Ex-prosecutor: US Judge Planned to Renege on Polanski Deal

Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)
Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)
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Ex-prosecutor: US Judge Planned to Renege on Polanski Deal

Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)
Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)

A Los Angeles judge privately told lawyers he would renege on a plea deal and imprison Roman Polanski for having sex with a teenage girl in 1977, a former prosecutor testified, setting the stage for the renowned director to flee the US as a fugitive.

A previously sealed transcript obtained late Sunday by The Associated Press late Sunday of testimony by retired Deputy District Attorney Roger Gunson supports Polanski’s claim that he fled on the eve of sentencing in 1978 because he didn’t think he was getting a fair deal.

Gunson said during closed-door testimony in 2010 that he wasn't surprised Polanski fled after the judge had broken several promises made to his defense lawyer.

"The judge had promised him on two occasions ... something that he reneged on," Gunson said. "So it wasn’t surprising to me that, when he was told he was going to be sent off to state prison ... that he could not or would not trust the judge."

Defense lawyer Harland Braun said Friday - in expectation of the transcript's release - that the development would renew his effort to have Polanski sentenced in absentia, which would end his status as a fugitive from justice.

Braun has unsuccessfully tried that before with prosecutors asserting and judges agreeing that Polanski needs to show up in Los Angeles Superior Court to resolve the matter.

Release of the transcript, which was ordered by a California appeals court Wednesday after Los Angeles District Attorney George Gascón dropped longstanding objections his predecessors made to its release, may support Polanski's claims that he was going to be railroaded by a corrupt judge.

The legal saga has played on both sides of the Atlantic as a recurring scene over four decades of a life marred by tragedy and also triumph.

As a child, Polanski escaped the Krakow Ghetto during the Holocaust. His wife, Sharon Tate, was among the seven people murdered in 1969 by followers of Charles Manson.

Polanski, 88, who was nominated for Oscars for 1974′s "Chinatown" and 1979′s "Tess," won the best director statuette for "The Pianist" in 2003. But he wasn't able to accept it because he faces arrest in the US.

France, Switzerland and Poland rejected bids to extradite him back to the United States and he continues to be feted in Europe, winning praise and working with major actors. The Academy of Motion Picture Arts and Sciences, however, expelled him from its membership in 2018 after the "MeToo" movement spurred a reckoning about sexual misconduct.

Polanski’s 13-year-old victim testified before a grand jury that during a photo shoot at Jack Nicholson’s house in March 1977 when the actor wasn’t home, Polanski gave her champagne and part of a sedative, then forced her to have sex. The girl said she didn’t fight him because she was afraid of him but her mother later called the police.

When the girl refused to testify in court, Polanski pleaded guilty to unlawful sex with a minor in exchange for prosecutors dropping drug, rape and sodomy charges.

Polanski has argued that there was judicial misconduct in his case. In 2010, a Los Angeles court took sealed testimony from Gunson about his recollections of promises made to the director by the judge in 1977.

Polanski’s lawyers, who were in the room during Gunson's testimony but couldn't use it in court, have long sought to unseal that transcript to help their case.

Judge Laurence Rittenband, now deceased, had been swayed by publicity in the case and changed his mind several times about the punishment Polanski should face, Braun said.

After a report by probation officials that Polanski should serve no time behind bars, Rittenband sent the director for a further 90-day evaluation in state prison.

After 42 days of evaluation in prison, Polanski was released with a recommendation he only serve probation, Braun said.

But the judge then privately told lawyers he had to be tougher because of criticism in the news media. He said he would send Polanski to prison for a longer term but would then get him released within 120 days, which was possible under sentencing rules.

"Roman says, ‘How can I trust the judge that’s lied twice?’ So he takes off to Europe," Braun said.

Gunson acknowledged during his testimony that the judge had discretion to sentence Polanski to any term because there had been no agreed-upon sentence. But he felt Rittenband had broken promises to Polanski.

The victim, Samantha Geimer, has long advocated that the case be dismissed or that Polanski be sentenced in absentia. She went so far as as to travel from her home in Hawaii to Los Angeles five years ago to urge a judge to end "a 40-year sentence which has been imposed on the victim of a crime as well as the perpetrator."

"I implore you to consider taking action to finally bring this matter to a close as an act of mercy to myself and my family," Geimer said.

The Associated Press does not typically name victims of sex abuse, but Geimer went public years ago and wrote a memoir titled "The Girl: A Life in the Shadow of Roman Polanski." The cover features a photo shot by Polanski.

Polanski agreed to pay Geimer over $600,000 to settle a lawsuit in 1993.

Geimer, who has pressed for investigation of judicial misconduct, asked that the transcript be unsealed and in a letter last month and urged the DA’s office to take a fresh look at the case.

Prosecutors have consistently objected to releasing the material but relented earlier this week to honor Geimer’s wishes and be transparent with the public.

"This case has been described by the courts as ‘one of the longest-running sagas in California criminal justice history,’" Gascón said in a statement. "For years, this office has fought the release of information that the victim and public have a right to know."

However, the DA did not indicate that Polanski would be able to avoid a court appearance. The press release said Polanski remains a fugitive and should surrender to the court for sentencing.



Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."


‘Family Under Pressure’ at Berlin Film Festival

Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)
Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)
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‘Family Under Pressure’ at Berlin Film Festival

Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)
Of more than 200 films shown during the Berlin Film Festival, 22 will compete for the coveted Golden Bear. (AFP)

The 76th edition of the Berlin Film Festival opens on Thursday, featuring productions from over 80 countries and with German film legend Wim Wenders presiding over this year's jury.

AFP sat down with festival director Tricia Tuttle, who is in her second year at the helm, for a look-ahead at Europe's first big cinema festival of the year.

Here are five things to expect from this year's festival, which runs until February 22.

- 'Reflecting international cinema' -

Of more than 200 films shown during the10-day festival, 22 will compete for the coveted Golden Bear, which was won last year by the drama "Dreams" from Norwegian director Dag Johan Haugerud.

In assembling this year's diverse program, Tuttle said that "the guiding principle was to reflect where international cinema is right now".

She said that she had noticed "family and intimacy under pressure, questions of care, power, belonging, and the experience of living between worlds" as themes running through this year's selection.

"Many of the films look at how private lives are shaped by larger political and social forces."

The festival will also honor Malaysian actor Michelle Yeoh -- who won the best actress Oscar in 2023 for "Everything Everywhere All at Once" -- with a lifetime achievement award.

- Spotlight on women directors -

As in 2025, women directed most of the films being screened at the festival.

Among those in the official competition, nine out of 22 were directed by women, a higher proportion than at the Cannes or Venice festivals.

"One thing that is encouraging for me is the number of second and third time female film-makers who have made strong work," Tuttle said.

The opening film, "No Good Men", is itself the third feature-length film from Afghan director Shahrbanoo Sadat.

"It's about Afghan women's experience, which you wouldn't see if it wasn't for Shahrbanoo's work," Tuttle said.

Sadat fled her home country following the Taliban takeover in 2021 and now lives in Hamburg.

- American films remain elusive -

In contrast to Cannes or Venice, which regularly attract Oscar contenders, Berlin does not feature as many large-scale US productions and the sprinkle of stardust that often accompanies them.

"Some of the biggest authored films of the year, those sort of commercial-arthouse crossover films, haven't launched out of festivals this year," Tuttle noted, perhaps in a nod to titles such as "One Battle After Another", "Sinners" and "Marty Supreme".

For such films, which can easily cost more than $100 million to make, producers and distributors are increasingly keen on controlling all aspects of a film's release.

"Festivals can be busy, noisy places where you might not get the cut-through that you want," according to Tuttle -- not to mention running the risk of negative reviews from critics.

- The era of co-productions -

This year's festival will notably feature European co-productions with financing from several countries.

According to Tuttle, "there's an opportunity right now for Europe, for European producers to work together" as the industry more broadly continues to fracture.

She cites the example of Joachim Trier's "Sentimental Value", nominated for nine Oscars, which is a co-production between Norway, Denmark, France and Germany.

"Sentimental Value is a film that is made by many countries in terms of investment, but it's very much the work of an author and a really important filmmaker," said Tuttle.

- Streaming platforms almost absent -

Unlike in Venice, where three Netflix-produced films entered the official competition, the giants of the streaming world are relatively marginal in Berlin.

"There's real value to be had in theatrical exhibition, not just because there's money to be made there ... but also, for us as movie fans, it's the best way to see a film," said Tuttle.

The only Netflix film at this year's Berlinale will feature in the "Special Presentation" section -- outside of the official competition.

"Un hijo proprio" ("A Child of My Own") is a documentary-length feature telling the story of a Mexican woman who invents a pregnancy in an attempt to escape pressure from her family to have a child.