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‘My Favorite Year,’ Comic Salute to TV’s Golden Age, Hits 40

British actor Peter O'Toole. (AP)
British actor Peter O'Toole. (AP)
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‘My Favorite Year,’ Comic Salute to TV’s Golden Age, Hits 40

British actor Peter O'Toole. (AP)
British actor Peter O'Toole. (AP)

Peter O’Toole was famed for his commanding, Oscar-nominated turns. Mark Linn-Baker was a fledgling stage actor. Richard Benjamin, who’d made a leading-man splash in "Goodbye, Columbus" and "Westworld," had a few TV directing credits. 

The sum of these unlikely parts was the zesty 1982 movie comedy "My Favorite Year," starring O’Toole and Linn-Baker, directed by Benjamin and produced by Mel Brooks. It paid loving tribute to the original golden age of TV in the mid-20th century and the variety shows that were the "Saturday Night Live" hits of their day. 

When Benjamin read the screenplay credited to Norman Steinberg and Dennis Palumbo, he immediately turned to his wife, actor Paula Prentiss. 

"I hope they want me for this, because it's just great," Benjamin recalled saying. 

The film, marking its 40th anniversary, is set in 1954 and topped by O’Toole as faded but still-glam movie idol Alan Swann, who's appearing on "Comedy Cavalcade" only to pay off his IRS debt. Linn-Baker plays Benjy Stone, an energetic young writer tasked with keeping Swann out of trouble (read: sober) until the broadcast. 

The inspirations for "My Favorite Year" included Sid Caesar, the decade’s reigning TV comedy star, and "Your Show of Shows," the hit he topped from 1950-54 and was followed by "Caesar’s Hour." The movie also is infused with the spirit of Errol Flynn's swashbuckling films such as "Captain Blood," with Swann's "Captain from Tortuga" seen in a faux clip. 

Brooks, who wrote for "Your Show of Shows" alongside another future giant of stage and screen, Neil Simon, said in his 2021 memoir "All About Me!" that the movie represented "my love letter to Sid Caesar and the early days of television, and it was also a damn good story." 

"It’s one of the three best productions about live TV that I’ve ever seen," said David Bianculli, a TV critic for NPR's "Fresh Air" and author of "Dictionary of Teleliteracy." His other top picks: "The Dick Van Dyke Show" and Simon's play "Laughter on the 23rd Floor." 

"My Favorite Year," which is available on streaming services, had a respectable box office opening in October 1982, coming in third behind "An Officer and a Gentlemen" and "E.T. the Extra-Terrestrial." 

Joseph Bologna plays the talented, manic (and sexist) King Kaiser. Others in the impeccable cast include Lainie Kazan ("My Big Fat Greek Wedding" and sequels), Jessica Harper ("See"), Bill Macy ("Maude") and Selma Diamond. A character actor on sitcoms, among them the 1980s "Night Court," Diamond's TV roots were in writing and included "Your Show of Shows." 

Benjamin was a teenage fan of Caesar's program and recalled how he and his equally devoted friends would get on the phone after it aired Saturday nights to recap and reenact the highlights. 

"The show changed everything. Comedians used to stand up and tell jokes, but here was comedy that was behavior" and unfolded in extended sketches, Benjamin said. "It seemed like a miracle that this (film) would come to me." 

His agent had talked him up for the job, and a meeting with Brooks and producer Michael Gruskoff convinced them that Benjamin could handle it. 

The role of Swann had yet to be cast, and it was a quirk of Hollywood fortune that it went to O'Toole, yielding his seventh of eight leading-actor Oscar nods (he lost to Ben Kingsley in "Gandhi"). O'Toole received an honorary Academy Award in 2003. 

Albert Finney had been offered the part but was dragging his feet. Benjamin was dispatched to the San Francisco area, where Finney was working on another film, to talk him into it — or risk seeing the project fall apart. 

Finney said he liked the script for "My Favorite Year." But after making several movies in the United States, he longed to get back to the London stage despite the fact he'd earn only "£125 pounds a week," as he put it. 

"Why don't you get O'Toole?" Finney helpfully suggested. "We do this all the time. I turn something down, he turns something down" and the other one takes the role. 

Prentiss, who'd starred opposite O'Toole in the 1965 film "What's New Pussycat," seconded the idea. So did the producers, who again tasked Benjamin with getting an actor to say yes. O'Toole deemed the script excellent but was curious about a scene that included Swann's tombstone, with the birthdate of Aug. 2. 

O'Toole asked if the date been tailored to each actor who'd been pitched the project. When told it wasn't, he replied, "That's my birthday, and that's how old I am. Therefore, I must do the film." 

(The cemetery scene was filmed but cut when test audiences had a more upbeat response to what now concludes the movie, Benjamin said.) 

O'Toole proved a breeze during filming. Benjamin recalled expressing concern to him about a scene in which the actor's head would hit an unpadded tile wall. "I was trained in music hall, " the English-born O'Toole said, referring to his country's version of vaudeville. "I can do this all day." 

Linn-Baker (TV's "Ghosts," "Perfect Strangers") found O'Toole a kind and generous mentor and remains awed by his body of work, which includes "Lawrence of Arabia," "Becket" and "The Lion in Winter." O'Toole died in 2013 at age 81. 

"The relationship that Benjy and Swann had on film is pretty much the relationship that we had off screen," said Linn-Baker, currently on Broadway in "The Music Man" with Hugh Jackman. "He took me under his wing. The little I know about film acting, I know from watching him and listening to him." 

Kazan, who played Belle Steinberg Carroca, Benjy's widowed and remarried mom, recalls meeting O'Toole for the first time when she and Brooks knocked on the actor's dressing room door, heard a muffled "come in" and found an underwear-clad O'Toole seated at the sink and washing his hair. 

"He stands up and says, ‘Miss Kazan, my extreme pleasure,’" the actor and singer recounted with delight. "I fell in love with him. He was so wonderful to me." 

Kazan, who earned a Tony nomination for reprising the role of Belle in the 1992-93 musical adaptation of "My Favorite Year," said she based the outspoken Jewish mother on her relatives, including an aunt who was "a real dominant figure" and Kazan's mother, a beautiful woman who wore "all these fantastic clothes." 

A Brooklyn dinner invitation from Belle to Swann results in a culture clash of epic comedy proportions. At one point, Benjy's middle-aged aunt Sadie enters wearing an elaborate wedding gown, prompting a dubious compliment from sister Belle. 

"You like it? I only wore it once," replies a beaming Sadie, while Swann, amused, looks on. 

For all its entertaining punchlines and slapstick, "My Favorite Year" is a deserved Valentine to the groundbreaking creativity of early TV makers. The templates they created remain copied and popular, even amid the medium's drastic 21st-century changes. 

The movie's plot is fanciful, but "the world in which it is set is the zany reality, and it's just so good," Bianculli said. "I show ‘Your Show of Shows’ in my class (at Rowan University), and it still works." 

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Entertainment

Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”

Entertainment

Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."

Entertainment

Movie Review: Caleb Landry Jones Is a Lovesick Vampire with a Fabulous Wig in Besson’s ‘Dracula’

Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
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Movie Review: Caleb Landry Jones Is a Lovesick Vampire with a Fabulous Wig in Besson’s ‘Dracula’

Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)

“I haven’t eaten in centuries,” says the stooped, wrinkled man knocking at a convent door, seeking food and shelter.

LOL! It’s a funny line, given that this is a disguised Count Dracula — who indeed has not eaten in centuries, unless you count human blood. And it’s especially funny given that “Dracula” is not now, nor has ever been, a comedy.

But the humor’s a nice touch, as are the splashes of color, the lovely 19th-century gowns, the rendering of Parisian salons and vivid street celebrations that are part of Luc Besson’s reimagining of the oft-told tale (more like the told-all-the-time tale), starring Caleb Landry Jones. And yes, the story of Dracula is not usually set in Paris. There’s a lot that’s familiar in this version, but enough variety, panache and bravado to raise it up a notch and give it, well, a raison d’être.

Writer-director Besson’s calling card is romance. Unlike Robert Eggers’ 2024 “Nosferatu,” which was beautiful but bleak to look at and featured an ugly, fearsome vampire, Besson imbues his main character with a swashbuckling sexiness that suits his star's craggy appeal.

We begin back in the year 1480, in a remote castle, where a handsome prince — Vlad’s his name, for now — is with beautiful bride Elisabeta (Zoë Bleu). They are interrupted suddenly by Vlad’s men: War is at hand, and it’s time to fight.

Vlad’s main concern is his wife. He asks the Orthodox priest to protect the life of Elisabeta. Alas, escaping through the forest in the snow, Elisabeta is killed in an ambush. A grief-stricken Vlad returns to kill the priest and is thus cursed with immortal life. A life he will spend trying to find his wife, reincarnated.

Four hundred years later, Vlad, now Count Dracula, resides — shriveled but stylish, with an incredible flowing, white wig that looks like something Elvis might have worn if he were a 400-year-old vampire — in the Carpathian Mountains. But the action shifts to Paris, mainly just because Besson loves Paris, where citizens are joyously celebrating the centenary of the French Revolution.

Paris is also where we meet a prominent vampire-hunter from Bavaria — and unnamed priest — played by Christoph Waltz, who you might imagine is perfect for this role. Like Javert hunting Valjean in “Les Miserables,” this priest is determined to find his prey, wherever that takes him.

And Dracula's on his own mission. In his gloomy castle, where he lives with a gaggle of CGI gargoyles, he prepares to kill a young solicitor (Ewens Abid) who came to see him about his property, hanging him upside down until the blood pools in his head.

But then he sees a picture of the frightened young man’s intended, Mina, and becomes obsessed with finding her, certain she's his reincarnated bride. He spares the man’s life and heads to Paris.

The scenes in the French capital are full of welcome color and life — everything from receptions in salons or at Versailles to a street carnival to a mermaid swimming in an aquarium — all chances to display sumptuous costumes by Corinne Bruand.

When, aided by one of his vampire followers, Maria (Matilda De Angelis), Dracula finds Mina — also played by Bleu (the real-life daughter of Rosanna Arquette) — he immediately knows she’s his eternal love. Now, all he needs to do is win her heart, and get back to Transylvania to escape the vampire hunters. Luckily for him, he’s looking good — those nuns at the convent gave him all the fresh blood he needed to look young and handsome again.

There are plenty of Bessonian flourishes along the way — those gargoyles sure are weird, and they don't remain gargoyles — but in the end, it’s too bad there weren’t even more, to further distinguish this “Dracula” telling from many before it. In any case it all leads to a fairly satisfying confrontation between Dracula and the priest, saved until the very end, a la Pacino and De Niro in “Heat.”

Here, it’s fun to watch Jones and Waltz sink their teeth — well for Jones, his fangs — into a story that’s old as time, but can always use another fairly watchable remake.