BTS Rekindle Debate about Military Service in South Korea

BTS poses at the carpet during arrivals ahead of iHeartRadio Jingle Ball concert at The Forum, in Inglewood, California, US, December 3, 2021. (Reuters)
BTS poses at the carpet during arrivals ahead of iHeartRadio Jingle Ball concert at The Forum, in Inglewood, California, US, December 3, 2021. (Reuters)
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BTS Rekindle Debate about Military Service in South Korea

BTS poses at the carpet during arrivals ahead of iHeartRadio Jingle Ball concert at The Forum, in Inglewood, California, US, December 3, 2021. (Reuters)
BTS poses at the carpet during arrivals ahead of iHeartRadio Jingle Ball concert at The Forum, in Inglewood, California, US, December 3, 2021. (Reuters)

A surprise decision by South Korean boy band BTS to take a break from live shows has rekindled debate about mandatory military service in a country setting global pop-culture trends while facing a decades old Cold War threat.

Military service is hugely contentious in South Korea where all able-bodied men aged between 18 and 28 are meant to serve for about two years as part of efforts to defend against a hostile North Korea.

Over the years particular categories of men have won exemptions - either allowed to put off service for a certain time or allowed to do shorter service - including men who win a medal at the Olympics or Asian Games and classical musicians and dancers who win a top prize at certain competitions.

Under a 2019 revision of the law, globally recognized K-pop stars were allowed to put off their service until the age of 30.

Parliament is now debating a new amendment that would allow K-pop stars to do just three weeks of military training.

For BTS and in particular for the band's oldest member, known to fans as Jin, the outcome of the deliberations in parliament will be momentous.

While the band's management company has long presented the seven BTS members as keen to do their duty, the reality of two years of full-time military service is coming sharply into focus as time ticks by.

Jin, 29, has put off his service for as long as he can and is facing the imminent prospect of a full stint - meaning two years out of the public eye - when he turns 30.

For Jin and his band mates, waiting for parliament to decide has been hugely stressful and is the main reason they are taking a break from performing, said Yoon Sang-hyun, the lawmaker who proposed the amendment to include three-week training for K-pop stars.

"The members cited exhaustion and the need for rest as the main reason but the real reason was Jin's military service," Yoon told Reuters.

The extent to which BTS had raised South Korea's profile around the world through "soft power" should be taken into account when considering their military service, Yoon said.

"BTS has done a job that would take more than 1,000 diplomats to do," he said.

'Hard time'

Since their 2013 debut, BTS have became a worldwide sensation with their upbeat hits and social campaigns aimed at empowering youth.

BTS became the first Asian band to win artist of the year at the American Music Awards last year, and they met US President Joe Biden at the White House in May to discuss hate crimes targeting Asians.

Choi Kwang-ho, secretary-general of the Korea Music Content Association, a coalition of K-pop agencies including the band's Big Hit management company, said the wait for a decision was excruciating.

"The young artists have been tortured with hopes that never come true," Choi said.

A Gallup poll in April showed nearly 60% of South Koreans supported the bill exempting globally successful K-pop stars from full military service, with 33% opposed.

The band and their management company have steered clear of the debate but in April Big Hit official Lee Jin-hyung told a news conference in Las Vegas that some band members were having a "hard time" because of "uncertainties" over the parliament debate. He called for a decision.

Jin, asked hours later about Lee's comments, said he was letting Big Hit handle the issue though adding that what Lee said reflected his view.

K-pop is not the only sector hoping for a change in the rules. The new administration of President Yoon Suk-yeol is considering exemptions for some engineers and researchers in the computer chip and other tech fields.

The Ministry of Defense pointed to a constitutional requirement for all citizens to do their duty to defend the country.

"Adding pop culture artists in the scope of art and sports personnel who are eligible for the exemption requires careful consideration in terms of fairness," a ministry official said.

Some young men also wonder about the case for special treatment for BTS.

Seo Chang-jun, 20, said he understood why Olympic winners got an exemption but wasn't sure about BTS.

"The Olympic Games are national events where all Koreans cheer for the same team but not everyone is a BTS fan. Many people aren't interested in them," he told Reuters.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.