Woman Testifies Cosby Forcibly Kissed Her When She Was 14

Plaintiff Judy Huth arrives for opening statements in the civil suit against Bill Cosby at Santa Monica courthouse, California, US, June 1, 2022. (Reuters)
Plaintiff Judy Huth arrives for opening statements in the civil suit against Bill Cosby at Santa Monica courthouse, California, US, June 1, 2022. (Reuters)
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Woman Testifies Cosby Forcibly Kissed Her When She Was 14

Plaintiff Judy Huth arrives for opening statements in the civil suit against Bill Cosby at Santa Monica courthouse, California, US, June 1, 2022. (Reuters)
Plaintiff Judy Huth arrives for opening statements in the civil suit against Bill Cosby at Santa Monica courthouse, California, US, June 1, 2022. (Reuters)

A woman testified Friday that she was 14 when Bill Cosby took her into a trailer on a movie set in 1975, grabbed her so she couldn't move her arms, and kissed her.

"I was struggling to get away," she said. "It was very shocking."

The woman, now 61, told her story in a public venue for the first time during a Los Angeles County civil trial over the lawsuit of Judy Huth, who alleges Cosby sexually assaulted her at the Playboy Mansion when she was 16 at around the same time, in the spring of 1975.

The woman testified that she, her mother, and other family and friends were on the Los Angeles set of the film "Let's Do It Again," starring Cosby and Sidney Poitier, where Cosby had invited them to act as extras after meeting them at a tennis tournament a few months earlier.

She said Cosby invited her alone into his trailer to help him straighten the bow tie he was wearing for a scene.

"He immediately grabbed me," she said. "He started kissing me, all over my face, tongue down my throat."

Asked by Huth’s attorney Nathan Goldberg how tightly Cosby was holding her, she replied, "enough that I couldn’t get away."

After about 30 seconds she pulled free and left.

Pictures were shown in court of Cosby and the 14-year-old together at the tennis tournament, with him smiling and his arms around her. Other photos were shown of Cosby and the girl with her family on the set of the film. Huth would later meet Cosby on a different set of the same film.

Old photos from the mid-1970s have loomed large at the trial, one of the last remaining legal claims against Cosby after his Pennsylvania criminal conviction was thrown out and other lawsuits were settled by his insurer. Two photos of Cosby and Huth at the Playboy Mansion were shown during earlier testimony. Cosby has denied sexually assaulting Huth, and his attorney says the case is about her attempt to cash in on the pictures.

The woman who testified Friday said after leaving the trailer, she did not tell anyone she was with what happened with Cosby, who is not attending the trial.

"It was a once-in-a-lifetime opportunity," she said. "I didn't want to ruin everything for everyone."

They went about the rest of their day, appearing in a boxing scene for the film shot at the Grand Olympic Auditorium.

In her cross-examination of the woman, Cosby attorney Jennifer Bonjean showed a still from the film of the girl and her brother cheering in the front row next to the boxing ring.

Bonjean asked whether she had been distraught at the time.

"I probably was," the woman said.

"Probably?" Bonjean asked.

"I was distraught when I was in there," she said.

The woman said she did not speak of the incident until telling her husband years later, and telling her teenage daughter years after that.

Bonjean asked whether multiple media reports with allegations in 2015 about Cosby caused her to come forward and tell her story to Gloria Allred, who along with Goldberg represents both her and Huth.

The woman said one brief Allred clip prompted her to do this after she heard Cosby's denial, but said she had no intention of filing a lawsuit when she sought out Allred.

The woman is not a party to the lawsuit, but is being allowed to testify along with one other woman about her experiences for Huth’s case.

Bonjean gave serious challenges to the other witness, Margie Shapiro, who has told her story several times before to media outlets and in a news conference with Allred.

Shapiro testified that when she was 19 in November of 1975, she was at the Playboy Mansion with Cosby when he gave her a pill, which she took voluntarily. She said she later woke from unconsciousness to find him raping her.

Bonjean produced a document that showed Shapiro was supposed to be in court as a defendant on the day she said she met Cosby when she was working at a donut shop near the set of another film he was making.

"I might have gone," Shapiro said. "If I needed to I would have taken a short break.”

Bonjean also grilled Shapiro over a matchbook that was produced in court that Shapiro said she got at Cosby's house when they stopped there briefly before going to the mansion.

Written on the matchbook was "11/18/1975, my evening at Bill Cosby's house."

"After this drugging and raping you kept a memento?" Bonjean asked.

"It was important, whether it was good or bad," Shapiro answered.

Bonjean also challenged Shapiro over her testimony that she knew the pill Cosby gave her was not a Quaalude, a depressant popular in the 1970s, because of the coding etched on it.

She pointed out that in a 2016 interview with police she had said the pill had looked like a Quaalude and that Cosby told her it was one.

"Either I got it wrong or the detective got it wrong," Shapiro said.

One of the jurors, many of whom were not born in the 1970s, raised a hand and asked the judge for clarification on what a Quaalude was. Shapiro compared it to Valium.

Shapiro said she angrily went looking for Cosby's house days later but couldn't find it.

Bonjean asked whether it was true that she was upset because Cosby had declined to take her to the Playboy Mansion, and that she and Cosby had consensual sex at his house and she didn't like the way he treated her afterward.

"I was upset because he raped me," she said.

The Associated Press does not normally name people who say they have been sexually abused, unless they come forward publicly, as Huth and Shapiro have several times.



Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”


Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."