‘Top Gun,’ ‘Black Panther’ Advance in Oscars Shortlist

This image released by Paramount Pictures shows Tom Cruise as Capt. Pete "Maverick" Mitchell in "Top Gun: Maverick." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Tom Cruise as Capt. Pete "Maverick" Mitchell in "Top Gun: Maverick." (Paramount Pictures via AP)
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‘Top Gun,’ ‘Black Panther’ Advance in Oscars Shortlist

This image released by Paramount Pictures shows Tom Cruise as Capt. Pete "Maverick" Mitchell in "Top Gun: Maverick." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Tom Cruise as Capt. Pete "Maverick" Mitchell in "Top Gun: Maverick." (Paramount Pictures via AP)

Blockbusters like “Top Gun: Maverick,” “Black Panther: Wakanda Forever” and “Avatar: The Way of Water” and pop stars like Lady Gaga, Taylor Swift and Rihanna just got one step closer to getting Oscar nominations.

The Academy of Motion Picture Arts and Sciences on Wednesday announced shortlists in 10 categories for the 95th Oscars, including documentary feature, international film, makeup and hairstyling, score, original song, sound, visual effects and shorts.

Alejandro González Iñárritu’s “Bardo, False Chronicle of a Handful of Truths” was along the 15 films shortlisted in the international film category, one of the most competitive. The category also includes already decorated films like “Holy Spider” (Denmark), “All Quiet on the Western Front” (Germany), “Saint Omer” (France), “Corsage” (Austria), “EO” (Poland), “Return to Seoul” (Cambodia), “Decision to Leave” (South Korea), “Close” (Belgium) and “Argentina, 1985” (Argentina).

The inclusion of “Joyland” marks the first time Pakistan has ever made the shortlist. Most of the directors are first-timers on the shorlist too, with the exception being Iñárritu.

India’s official submission was not S.S. Rajamouli’s popular action epic “RRR,” but rather Pan Nalin’s “Last Film Show” which made the cut becoming the first film from the country to do so in over 20 years. “RRR” could get nominations in other categories, including for the shortlisted original song “Naatu Naatu.”

Jafar Panâhi was also not put forward to represent Iran, whose selection was not among the 15 and Russia did not submit a film this year.

Documentaries advancing to the next stage of voting include Laura Poitras’s Venice-winning “All the Beauty and the Bloodshed,” about photographer Nan Goldin’s work and activism, Brett Morgen’s David Bowie film “Moonage Daydream,” Daniel Roher’s “Navalny,” about the Russian opposition leader, “The Janes ” about pre-Roe v. Wade activists, “All that Breathes,” “Descendant,”“Fire of Love” and “Hallelujah: Leonard Cohen, a Journey, a Song.” It is a rather diverse group of stories and filmmakers: Eight were directed by women and four by people of color.

With many below-the-line categories at hand, big budget sequels like “Avatar,”“Top Gun,” and “Black Panther” were well represented in the effects and sound categories, as well as original song which included Gaga’s “Hold My Hand,” The Weeknd’s “Nothing is Lost” from “Avatar: The Way of Water” and Rihanna’s “Lift Me Up” from “Black Panther.”

Also on the original song shortlist are Swift’s “Carolina” from “Where the Crawdads Sing,” Drake’s “Time” from “Amsterdam,” LCD Soundsystem’s “New Body Rhumba” from “White Noise,” Selena Gomez’s “My Mind and Me” from the documentary of the same name and Rita Wilson’s “Til You’re Home” from “A Man Called Otto.” Diane Warren also gets another shot at a competitive Oscar with “Applause” from “Tell It Like a Woman.” Doja Cat’s song from “Elvis” was not eligible.

For the most part shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

“All Quiet on the Western Front” got quite a few spots on the shortlist, including original score, makeup and hair, sound and visual effects.

Among the visual effects selections were “Jurassic World Dominion, “Doctor Strange in the Multiverse of Madness” and “Fantastic Beasts: The Secrets of Dumbledore,” while makeup and hairstyling includes films David Cronenberg’s body horror “Crimes of the Future.”

Other films advancing in makeup and hairstyling include “The Whale,” in which Brendan Fraser transforms into a 600-pound man, “Elvis, “Emancipation,” “The Batman” and the Marilyn Monroe film “Blonde.”

The 15 original scores selected were winnowed for from 147 eligible and include “Women Talking” from Hildur Guðnadóttir, “The Fabelmans” from John Williams, “The Banshees of Inisherin” from Carter Burwell, “Babylon” from Justin Hurwitz, “Guillermo del Toro’s Pinocchio” from Alexandre Desplat and “The Woman King” from Terence Blanchard. Also in the mix are Ludwig Göransson (“Black Panther: Wakanda Forever”), Nicholas Britell (“She Said”) and Son Lux (“Everything Everywhere All At Once”).

Guðnadóttir’s “Tár” score was not eligible, nor was the “Top Gun: Maverick” score, written by Hans Zimmer, Harold Faltermeyer, Lorne Balfe and Gaga.

Nominations for all categories will be announced on Jan. 24. The 95th Oscars will be held on Sunday, March 12 and broadcast live on ABC.



It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
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It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)

Mixed reviews didn’t dissuade mass audiences from buying tickets to the “The Super Mario Galaxy Movie,” which scored the biggest opening of the year for a Hollywood movie. The Illumination and Nintendo co-production earned $130.9 million over the weekend and a massive $190.1 million in its first five days in North American theaters, according to studio estimates Sunday.

Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the UK and Ireland with $19.7 million.

The animated sequel is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the US and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reign of the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $29.8 million, bringing its domestic total to $216.3 million.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about an engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five.


Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
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Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)

Yup, she wore something blue.

Zendaya, surprising precisely nobody on the planet, showed up in dazzling blue at Thursday’s New York premiere of “The Drama,” after teasing the bridal theme for weeks by wearing something old, then something new, then something borrowed.

Her strapless Schiaparelli Haute Couture ball gown, accompanied by sapphire earrings, completed the sartorial series just in time for the opening of her movie — a film that has attracted considerable controversy and mixed reviews. Zendaya and Robert Pattinson play a couple whose wedding plans go seriously awry following a dark revelation.

The high-fashion appearances have also echoed the bridal theme of Zendaya’s own life, with unconfirmed speculation flying — fed in part by rings she’s been wearing — that she’s already married to partner Tom Holland.

The actor and her stylist, Law Roach, saved the most spectacular outfit for last. Schiaparelli posted on its own Instagram that the gown, which took some 8,000 hours of work, was made of blue and black raw silk “feathers” in satin stitch embroidery, and contained 27 shades of blue.

“Something old” came in Los Angeles on March 17, where Zendaya wore the same white, off-the-shoulder Vivienne Westwood Bridal gown that she’d worn to the 2015 Oscars.

She transitioned to “something new” at the March 24 Paris premiere — a white custom Louis Vuitton gown with a huge black bow and train.

“Something borrowed” came two days later in Rome, a black Armani Privé dress previously worn by Cate Blanchett, with a plunging neckline framed with stones.

Finally on Thursday, Zendaya completed the circle. “SomethingBlue,” posted Roach.

In case nobody had noticed.


Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)
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Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)

US movie legend John Travolta will present his directorial debut "Propeller One-Way Night Coach", about a young boy's journey in the "golden age of aviation", at the Cannes Film Festival in May, organizers said Thursday.

The film, to make its world premiere, is adapted from the 72-year-old star's own 1997 book, inspired by his lifelong passion for aviation, the festival said.

Among the three Travolta films showcased at the Festival de Cannes in the past was "Pulp Fiction" (1994), famed for the actor's two-fingered swipe in its cult dance scene.

"The unforgettable Vince Vega of Pulp Fiction returns to the Croisette for an event as unexpected as it is exciting: his very first film as a director," the festival said.

Travolta wrote the book for his son Jett, who suffered from epileptic seizures and died in 2009 at the age of 16.

The film follows a young airplane enthusiast Jeff and his mother embarking on a one-way journey to Hollywood.

"The story unfolds as a nostalgic journey set in the golden age of aviation," the festival said.

"The journey unfolds in moments both magical and unexpected, charting the course for the boy's future," the statement said, adding that one of the flight attendants is played by the star's only daughter, Ella Bleu, 25.

The actor, who grew up not far from LaGuardia Airport near New York, is a professional pilot and began flying when he was 15.

"Travolta is certified to fly Boeing 707s, 737s, and 747s, Bombardier's Global Express and was the first private pilot to fly an Airbus A380," the festival said.

Travolta has become a pop culture icon, celebrated for his roles in films such as Saturday Night Fever (1977), Grease (1978), and Hairspray (2007).

"Propeller One-Way Night Coach" will make its global debut on Apple TV in May.