Japan’s Landmark Capsules Coming Down to Sit in Museums

Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)
Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)
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Japan’s Landmark Capsules Coming Down to Sit in Museums

Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)
Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)

Nakagin Capsule Tower, a building tucked away in a corner of downtown Tokyo that is made up of boxes stacked on top of each other, is an avant-garde honeycomb of science-fiction-era housing long admired as a masterpiece.

It’s now being demolished in a careful process that includes preserving some of its 140 capsules, to be shipped to museums around the world.

Preparations have been going on for months to clear the surrounding areas, for safely dismantling the landmark near Ginza. The first capsule will be removed in the next few weeks.

Built in 1972, the 13-floor building embodies the so-called "metabolism" vision of its architect Kisho Kurokawa: The idea that cities and buildings are always changing, reflecting life, in rhythm with the human body.

"No one exists divorced from the thoughts of those around him. All comes into existence through an assembly of causes. All things are interrelated. In accord with this principle, it is our aim to build an ideal world, step by step," Kurokawa wrote in his 1994 book, "Philosophy of Symbiosis."

Kurokawa died in 2007, at 73.

Although striking in appearance and concept, the building outlived modern construction guidelines and needed to be torn down.

Skyscrapers have popped up nearby, dwarfing Nakagin. A developer took over the property in 2021.

Tatsuyuki Maeda, who started using Nakagin as a second home in 2010, said he simply loved being in that 2.5 meter (8.2 foot) wide space, so tiny but cozy it felt like a child’s hideaway. And it got his creative juices going, he said.

"The view from that round window felt so good. At night, when cars sped by, their lights on the nearby freeway were pretty. And the cityscape was beautiful," Maeda said.

Appliances and shelves are built into the walls. A desk pops out in one section. In another is a Sony reel-to-reel tape recorder, state-of-the-art electronics of the 1970s that’s historical memorabilia now like the building itself.

Only about a third of Nakagin's residents lived there full-time in recent years. Most used it as offices and workspaces. They tended to be creative people, musicians, filmmakers and architects, as though it drew people sharing similar values.

Maeda, who does public relations work, owned 15 capsules, mainly to have a say in the building’s fate, and had rented some of them out. Residents would party together, he recalled.

He and others had been working together since 2014 to save Nakagin, first to prevent its destruction and rebuild it, but eventually to hand down its legacy as an artwork. The project raised money through crowd-funding and put out a book, complete with photos, in March, titled, "Nakagin Capsule Tower: The Last Record."

The preservation project calls for some of the capsules to allow for real-life living in a separate locale. Those in museums will be refinished by the Kurokawa architectural office, which went over the original designs to figure out how each box could be detached with minimal damage, a feat especially difficult in the crowded Ginza area.

Will Gardner, a Swarthmore College professor whose specialty is Japanese modernism, says the metabolist movement had its "moment" of recognition for its organic approach to Tokyo’s 20th Century urban-planning problems, such as over-crowding and a lack of infrastructure.

It was an era when Japan was rebuilding from the ruins of World War II, undergoing rapid economic growth, buzzing with creative energy and trying to define itself.

But metabolist designs did not win wide acceptance among real estate developers, construction companies or consumers, who all turned to more conservative prefabricated housing, said Gardner, who wrote "The Metabolist Imagination: Visions of the City in Postwar Japanese Architecture and Science Fiction."

"This was a generation of architects that came out in this era when everything had been destroyed. But at the same time there was a lot of dynamism, and the economy was on the rebound, and there seemed to be a moment when this big vision could really thrive," he said.

"For a lot of reasons, today’s Japan is very different."

Kurokawa was heavily influenced by Kenzo Tange, who designed the Yoyogi National Gymnasium, built for the 1964 Tokyo Olympics. An art museum in Tokyo’s Roppongi that looks like a waving wall of glass, which opened in 2007, and the 1999 new wing of the Van Gogh Museum in Amsterdam were designed by Kurokawa.

Nakagin was one of his early pieces. Its defiantly repetitive motif both celebrated and challenged mass production, appealing to individuals, especially those lost in conformist Japan.

Kurokawa developed the technology to install the units into a concrete core shaft with four high-tension bolts. The capsules were designed to be detachable and changed to new ones, or recycled, every 25 years.

That never happened.

Instead, after 50 years, the pieces are coming apart.

Kurokawa used to say that, long after his buildings were gone, his thinking would live on.

Kurokawa’s designs address sustainability and social accountability, said Tomohiro Fujisawa of Kisho Kurokawa Architect and Associates, issues that remain urgent today.

"The world maybe has finally caught up with him," Fujisawa said.



10 Endangered Black Rhinos Sent from S.Africa to Mozambique

Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)
Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)
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10 Endangered Black Rhinos Sent from S.Africa to Mozambique

Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)
Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)

Ten black rhinos have been moved from South Africa to Mozambique to secure breeding of the critically endangered animals that became locally extinct 50 years ago, conservationists said Thursday.

The five male and five female rhinos were transferred to Mozambique's Zinave National Park in a 48-hour road trip last week, said the Peace Parks Foundation, which took part in the translocation.

"It was necessary to introduce these 10 to make the population viable," communication coordinator Lesa van Rooyen told AFP.

The new arrivals will "secure the first founder population of black rhinos since becoming locally extinct five decades ago,” South Africa's environment ministry, which was also involved, said in a statement.

Twelve black rhinos had previously been sent from South Africa to Zinave in central Mozambique but the population was still not viable for breeding, Van Rooyen said.

Twenty-five white rhinos, which are classified as less threatened, were also translocated in various operations.

The global black rhino population dropped by 96 percent between 1970 and 1993, reaching a low of only 2,300 surviving in the wild, according to the International Rhino Foundation.

Decades of conservation efforts allowed the species to slowly recover and the population is estimated at 6,421 today.

Once abundant across sub-Saharan Africa, rhino numbers fell dramatically due to hunting by European colonizers and large-scale poaching, with their horns highly sought after on black markets particularly in Asia.

Mozambique's population of the large animals was depleted during the 15-year civil war, which ended in 1992 and pushed many people to desperate measures to "survive in very difficult circumstances", van Rooyen said.

Years of rewilding efforts have established Zinave as Mozambique’s only national park home to the "Big Five" game animals -- elephant, rhino, lion, leopard and buffalo.