Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example

Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example
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Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example

Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example

The 64th issue of the Merit Culture Magazine (October issue) dedicates a cultural section titled a “Woman Fight for her Rights - Huda Shaarawi as an Example” including six articles: “Woman’s role in global development movement”, a lecture addressed by Shaarawi, head of the Egyptian Women Union at the time, at the American University of Cairo, on November 12, 1929; “Memoirs of Huda Shaarawi and beginnings of feminist renaissance” by Dr. Nadia Hanawi (Iraq); “From Mashrabiya to Court” by Dr. Ikram Badawi; “Huda Shaarawi…between social work and political struggle” by Dr. Asmaa Badawi; “How did Huda Shaarawi come out from ‘Harem Era’ and ‘uncovered her face’?” by researcher Samar Lashin; “Arabic feminism: influencing models and contemporary problematics” by journalist Mariana Sami.

The “Critical Views” section features six articles including “Lady Chatterley's Lover… Guardians of the Lord and Literature Inquisitions” by Dr. Mamdouh Farraj al-Nabi; “Social transformation in Jabbour Douaihy’s The American Quarter” by Dr. Huda Ali Eid (Lebanon); “In days of bright sun” by Miral al-Tahawi, in which she exposes laws and customs that subdue women; “Cultural criticism experience of Iraqi critic Fadel Abboud al-Tamimi” by Dr. Tarek Bouhala (Algeria); “Comparative Literature Studies in Moroccan Universities” by Abadati Boushaab (Morocco); “Storytelling romance in Ibtihal al-Shayeb’s ‘Familiar’ collection” by Shawky Abdul Hamid Yahya.

The “Poetry” section includes 11 poems by Ibrahim Daoud, Mahmoud Qarni, Al Sammah Abdullah, Atef Abdulaziz, Karim Abdul Salam, Hana al-Ghunaimi (Egypt), Naseer al-Sheikh (Iraq), Leila Bare’ (Morocco), Salim al-Naffar (Palestine), and Aisha al-Maghrebi (Libyan based in Paris).

The “Story” section offers stories by Al Sayed Najm, Hossam al-Mukadem, Salah Matar, Hassan al-Judi (Syria), Sanaa Shaalan (Jordan), Saad al-Nazzal (Iraq), and Sondos Abdelkader Midi (Libya).

This issue’s “Noun al-Neswa” section discusses the “Truce Nights- Pain Clashes” released by Merit Publishing House in 2020, by Egyptian novelist Mona al-Assassi, in addition to four articles.

The “Speech Innovation” section features three articles: “Views in Literary Quranic Studies” by Mohammed Yassine; “What are the historic roots of some legislations, worships in Islam” by Aya Kotob; “Sufism… understanding of heaven and hell” by Hala Ismat.

The “Around the World” section includes two translations: Asmaa Moussa Othman translated two stories by Italian novelist Andrina Christa, “Eternal Wedding” and “Renata”; and Hussein Sunbuli (Syria) translated the “Disappointment”, a novel by German novelist Thomas Man.

The “Cultures and Arts” section includes an interview by Samir Darwish with Egyptian storyteller and novelist Tarek Imam in which he admits that “Marquise is my favorite and most inspiring novelist, but I believe that Dostoevsky and Kazantzakis top the list of best novelists in history.” The “Personal View” section features “Texts against the official literary current,” an article by Dr. Faisal al-Ahmar (Algeria). The October issue of Merit includes many more articles

like Heidi Ammar’s “Philosophic Quartet in Egyptian Cinema” in the “Cinema” section; “The Codex Sinaiticus” by Dr. Majed Izzat Israel in the “Manuscript” section; “Art Treatment between Imagination and Reality” by Mina Nassef in the “Theater” section; “Eves of Apple” by Dr. Usama al-Hammoud (Syria), and “Women of Sultan Harem in the ‘Pasha’s Daughter” novel” by Khadija Masrouq (Alegria) in the “Books” section.

The cover and graphics in the “Creativity and Creatives” section are made by Syrian artists Ola al-Ayoubi, while graphics in “Noun al-Neswa” are signed by Egyptian artist Najat Farouq, and the photographs on the covers of each section and the back cover are presented by Yemeni photographer Abdullah al-Jaradi.

Merit Culture’s editorial board is composed of publishing manager Mohammed Hashem, editor-in-chief Samir Darwish, assistant editor-in-chief Adel Samih, managing editor Sara al-Iskafi. The primary maquette is gifted by Ahmed al-Loubad.



Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 

Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 
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Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 

Diriyah Art Futures to Launch 'Of the Earth: Earthly Technologies to Computational Biologies' Exhibition 

Diriyah Art Futures (DAF) announced on Wednesday the opening date of its fourth major exhibition, titled "Of the Earth: Earthly Technologies to Computational Biologies."

The exhibition will run in Diriyah from January 14 to May 16.

Curated by DAF’s Director of Exhibitions Irini Papadimitriou, the exhibition is organized into four thematic areas. It examines how technology is often viewed as a tool for controlling nature, while also addressing the environmental impact of digital systems on a planet with finite resources. The artworks will showcase how these technologies are constructed from the earth's own materials.

The collaborations between art, technology, and science provide creative ways to address urgent issues and challenge technological power structures. They propose pathways toward caring ecosystems, reimagining technology shaped by interspecies, collective, and planetary intelligence that serves more than just human needs.

A public program featuring panel discussions, practical workshops, and masterclasses will accompany the exhibition.


France's Louvre Museum Remains Shut as Workers Extend Strike

FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa
FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa
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France's Louvre Museum Remains Shut as Workers Extend Strike

FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa
FILED - 07 December 2018, France, Paris: A View of the inner courtyard with the glass pyramid of the Louvre Museum in Paris. Photo: Christian Böhmer/dpa

Staff at France's Louvre museum in Paris on Wednesday unanimously voted in favor of extending a strike over pay and working conditions that began on Monday, leaving the world's most visited museum closed until further notice.

The museum is routinely closed on Tuesdays.

The strike comes after a spectacular jewel heist in October, as well as recent infrastructure problems, including a water leak that damaged ancient books, which have exposed glaring security gaps and revealed the museum's deteriorating state.

Unions have said that staff at the Louvre are overworked and mismanaged, and they are calling for more hiring, pay increases and a redirection of spending.

Louvre director Laurence des Cars, who has faced intense criticism since burglars in October made off with crown jewels worth 88 million euros ($103.14 million), is due to answer questions from the French Senate on Wednesday afternoon. 

Des Cars has acknowledged an “institutional failure” following the heist but has come under renewed scrutiny after admitting she only learned of a critical 2019 security audit after the robbery.

France’s Court of Auditors and a separate administrative inquiry have since criticized delays in implementing a long-promised security overhaul.

The Culture Ministry announced emergency anti-intrusion measures last month and assigned Philippe Jost, who oversaw the Notre Dame restoration, to help reorganize the museum. The move was widely seen as a sign of mounting pressure on Louvre leadership.
 


New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
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New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)

After years of delays and spiraling costs, Rome inaugurated two new metro stations on Tuesday, including one by the Colosseum, showcasing archaeological discoveries that might become tourist attractions in their own right.

The driverless Metro C line now stretches from the Italian capital's eastern suburbs to Porta Metronia and the Colosseum, extending its reach into the historic city center.

Future plans will take it even deeper under Rome's baroque heart, beneath the river Tiber and onto the Vatican, though the next stop at Piazza Venezia is not expected to open before 2032.

Excavations for the new stations revealed remarkable finds, which slowed work as archaeologists painstakingly preserved layers of ancient Rome they hadn't known were there.

At Porta Metronia, drilling rigs uncovered a military barracks dating back 2,000 years, as well as a residential house, complete with frescoed rooms and mosaics, which are preserved in a museum within the station.

During the Colosseum excavations, workers discovered 28 ancient wells and hundreds of everyday artifacts, including hairpins, oil lamps, irrigation pipes, knives, and statues, many of which are on show.

"These two stations will travel around the world," Transport Minister Matteo Salvini said on Tuesday, predicting they would soon flood social media.

"Beyond serving commuters and Romans, anyone who comes here from Italy or from abroad will stop in these stations. They might take the metro even if they don't need it, just to enjoy the ride," he added.

LONG DELAYS, COST HIKES

Rome's Metro C was meant to link the city's two main Basilicas by the year 2000. Instead, the line only reached the imposing San Giovanni Basilica in 2018, and the Vatican station near St. Peter's Basilica won't be ready for at least another decade.

The initial plan to build 24 stations to the Colosseum was priced at 2.23 billion euros ($2.63 billion), but costs have surged past 3 billion euros, and the entire line could exceed 6 billion by the time the final seven stations are completed.

Engineers say Rome is among the most challenging cities in the world for metro construction, due to buried archaeological sites that require safeguarding and concerns that vibrations could damage the heritage above ground.

At the next stop, at Piazza Venezia, a construction team is digging an 85-meter deep (280 feet) ring around the site which will be filled with reinforced concrete to protect the six underground floors of the station that are being dug out.

Rome Mayor Roberto Gualtieri said it was worth the effort.

"Without these major works, we would never have discovered the barracks at Porta Metronia, we would never have found these wells, and today we would have known far less about our extraordinary past," he said.

Metro C is intended to carry 600,000 passengers a day, easing Rome's notorious traffic and speeding tourists between major landmarks. At present it carries 41,000 daily, but the new openings should see numbers climb.