Dam Threatens to Swallow Iraqi Farmland

'Nobody has come to see us. Nobody has asked us anything,' said Ibrahim al-Juburi, who is in his 80s Sabah ARAR AFP
'Nobody has come to see us. Nobody has asked us anything,' said Ibrahim al-Juburi, who is in his 80s Sabah ARAR AFP
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Dam Threatens to Swallow Iraqi Farmland

'Nobody has come to see us. Nobody has asked us anything,' said Ibrahim al-Juburi, who is in his 80s Sabah ARAR AFP
'Nobody has come to see us. Nobody has asked us anything,' said Ibrahim al-Juburi, who is in his 80s Sabah ARAR AFP

Jamil al-Juburi, 53, has never left his village in northern Iraq, where his family has worked the land for generations -- but a dam will soon swallow his home, forcing them out.

Tens of thousands of Iraqis are threatened by the Makhoul dam, which the government hopes will be operational on the mighty Tigris in five years.

"I was born here and I grew up here," said Juburi, whose village of Al-Messahag is set in pasture land on the banks of the river.

"It's difficult to leave for somewhere else. It is a whole past that we leave behind us."

Once the dam is erected, Juburi's whole region will be under three billion cubic meters (105 billion cubic feet) of water, AFP reported.

Employed at a state-run oil refinery, Juburi leaves his sons to work the family land, where they plant wheat and citrus trees.

He would agree to move, he said, to put "the national interest above personal interest" -- on condition that the dam "will serve Iraq" as a whole.

Juburi also demanded "adequate damages" in order to safeguard his and his family's future.

Iraq already has eight dams, but it complains that construction of the facilities upstream, mainly in neighboring Turkey, has impacted its river volumes.

Plans for the Makhoul facility can be traced back to 2001, in the twilight of dictator Saddam Hussein's rule.

Work finally got underway in 2021, with drilling, soil analysis and a bridge spanning the river.

Riad al-Samarai, deputy governor of Salaheddin province, lists a 250 MW hydroelectric power plant and an "irrigation canal that will serve agricultural areas and contribute to the nation's food security" as among the project's benefits.

"The public interest requires the construction of this dam to guarantee water reserves for Iraq," he said.

Five villages are located on the site of the future reservoir, he added, and "a commission has been formed by the provinces and relevant ministries to ensure adequate damages for residents" and to relocate them.

But civil society is up in arms, not only about the human impact.

There are also repercussions for flora and fauna, warn environmental groups Save the Tigris and Humat Dijlah, who say the ancient city of Ashur -- a UNESCO world heritage site -- is also at risk.

In August, the International Organization for Migration noted that "there has been no official attempt to speak or engage" with local communities.

"Respondents who are farmworkers and landowners saw Makhoul Dam as a severe threat to their livelihoods," IOM said in a report, sharing the findings of a study by Iraqi organization Liwan for Culture and Development.

Liwan researcher Mehiyar Kathem said the real problem was the "reduction of water that is coming in" from upstream beyond Iraq's borders.

"Iraq doesn't need a new dam," he added. Instead, "the Tigris needs to keep flowing" because of the increase in salinity.

The study found that 39 villages -- each home to between 200 and 8,000 residents -- risk being submerged.

According to Liwan, 67 square kilometers (26 square miles) of "fertile farmland, estates and orchards" will also disappear if the Makhoul dam reaches full capacity, and more than 61,000 livestock will have to be "sold or relocated".

"The dam can disrupt the everyday life of some 118,412 individuals," said Liwan, noting an "absence of trust with decision-makers" among the local communities.

Residents "commonly stated that any expression of discontent with Makhoul dam would fall on deaf ears, and their voices would be ignored", it added.



Noor Riyadh 2024: World’s Largest Light Art Festival Returns with Over 60 Installations

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
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Noor Riyadh 2024: World’s Largest Light Art Festival Returns with Over 60 Installations

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA

Noor Riyadh, the world’s largest light art festival, has returned under the Riyadh Art Project. Running from November 28 to December 14, 2024, the festival spans three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.”
This year’s festival includes contributions from 18 Saudi artists alongside 43 international creators. Participating artists include Architect Saad Al-Howede, Artist Asmaa Aljohani, Artist Anna Ridler, Artist Jiyen Lee, Artist Stefano Cagol, Artist Krista Kim, Artist Stanza, Artist Javier Riera, Studio Atelier Sisu, and Artist Ryoji Ikeda, SPA reported.
Director of Riyadh Art Project Architect Khalid Al-Hazani emphasized Noor Riyadh’s vision of transforming the city into an accessible and inspiring artistic space where creativity flourishes in public areas. Festival Director Nouf Almoneef highlighted Noor Riyadh as a beacon of creativity and connection, inviting visitors to explore this year’s theme through a vibrant collection of installations across Riyadh.
Curators Dr. Effat Abdullah Fadag and Dr. Alfredo Cramerotti present Light Years Apart as an exploration of the profound connection between Althara (the earth) and Althuraya (the stars), reflecting on humanity’s journey from its current realities to its greatest aspirations.
The festival’s installations are strategically placed across its three hubs, reflecting Riyadh’s historical and cultural significance. The King Abdulaziz Historical Center bridges the city’s past and future, Wadi Hanifah provides a natural backdrop, and JAX District serves as an interactive space blending digital creativity, art, and technology.
Prominent installations include Artist Chris Levine’s Higher Power (2024), a city-wide light projection from the Al Faisaliah Tower delivering a Morse code message of hope and unity visible across Riyadh. In Wadi Hanifah, Artist Daan Roosegaarde’s SPARK creates a mesmerizing display of biodegradable floating sparks, while Shifting Perspectives by Saudi Artist Maryam Tariq explores perceptual ambiguity through pixelated imagery at Digital City.
At the King Abdulaziz Historical Center, Studio United Visual Artists’ Aether features 1,500 drones performing a synchronized light show, while Artist Rashed AlShashai’s The Fifth Pyramid uses illuminated pathways to reimagine the ancient structure, symbolizing Riyadh’s transformation into a global art capital.
Noor Riyadh also offers dynamic community projects, including free workshops, guided tours, family activities, and interactive events. Adults can participate in photography and mixed media workshops, while children engage in creative activities like crafting kaleidoscopes and puppetry.
Since its inception in 2019, Riyadh Art has showcased over 500 artworks by more than 500 artists, welcoming over six million visitors. Noor Riyadh has achieved 14 Guinness World Records, solidifying its status as the most impactful light art festival globally. With its 2024 edition, Noor Riyadh continues to position Riyadh as a hub of culture, innovation, and artistic expression.