For Once, Cherokee Actor Wes Studi Cast as Romantic Co-star

Actor Wes Studi poses for a portrait in New York on June 14, 2022, to promote his film "A Love Song." (AP)
Actor Wes Studi poses for a portrait in New York on June 14, 2022, to promote his film "A Love Song." (AP)
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For Once, Cherokee Actor Wes Studi Cast as Romantic Co-star

Actor Wes Studi poses for a portrait in New York on June 14, 2022, to promote his film "A Love Song." (AP)
Actor Wes Studi poses for a portrait in New York on June 14, 2022, to promote his film "A Love Song." (AP)

In Wes Studi’s potent and pioneering acting career, he has played vengeful warriors, dying prisoners and impassioned resistance leaders. For three decades, he has arrestingly crafted wide-ranging portraits of the Native American experience. But one thing he had never done in a movie is give someone a kiss.

“I thought it was about time, yeah,” Studi, 74, says chuckling.

In “A Love Song,” a tender indie drama starring another long-pigeonholed character actor, Dale Dickey, Studi is for the first time cast as a romantic co-star. Dickey plays a woman camping by a mountain lake awaiting the visit of an old flame.

Studi, the Cherokee actor who masterfully played the defiant Huron warrior Magua in Michael Mann’s “The Last of the Mohicans” and who got his first big break playing the character credited only as “the toughest Pawnee” in “Dances With Wolves,” hasn’t been limited entirely to what he calls “leather and feathers” roles. But it’s sometimes taken some extra effort. When he heard Mann was making “Heat,” Studi called up the director and got himself a part as a police detective.

But recently, Studi is increasingly getting a chance to play a wider array of characters. Along with Max Walker-Silverman’s “A Love Song,” which opens in theaters Friday, he’s a recurring, funny guest star on Sterlin Harjo’s “Reservation Dogs,” the second season of which debuts Aug. 3 on Hulu.

“Hopefully it has to do with creating a better understanding of Native people by the general public,” Studi said in an interview earlier this summer. “It does still exist, the misconception that we were all killed off and we don’t exist anymore as peoples.”

“That’s essentially what I want to work on, and being a godfather to Native people in the industry,” he adds.

With that Studi, sitting outside the lobby of his East Village hotel in New York, lets out such a howl of laughter that he nearly doubles over.

Why does that notion, one many would eagerly endorse, strike him as so hysterical? He entered Hollywood at a time when Indigenous people were regularly played by white actors. (“Sam Waterson is the one that kills me,” Studi says, smiling.) A 2019 honorary Oscar made Studi the first Native American actor ever given an Academy Award.

“I can’t take myself seriously when I say that, that’s why,” he answers, wiping tears from his eyes. “I guess it could be.”

In person, Studi bears little resemblance to his fiercer screen roles. He’s more like his characters in “A Love Song” and “Reservation Dogs.” Amiable. Quick to laugh. Self-deprecating. A good storyteller. He exudes a bemused gratitude for the life he’s found as an actor despite spending half his life without Hollywood ambitions. Studi grew up outside of Tahlequah, Oklahoma, and spoke only Cherokee until he was 5. His father was a ranch hand.

“I had never thought of acting, really, except once early in my life when I asked my dad when I saw Jay Silverheels on ‘The Lone Ranger’: ‘Do you think anybody else can do what he does?’” Studi recalls. “He said, ’Probably not. Most of the actors you find are 6-foot tall, blond and blue-eyed.”

At 17, Studi joined the National Guard and volunteered to fight in Vietnam. He served one tour in South Vietnam, and saw heavy action. When he returned home, Studi became an activist and joined the American Indian Movement, taking part in the 1973 occupation of Wooded Knee. It wasn’t until after he got divorced in his late 30s that Studi gave acting a shot -- “on a lark,” he says -- with a Tulsa community theater company his friend was involved with. Studi thought: What do I have to lose?

“The worst thing is that you could embarrass yourself. That’s about it,” he says. “They’re not going to shoot you for it.”

Studi performed wherever the theater company could mount a stage or in gaslight dinner theaters. In one play, he co-starred with Will Sampson and David Carradine. After a few years, Studi headed out to Los Angeles. He was in his early 40s.

“I still get the feeling of: Will I ever work again? That’s always been a part of it,” said Studi. “On the other hand, things have worked out that I have continued to work. I don’t take that lightly. I’m especially grateful that I’ve been able to buy a home and stay in a good car for an extended period of time.”

Studi remembers the Screen Actors Guild book of actors being a hefty tome while the then-newly founded American Indian Registry for the Performing Arts, listing Native actors, was a thin sliver. The parts available to him were also limited.

“The only real opening for a guy who looked like me was in Westerns,” says Studi. “That’s the only real door that was open to us in that point in time. It was simply a matter of being able to deliver lines and look like you mean it.”

After a few roles, Studi landed “Dances With Wolves.” Two years later, Mann cast him as Magua in “The Last of the Mohicans,” the cunning Huron warrior who fervently believes in fighting, ruthlessly, for survival. With time, Studi’s steely, determined performance has only grown more searing.

“Any Native that’s cognizant of history and the back and forth we’ve had with the colonizers, if you will, can have empathy with how he felt about things,” said Studi. “When you’re backed into a corner, you gotta fight. It’s one way or the other. All those things had an emotional consistency to them that I could identify with having been through the turmoil of the ’70s.”

When first-time director Walker-Silverman reached out to Studi, he had little reason to expect the actor of “Geronimo: An American Legend” (1993), “The New World” (2005), “Avatar” (2009) and “Hostiles” (2017), would say yes to a production as small as “A Love Song.”

“We’ve both played a lot of pretty rough people,” she said in January during Sundance. “But he’s such a kind, sweet, gentle soul. It was our first screen kiss. We both laughed a lot about that.”

Studi has goals beyond what he ruefully refers to as his first “rom-com.” One thing he’d like to do is play a main character with a full trajectory, something he feels he’s only done in the Kevin Willmott 2009 film “The Only Good Indian.”

“I’d like to play a lead that takes me from really good to really bad or vice versa, something that has a long arc to it,” says Studi. “I want to continue to do this until I can’t.”

Press Studi and he’ll grant that he sometimes gets letters from young Native American actors who say he inspired them to try. When Studi has been asked to talk to Native children, his message is simple: “If I can do it, you can, too.” And he’s followed along — “a supporter to the max,” he says — as an explosion of young Native talent has emerged in series like “Reservation Dogs” and “Rutherford Falls,” which was co-created by Navajo showrunner Sierra Teller Ornelas.

Studi, who lives in Santa Fe, New Mexico, with his wife, Maura Dhu, has also seen one of his three children, son Kholan, pursue acting. Studi visibly brightens remembering when he and Maura mounted a one-man show with the kids helping out. Studi’s son Daniel operated the lighting. His daughter, Leah, was backstage feeding him lines.

“There were times she would get exasperated with me when I dropped something: ‘Dad, that’s not it!’” Studi says laughing. “Oh, it was such fun.”



F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
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F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)

Thirty years after his death in a high-speed crash viewed by millions around the world, Formula One champion Ayrton Senna's high-octane life is also about to play out in front of a global audience.

The legendary Brazilian driver — who was killed when his car hit a concrete wall at the San Marino Grand Prix in 1994 — is the subject of a six-episode Netflix series that debuts on Nov. 29 and follows him from his early go-kart days to that fatal Sunday afternoon at the Imola track in Italy.

Even three decades after that accident, few F1 figures evoke as much emotion and passion among fans and fellow drivers as Senna, who won three championship titles before his death at the age of 34.

Senna’s complex personality — he was a saint to his millions of Brazilian fans and a sinner to some critics who deemed his driving style too aggressive — comes to life through Brazilian actor Gabriel Leone, who embraced the challenge of portraying such a popular figure.

"He was much more than an F1 driver for us, he became an icon, much beyond his technique and his driving," Leone told The Associated Press in an interview in Sao Paulo. "He had this humanity, this honesty. The things he said, his values, it all made him closer to people."

Senna's life and career had no shortage of made-for-TV moments.

This was a driver who once won a race with his car stuck in sixth gear in front of thousands of raucous fans at the Interlagos track. And who went from fifth position to first in one lap at the 1993 European Grand Prix. And who jumped out of his car during a training session to save the life of a French driver who had crashed.

On the track, his rivalry with French driver Alain Prost was one of the most intense that F1 has ever seen. Off the track, he had some high-profile relationships as well and dated several models, including Elle Macpherson.

"For me as an actor, the more complex the character is, the better. It is more interesting to build him and live him. And this is quite a character, the biggest hero in Brazil, not only in sport," Leone said. "Ayrton was transcendent, he was more than an F1 driver. That’s a guy who is the hero of great drivers in history, like (Michael) Schumacher and (Lewis) Hamilton."

Senna won the drivers’ championship in 1988, 1990 and 1991 with the McLaren team and moved to Williams in the year he died as the favorite to lift the title again.

For Leone, though, it was also important to portray him as a person who understood his role as a national hero, who advocated for the poor and proudly waved a Brazilian flag from his cockpit during every victory lap.

"He was not distant, he was close," said Leone, who attended a red carpet premiere in Sao Paulo on Tuesday with several other cast members and director Vicente Amorim. "That’s for Brazilians and non-Brazilians. It was like this, and it still is like this."

To many international fans, Senna was simply an exceptional talent who was born to be a driver. Even former rival Martin Brundle, now a TV pundit, once likened Senna's ability to find grip on some corners to a dance seemingly innate to a Brazilian.

"It is a different kind of samba that I could not do," Brundle has said.

The Netflix series, however, shows some of the hard work and attention to detail that went into Senna becoming a wet-weather master.

The streaming giant — which reportedly invested more than $170 million in its production — also takes a bit of liberty with the truth when it comes to building up the animosity between Senna and one of his other real-life antagonists, Jean-Marie Balestre, the French former president of F1's governing body FIA.

Balestre is often accused by fans of aiding his countryman Prost in his rivalry with Senna, including at the 1984 Monaco Grand Prix by stopping the race early before the Brazilian driver could overtake his French rival in the heavy rain. And at the 1989 Japanese Grand Prix, when Senna was disqualified in a decision that handed the championship title to Prost.

The Netflix series goes a step further by making Balestre (played by Arnaud Viard) the man responsible for Senna also losing a go-kart title as a youngster, long before he even entered F1.

"If that was true it would be news to every reporter covering Senna’s story over the last decades," said Ernesto Rodrigues, who wrote a biography on the three-time F1 champion. "Yes, Senna had Balestre working against him many times. But Balestre was an autocrat with other drivers, too. It wasn’t exclusive."

Prost, played by Matt Mella, goes from being a racing foe to a friend after his retirement in the series just like in real life. The friction between the two as McLaren teammates and then in the title-deciding races in the 1989 and 1990 seasons create some of the best moments of the series for racing fans.

Three of the women in Senna’s life also appear in the series.

Scenes with Lílian de Vasconcellos Souza, who married Senna in 1981 and divorced him the next year, help show how the Brazilian was driven to go into F1 early in his career. Xuxa Meneghel, a wildly popular TV host, is featured for a full episode as the driver’s most important girlfriend. Adriane Galisteu, who was the champion’s girlfriend when he died, appears for less than three minutes.

Senna's importance to today's F1 drivers was on full display at the Brazilian Grand Prix this month, when Hamilton — the British seven-time F1 champion — drove one of Senna's old cars around the track as part of the tributes marking the 30th anniversary of his death.

"This is the greatest honor of my life," Hamilton said on Nov. 3. "I hope I made Senna proud."