CEO of Red Sea Film Festival Foundation: Saudi Arabia Will Rise to Unique Position in World Cinema

CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
TT

CEO of Red Sea Film Festival Foundation: Saudi Arabia Will Rise to Unique Position in World Cinema

CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.

Mohammed Al Turki, CEO of the Red Sea Film Festival Foundation, is confident that Saudi Arabia is on its way to claiming a "unique" position on the world cinema map.

Asharq Al-Awsat sat down for an interview with Al Turki after last week's announcement of the establishment of the Red Sea Film Festival Foundation and his appointment as its CEO. The festival will hold its second edition in Jeddah from December 1-10.

"As a film producer, I look at cinema with eyes that are filled with passion and love," Al Turki told Asharq Al-Awsat. "My role as CEO lies in encouraging art and creativity and providing full support to filmmakers, both inside the Kingdom and beyond, with the hope of pushing the industry forward and ensuring that its thrives."

A thriving cinema industry reflects thriving civilization, culture and arts and it also connects different peoples with each other, he remarked.

He pledged to provide greater support to filmmakers, vowing to help remove obstacles in the industry and to provide the necessary fertile conditions to make films. He also pledged to provide programs, activities and events that encourage the industry.

"I also vow to build on the success of the first edition of the festival that will be the top and constant platform for their ambitions, innovations and cinematic projects," added Al Turki.

Future surprises
Many have wondered how the second edition of the Red Sea Film Festival will set itself apart from the first. Al Turki said the second edition will bring many surprises that will be announced at the appropriate time.

"As for now, we are working tirelessly in planning and preparing for the event," he continued. "We promise that these surprises will meet the hopes and expectations."

He acknowledged some challenges that were encountered during the inaugural edition. "We can confidently say that we have overcome them, exceeding all expectations. This motivates us to build on the success we have achieved."

"Based on this, the new edition will have many surprises, activities and programs. It will feature more guests and stars on our red carpet. More local, regional and international films will be screened and more talents will share the spotlight," he pledged.

Global map
Asked whether Saudi films are ready to compete for festival awards, Al Turki adamantly replied: "Absolutely. Saudi cinema has made admirable strides."

This culminated when "Scales" (Sayidat Al Bahr), by Saudi director Shahad Ameen, won the Verona Film Club Award at the 2019 76th Venice Film Festival. Seven years earlier, at the 69th edition of the festival, Haifaa Al Mansour's film, "Wadjda", won three awards at the event.

"We are aware that the path for Saudi cinema to prosper is still long, but it is still ongoing," Al Turki said, while acknowledging that the industry in the Kingdom was still "relatively new compared to some countries in the region or the world."

"Nevertheless, it is on its way to claiming a special position on the world cinema map given its unique language and cultural and social context," he added. "We can now see that it is glowing under the light of Saudi Crown Prince Mohammed bin Salman's Vision 2030."

Early passion
Al Turki recalled to Asharq Al-Awsat how he first entered the world of cinema.

"I have been passionate about movies from a very young age. I have always loved classical films, Disney movies, westerns, the James Bond franchise and others," he said.

"I admired these movies and they piqued my extreme interest, from the days of videotapes to DVDs," he added. "My father also played a role in feeding this passion as he was an avid moviegoer."

Al Turki said he went on to develop his passion by taking photography and filmmaking classes during high school.

During his university years, he blended business management with the film industry by pursuing a double major. After graduating, he landed a job outside the industry but kept his eye out for the right opportunity that would fulfill his passion and it was a film by director Zeina Durra, called "The Imperialists Are Still Alive" (2010).

"This was my ticket into entering the film industry and I soon forged my way forward as a producer," said Al Turki.

He would eventually make his way to Hollywood and international fame. He joined a major production company and among his first and most successful projects was director Nicholas Jarecki's "Arbitrage", starring Richard Gere, who earned a Golden Globe nomination for his role.

Al Turki joined the Red Sea Film Festival Foundation in 2020 with the purpose of supporting the growth of the cinema industry in Saudi Arabia. He focused on initiatives and activities that were aimed at supporting a new generation of Saudi and Arab talents and innovators.

As CEO, he is determined to develop the festival even further in wake of the success of the inaugural edition in December 2021 that attracted over 30,000 people and 3,155 professionals from the industry from around the world.



Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
TT

Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
TT

Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”


Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
TT

Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."