Actress Nichelle Nichols, ‘Star Trek’s’ Trail-Blazing Uhura, Dies at 89

In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
TT

Actress Nichelle Nichols, ‘Star Trek’s’ Trail-Blazing Uhura, Dies at 89

In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)

Nichelle Nichols, whose portrayal of starship communications officer Lieutenant Uhura in the 1960s sci-fi TV series "Star Trek" and subsequent movies broke color barriers and helped redefine roles for Black actors, has died at age 89, her family said.

Nichols, whose fans included Martin Luther King Jr. and a young Barack Obama, "succumbed to natural causes and passed away" on Saturday night, her son, Kyle Johnson, wrote on Facebook.

"Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from and draw inspiration," Johnson wrote.

The series, which became a pop culture phenomenon, shattered stereotypes common on US television at the time by casting Black and minority actors in high-profile roles on the show.

In 1968 she and "Star Trek" star William Shatner broke a cultural barrier when they engaged in US television's first interracial kiss.

She had planned to quit "Star Trek" after one season, but King, the 1960s civil rights leader, convinced her to stay because it was so revolutionary to have a Black woman playing an important senior crew member at a time when Black people were fighting for equality in American society.

Nichols also helped break color barriers at NASA, whose leaders were "Star Trek" fans. After she criticized the space agency for failing to pick qualified women and minorities as astronauts, it hired Nichols in the 1970s to help in recruiting.

Her efforts helped attract, among others, the first woman US astronaut, Sally Ride; the first Black woman astronaut, Mae Jemison; and the first Black NASA chief, Charlie Bolden.

Nichols "symbolized to so many what was possible" and "inspired generations to reach for the stars," NASA said on Twitter.

Nichols' portrayal of the competent, level-headed Uhura also helped inspire future Black actors, including Oscar winner Whoopi Goldberg. Nichols recalled Goldberg telling her of watching "Star Trek" as a 9-year-old, seeing her playing Uhura, and yelling out to her mother: "Come quick! There's a Black lady on television and she ain't no maid!'"

The original "Star Trek" series, tracking the adventures of the crew of the starship USS Enterprise in the 23rd century, ran for only three seasons on the NBC network from 1966 to 1969. But it became hugely popular in syndication in the 1970s, inspiring first an animated series that reunited the cast from 1973 to 1975 and then a succession of feature films and shows.

Nichols appeared in six "Star Trek" films ending with "Star Trek VI: The Undiscovered Country" in 1991.

Uhura deftly handled the starship Enterprise's communications with allied spaceships and alien races while interacting with Captain James T. Kirk (Shatner), Vulcan first officer Mr. Spock (Leonard Nimoy) and the starship's helmsman, Sulu (George Takei).

Takei wrote on Twitter that he and Nichols "lived long and prospered together," describing her as trailblazing and incomparable. "(My) heart is heavy, my eyes shining like the stars you now rest among."

Nichols' best-known scene featured the first scripted interracial kiss on US television, although it was not a romantic one. In an episode called "Plato's Stepchildren," Uhura and Kirk were compelled telekinetically to smooch by aliens toying with the feeble humans. In real life, Nichols disliked Shatner, who she considered arrogant.

"She was a beautiful woman & played an admirable character that did so much for redefining social issues both here in the US & throughout the world," Shatner said on Twitter.

She felt differently about "Star Trek" creator Gene Roddenberry, who cast her after she had acted in a previous show he produced. Nichols had a romance with him in the 1960s and sang a song called "Gene" at his 1991 funeral.

Visit to the White House

Obama, the first Black US president, who was 5 years old when the "Star Trek" series made its debut, also was a fan. Nichols visited him at the White House in 2012 and posed for a photo in the Oval Office, with the president smiling and putting his hand on her shoulder while both made a "Star Trek" Vulcan hand gesture meaning "live long and prosper."

In a 2011 interview with Smithsonian magazine, Nichols recalled meeting King at a civil rights group's fundraiser.

Nichols said she was approached by one of the event's promoters, who told her, "There's someone who wants to meet you and he says he's your biggest fan, so I'm thinking of a young kid. I turn around and standing across the room, walking towards me, was Dr. Martin Luther King with this big smile on his face."

After Nichols told King she planned to quit "Star Trek," she said he implored her to stay.

She said King told her: "This is a God-given opportunity to change the face of television, change the way we think. We are no longer second-class, third-class citizens. He (Roddenberry) had to do it in the 23rd century but it's the 20th century that's watching.'" She rescinded her resignation.

Like other "Star Trek" cast members, she had a hard time finding work due to typecasting after the original series ended. It was during this time when she played a foul-mouthed madam in the film "Truck Turner" (1974) starring Isaac Hayes. She was a recurring character on the television show "Heroes" in 2007.

She was born on Dec. 28, 1932 in Robbins, Illinois, trained as a singer and dancer and toured with jazz greats Duke Ellington and Lionel Hampton before her acting career took off.

Nichols, who was married twice and had one child, suffered a mild stroke in June 2015.



'Moana' Crashes to Shore with Underwhelming Splash at Box Office

Executive producer Auli’i Cravalho attends the world premiere for the film Moana at the Hollywood Bowl in Los Angeles, California, US July 7, 2026. REUTERS/Mario Anzuoni
Executive producer Auli’i Cravalho attends the world premiere for the film Moana at the Hollywood Bowl in Los Angeles, California, US July 7, 2026. REUTERS/Mario Anzuoni
TT

'Moana' Crashes to Shore with Underwhelming Splash at Box Office

Executive producer Auli’i Cravalho attends the world premiere for the film Moana at the Hollywood Bowl in Los Angeles, California, US July 7, 2026. REUTERS/Mario Anzuoni
Executive producer Auli’i Cravalho attends the world premiere for the film Moana at the Hollywood Bowl in Los Angeles, California, US July 7, 2026. REUTERS/Mario Anzuoni

The Walt Disney Company’s live action “Moana” may be the No. 1 movie at the domestic box office, but it did not make a big splash in its first weekend in theaters.

The movie, which cost a reported $250 million to produce, earned just $43 million from ticket sales in the US and Canada, according to studio estimates Sunday.

Internationally, it earned $52 million from 50 markets, adding up to a $95 million global debut, The Associated Press reported.

The studio bet big on “Moana,” one of its most popular franchises. The 2016 animated film is the most watched movie on Disney+. Its sequel, which was stitched together from a planned streaming series, made over $1 billion and scored a Thanksgiving record when it opened with $225 million in 2024.

“Moana 2” was also released just 19 months ago.

This latest “Moana,” directed by Thomas Kail, brings Dwayne Johnson back as the demigod Maui and introduces Catherine Lagaʻaia as the adventuring Polynesian princess. Despite praise for Lagaʻaia, the film set sail on a wave of dismal reviews from critics for being essentially a shot-for-shot remake of the original.

It’s currently sitting at a 34% on Rotten Tomatoes. Audiences, the majority of whom were women (66%), were less negative: According to PostTrak, 63% said they would “definitely” recommend the film to their friends. Parent reactions were even stronger, with 78% saying they would recommend it to other parents. It also got a promising A- CinemaScore.

Disney’s live action remakes of beloved animated films, new and old, have had their share of successes and disappointments. Some have made over $1 billion, including “Lilo & Stitch,” “The Lion King” and “Beauty and the Beast.” Others have floundered, most notably last year’s “Snow White,” which made only $205 million worldwide.

Paul Dergarabedian, the head of marketplace trends for Rentrak, said “Moana's” debut could also be a product of PG-rated oversaturation in the marketplace: Universal’s “Minions & Monsters” was in second place with $20.5 million and “Toy Story 5” was close behind in third place with $18.5 million.

“Families love going to the movies, but right now there are three of them,” Dergarabedian said. “That’s a lot of competition.”

PG-rated films outgrossed others in 2024 and 2025, so “Moana's” performance may not be a case of “family movie fatigue,” he said, but simply shows there can be a ceiling. Families have to make a choice, and after four weekends, “Toy Story 5” is still going strong with a running global total of $879.1 million.

There also are signs that these movies might not sink or swim based on the opening weekend alone. Although “Minions & Monsters” opened below expectations over the Fourth of July holiday, it also had a modest 45% drop this weekend. Its running domestic total is currently sitting at $108.3 million

The weekend’s other big new opener was definitely not PG: The R-rated horror “Evil Dead Burn,” a Warner Bros. release, opened to $13.7 million and landed in fourth place.

Angel Studios’ George Washington movie “Young Washington” rounded out the top five in its second weekend in theaters, with $6.4 million.


US Rapper Pitbull Sets Bald Cap World Record at London Show

Members of the crowd sporting "bald caps" gather in the sunshine ahead of a concert by US rapper and singer Pitbull in Hyde Park, London, on July 10, 2026. (AFP)
Members of the crowd sporting "bald caps" gather in the sunshine ahead of a concert by US rapper and singer Pitbull in Hyde Park, London, on July 10, 2026. (AFP)
TT

US Rapper Pitbull Sets Bald Cap World Record at London Show

Members of the crowd sporting "bald caps" gather in the sunshine ahead of a concert by US rapper and singer Pitbull in Hyde Park, London, on July 10, 2026. (AFP)
Members of the crowd sporting "bald caps" gather in the sunshine ahead of a concert by US rapper and singer Pitbull in Hyde Park, London, on July 10, 2026. (AFP)

US rapper Pitbull has set the first Guinness World Record for the largest gathering of people wearing bald caps.

A total of 22,141 fans wore the caps in London's Hyde Park on Friday ahead of his set at the British Summer Time (BST) festival.

Many also sported other elements of the singer's signature style -- a suit, black aviator sunglasses and stick-on dark goatees.

"Record breaking, record making, history in the making," the 45-year-old hip hop artist said before being presented with his certificate.

"Thank you London, thank you to the fans, thank you Hyde Park, thank you to the bald-es," he added, as temperatures reached 31C in the British capital.

In recent years, it has become a trend for fans to dress as Pitbull while attending his performances.

"I think I put it (the bald cap) on too early," 21-year-old student Connie McGovern told AFP.

"I can't take it off now because my hair and my make-up's messed up, so I've got to commit -- it's not coming off."

Her sister Ella, 23, said it was "good to be a part of something".

"We're going to make history today," she added.

Pitbull was the first person to attempt the feat under official adjudication, meaning there was no previous record to beat.

The Miami-born star's hits include "Fireball", "Timber", "Time Of Our Lives", and "On the Floor".


Music Industry Launches AI-Generated Content Labels

AI (Artificial Intelligence) letters and robot hand miniature in this illustration taken, June 23, 2023. (Reuters)
AI (Artificial Intelligence) letters and robot hand miniature in this illustration taken, June 23, 2023. (Reuters)
TT

Music Industry Launches AI-Generated Content Labels

AI (Artificial Intelligence) letters and robot hand miniature in this illustration taken, June 23, 2023. (Reuters)
AI (Artificial Intelligence) letters and robot hand miniature in this illustration taken, June 23, 2023. (Reuters)

Several major music industry organizations on Friday unveiled a labeling system for content created with generative artificial intelligence that they would like to see widely adopted.

The International Federation of the Phonographic Industry (IFPI) and the Recording Industry Association of America (RIAA) announced the voluntary labels alongside six other groups including the Grammys.

"Fans want to know whether and how generative AI has been used," the chief executives of IFPI and RIAA said in a prepared statement.

"These labels will provide an immediately understandable and easily scalable approach to transparency."

They unveiled two labels. The first would indicate music that is primarily "AI-generated" -- cases where artificial intelligence "was used to generate the entirety or the primary portion of the creative elements of the recording."

This includes tracks generated "entirely" from AI prompts, as well as lead vocals and "key" instrumental tracks that are AI-generated, according to the statement.

The second label applies to "AI-assisted" music recording which are still "created substantially by humans and expresses human creativity" but contain "some expressive elements" that were generated with AI.

However, humans must perform the lead vocals and primary instrumental tracks.

This voluntary labeling system is designed for "broad, global adoption," including on streaming services.

Music streaming site Deezer systematically flags tracks generated with AI, which the company recently said appear in close to half of new uploads. In June, it launched an "AI music detector" which it said is 99.8% accurate.

Earlier this year, an Apple Music executive told Billboard that more than one third of new uploads were entirely created with AI.

The Digital Media Association, a trade group representing streaming companies including Apple Music, Amazon and Spotify, said it was following the labeling announcement closely and looks forward to receiving more detailed and accurate AI metadata as a way to "strengthen our ability to give fans the transparency they deserve."

"DIMA has long advocated for the creators, owners, and distributors of music to provide accurate and timely metadata on all music released and distributed to streaming services," the association's CEO Graham Davies said in a statement.

In April, Spotify launched a "Verified by Spotify" label to signal that users can "trust the authenticity" of an artist, and last year the company announced new efforts to support AI disclosure and combat impersonation.

Spotify declined to comment on Friday. Apple Music and the Digital Media Association did not respond to requests for comment.