Bad Guys Turn Good in China 'Minions' Movie Ending

'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File
'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File
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Bad Guys Turn Good in China 'Minions' Movie Ending

'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File
'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File

What's small, yellow, loves bananas and promotes the rule of law? A Minion, at least according to an edited version of the latest animated film featuring supervillain Gru and his army of tiny sidekicks being screened in China.

The fifth instalment of the lucrative "Despicable Me" franchise, "Minions: The Rise of Gru", premiered in China this month, several weeks after the film opened in United States cinemas, AFP said.

But while the international version of the kung fu-filled family-friendly romp set in 1970s San Francisco tells the story of how the dastardly Gru cut his teeth as a tween criminal, filmgoers in China are treated to an alternative ending in which the good guys win.

A series of subtitled still images inserted into the credits sequence on mainland Chinese screens reassures audiences that police catch Gru's law-breaking mentor Wild Knuckles and lock him up for 20 years after a failed heist.

International viewers simply see Knuckles give police the slip by faking his death earlier in the film's concluding scenes, but in the Chinese version he puts his con artist skills to positive use in prison, where he follows his "love of acting" and sets up a theatrical troupe.

As for Gru, he "eventually became one of the good guys", devoted to raising his family, the Chinese ending says.

It is not the first time a popular foreign film has been altered for cinemas in China, where the entertainment industry faces some of the world's strictest censorship rules and is tasked with promoting "healthy" values.

David Fincher's 1999 cult classic "Fight Club" starring Brad Pitt and Edward Norton was given similar treatment when Chinese streaming platform Tencent Video in January uploaded a version where police shut down the protagonist's plan to bring down modern civilization.

It is unclear if the "Minions" ending was altered due to censors' demands or if producers considered it a more palatable conclusion for the Chinese market.

Universal did not immediately respond to AFP's request for comment.

Social media reaction to the Chinese "Minions" ending was mixed, with one person on the Twitter-like Weibo social media platform saying they had gone to the cinema specifically to see the new ending but was disappointed that it was "just subtitles".

Other fans were upset by the discontinuity between young Gru's virtuous transformation in the new film, a prequel, and his continued villainous behavior in the other films, set in the present day.

"We can only say that the Gru of the main films lives in another parallel Minion universe," one Weibo user complained.



Manga Productions Showcases Saudi Innovation at Anime Japan 2025

Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)
Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)
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Manga Productions Showcases Saudi Innovation at Anime Japan 2025

Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)
Over four days, the Manga Productions team engaged with visitors during both public and business sessions. (SPA)

Manga Productions, a subsidiary of the Mohammed bin Salman Foundation (Misk), concluded its participation in Anime Japan 2025, one of the world's most prestigious anime exhibitions.

Manga Productions sponsored the global event for the first time, reinforcing its commitment to establishing Saudi Arabia’s presence in the anime industry. Held at Tokyo Big Sight, the exhibition attracted more than 150,000 visitors and featured over 100 participating companies worldwide.

Manga Productions chief executive Dr. Essam Bukhari expressed pride in the company's participation and gratitude for the enthusiastic reception from Japanese and international audiences.

Sponsoring such a significant event is a strategic step in fostering partnerships for co-production, distribution, and content licensing, he added.

He also highlighted how Saudi Arabia's economic growth and development are opening doors for deeper collaboration with Japanese and international companies, further cementing the Kingdom's status as a global hub for creativity in the entertainment sector.

Bukhari noted that participation in Anime Japan 2025 boosts Saudi Arabia’s global image, showcasing the Kingdom’s creative identity on a prestigious international platform. It also strengthens connections with audiences and media partners while promoting innovative Saudi content.

Over four days, the Manga Productions team engaged with visitors during both public and business sessions. The company offered an immersive cultural experience, allowing attendees to explore Saudi creativity through traditional clothing displays, cultural activities, and Saudi coffee tastings.

Manga Productions remains dedicated to solidifying Saudi Arabia's position as a leader in the entertainment industry, bringing the latest Japanese entertainment innovations to the Saudi market. This aligns with the Kingdom’s vision for developing the creative content industry, positioning it as a global entertainment hub.