at the Cannes or Venice festivals.

"One thing that is encouraging for me is the number of second and third time female film-makers who have made strong work," Tuttle said.

The opening film, "No Good Men", is itself the third feature-length film from Afghan director Shahrbanoo Sadat.

"It's about Afghan women's experience, which you wouldn't see if it wasn't for Shahrbanoo's work," Tuttle said.

Sadat fled her home country following the Taliban takeover in 2021 and now lives in Hamburg.

- American films remain elusive -

In contrast to Cannes or Venice, which regularly attract Oscar contenders, Berlin does not feature as many large-scale US productions and the sprinkle of stardust that often accompanies them.

"Some of the biggest authored films of the year, those sort of commercial-arthouse crossover films, haven't launched out of festivals this year," Tuttle noted, perhaps in a nod to titles such as "One Battle After Another", "Sinners" and "Marty Supreme".

For such films, which can easily cost more than $100 million to make, producers and distributors are increasingly keen on controlling all aspects of a film's release.

"Festivals can be busy, noisy places where you might not get the cut-through that you want," according to Tuttle -- not to mention running the risk of negative reviews from critics.

- The era of co-productions -

This year's festival will notably feature European co-productions with financing from several countries.

According to Tuttle, "there's an opportunity right now for Europe, for European producers to work together" as the industry more broadly continues to fracture.

She cites the example of Joachim Trier's "Sentimental Value", nominated for nine Oscars, which is a co-production between Norway, Denmark, France and Germany.

"Sentimental Value is a film that is made by many countries in terms of investment, but it's very much the work of an author and a really important filmmaker," said Tuttle.

- Streaming platforms almost absent -

Unlike in Venice, where three Netflix-produced films entered the official competition, the giants of the streaming world are relatively marginal in Berlin.

"There's real value to be had in theatrical exhibition, not just because there's money to be made there ... but also, for us as movie fans, it's the best way to see a film," said Tuttle.

The only Netflix film at this year's Berlinale will feature in the "Special Presentation" section -- outside of the official competition.

"Un hijo proprio" ("A Child of My Own") is a documentary-length feature telling the story of a Mexican woman who invents a pregnancy in an attempt to escape pressure from her family to have a child.