Selection of Nizar Qabbani’s Poems in New, Four-Volume Collection

Book, poems, Nizar Qabbani
Book, poems, Nizar Qabbani
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Selection of Nizar Qabbani’s Poems in New, Four-Volume Collection

Book, poems, Nizar Qabbani
Book, poems, Nizar Qabbani

Beirut’s Hachette Antoine/Naufal Publishing has recently released a new collection composed of four volumes featuring a selection of Nizar Qabbani’s poems. The four volumes focus on love, women, words, and revolution.

“Every title gives a glimpse about the poems selected for each volume. The books are introduced by authors and poets who loved Nizar Qabbani including Algerian author Ahlem Mosteghanemi, Bahraini poet Parween Habib, Lebanese singer Majida El Roumi, and Egyptian poet Hisham Algakh. The poems are not new, but a selection of Qabbani’s timeless poetry. The late poet left behind many works that have represented a reference and heritage for all Arabs,” the publisher says.

About the “She in his Poems” volume, the publisher adds: “The Arabic audience have known Nizar Qabbani’s poems in songs they became fond of. His easy words have always had great significance. They were simple enough to express the lightness and joy of love, and deep enough to alleviate its pains.

Words that called the beloved woman, pleaded for her kindness, and hailed her superiority like a center of attention and a refuge. Nizar’s words have pictured the woman as everlasting inspiration, unfailing beauty, irreplaceable value, and a living embodiment of kindness and beauty.

The collection includes a volume dedicated to poems that revolve around women. This volume was introduced by Majida El Roumi who sang some of the late poet’s works. “I loved her ideas, and the clarity of her mind before I could even love her voice, she resembles me in my depths as a rebel. She feels the words and delivers them in a remarkable manner,” the late Qabbani had said, describing Majida.



Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage
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Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

The Ministry of Culture announced the launch of two new typefaces, the Al-Awwal and the Saudi. Both typefaces, which celebrate the Kingdom’s culture, will be available to individuals and organizations wishing to use them in formal, design, artistic and creative works, according to SPA.
The Ministry of Culture worked to implement the Al-Awwal and the Saudi typefaces, inspired by using the distinctive artistic features of Arabic script, to preserve the characteristics of early calligraphy and inscriptions. Al-Awwal is a thoughtful reimagining of a handwriting style that takes many of its cues from the inscriptions of the first Hijri century. The Al-Awwal typeface integrates modern calligraphy techniques to closely emulate the letter forms in the early stages of development, connecting the present with the origins, foundations and early history of the region.

The Saudi typeface is partly inspired by Al-Awwal and embodies creative ingenuity whilst maintaining the aesthetic of the Kingdom’s historical heritage.
Minister of Culture Prince Bader bin Abdullah bin Farhan said: "The launch of the Al-Awwal and Saudi typefaces is a tribute to the Kingdom's vast cultural and aesthetic heritage. Each typeface serves as a bridge between the past and the present, merging traditional elements with contemporary design principles. This harmonious blend not only honors the Kingdom’s legacy but also inspires innovation.”
The development of the two typefaces began with a historical foundation and archaeological elements, representing the ancient Arabic writings, and reflecting the style of ancient scripts. Both typeface designs are based on creative thinking and interdisciplinary integration among manuscript studies, art history, linguistics, design and digital programming. Designed to celebrate the beauty of Arabic calligraphy, these typefaces enhance aesthetic proportions and spacing between letters, words, lines, dots and diacritics.