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The 21 Films in Competition at Cannes

Crew members install the red carpet at the Palais des Festival ahead of the opening day of the 74th international film festival.(AP Photo/Brynn Anderson, File)
Crew members install the red carpet at the Palais des Festival ahead of the opening day of the 74th international film festival.(AP Photo/Brynn Anderson, File)
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The 21 Films in Competition at Cannes

Crew members install the red carpet at the Palais des Festival ahead of the opening day of the 74th international film festival.(AP Photo/Brynn Anderson, File)
Crew members install the red carpet at the Palais des Festival ahead of the opening day of the 74th international film festival.(AP Photo/Brynn Anderson, File)

This year's Cannes Film Festival starting Tuesday has 21 films in competition, including movies from four past winners of the top prize Palme d'Or, as well as several cult favorites.

The winners of the 75th edition are to be announced at the closing ceremony on May 28, AFP said.

- 'Crimes of the Future' -
The dark genius behind "The Fly" and "Crash", David Cronenberg returns to his body horror roots with a tale starring Viggo Mortensen, Lea Seydoux and Kristen Stewart about people indulging in revolting surgical alterations for artistic and sexual pleasure.

- 'Triangle of Sadness' -
The king of cringe, Sweden's Ruben Ostlund took a scalpel to modern bourgeois niceties with his Palme d'Or-winning "The Square" in 2017. In a similar vein, his latest places two models and a cleaning lady on a desert island with a group of billionaires.

- 'Tchaikovsky's Wife' -
The enfant terrible of Russian film and theatre, Kirill Serebrennikov fell foul of authorities with his caustic attacks on conservative values and was barred from travelling to Cannes for two previous nominations. Now in exile, he should be present for his historical tale about the famous composer.

- 'Armageddon Time' -
James Gray has made big sweeping dramas, from space odyssey "Ad Astra" with Brad Pitt to Amazon adventure "The Lost City of Z". This one is based on his adolescence in 1980s New York and a school governed by Donald Trump's father, starring Anne Hathaway and Anthony Hopkins.

- 'Broker' -
Japan's Hirokazu Kore-eda won the Palme d'Or in 2018 for his beautiful and touching family tale "Shoplifters". Featuring the star of "Parasite" Song Kang-ho, this one is about people dropping off infants in "baby boxes" to be looked after by other families.

- 'Decision to Leave' -
Park Chan-wook had an international hit with nightmarish thriller "Old Boy" that won him the runner-up Grand Prix in 2004. This time, the South Korean brings his unique stylings to the familiar trope of a detective falling for the prime suspect in a murder investigation.

- 'Showing Up' -
Kelly Reichardt has gradually built up a cult following with her mini-masterpieces about life on the edges of American society, including 2019 sleeper hit "First Cow". She is reunited with her favorite muse Michelle Williams for a self-reflective look at a small-town artist trying to overcome distractions.

- 'Tori and Lokita' -
Belgian brothers Jean-Pierre and Luc Dardenne make simple but devastating slice-of-life stories and are among a handful to have won the Palme d'Or twice. Their latest follows the friendship of two African teenagers exiled in Belgium.

- 'Stars at Noon' -
One of France's most lauded auteurs, Claire Denis is having a busy year, having already won the directing prize at this year's Berlinale. Her Cannes entry is a political thriller set in Central America starring Robert Pattinson.

- 'R.M.N.' -
Romania's Cristian Mungiu won the Palme d'Or in 2007 for his bleak but vital abortion film, "4 Months, 3 Weeks and 2 Days". This one explores ethnic and political tensions in a remote Transylvanian village.

- 'Close' -
Belgium's Lukas Dhont won the Camera d'Or newcomer award in 2018 for his debut "Girl" about a trans ballet dancer. Here he tackles two teenagers separated by a tragedy.

- 'Boy from Heaven' -
A daring film about power struggles in the Al-Azhar University in Egypt, from Swedish director Tarik Saleh.

- 'Holy Spider' -
Having won the Un Certain Regard section in 2018 with "Border", Danish-Iranian Ali Abbasi heads for the Iranian religious city of Mashhad where a family man seeks to rid the streets of prostitutes.

- 'Forever Young' -
A tale of love, life and tragedy in a Paris theatre troupe against the outbreak of AIDS in the 1980s from French-Italian director Valeria Bruni Tedeschi.

- 'Nostalgia' -
Italian director Mario Martone pays homage to his hometown of Naples.

- 'Brother and Sister' -
Marion Cotillard stars in a drama about feuding siblings brought back together by the death of their parents, directed by Cannes veteran Arnaud Desplechin.

- 'Leila's Brothers' -
Iran's Saeed Roustaee made a splash last year with his punchy cop thriller "Just 6.5". His new film examines the economic struggles of a family in a country hit by international sanctions.

- 'EO' -
Following a donkey from the circus to the slaughterhouse, this treatise against animal cruelty is from 84-year-old Polish director Jerzy Skolimowski, who was first in competition at Cannes in 1972.

- 'Pacification' -
Spanish director Albert Serra heads for Tahiti to explore the diplomatic tensions around French nuclear testing.

- 'Mother and Son' -
France's Leonor Serraille follows a Senegalese mother from the 1980s to the present day as she tries to establish a life in the Paris suburbs.

- 'The Eight Mountains' -
A story of a lifelong friendship between boys and their rural home from Belgian husband-and-wife team Felix Van Groeningen and Charlotte Vandermeersch.

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Entertainment

First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.

Entertainment

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”

Entertainment

Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
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Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”