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Actor Marisa Abela to Portray Amy Winehouse in New Biopic

Actor Marisa Abela poses on the red carpet at the Fashion Awards 2022 in London, Britain, December 5, 2022. (Reuters)
Actor Marisa Abela poses on the red carpet at the Fashion Awards 2022 in London, Britain, December 5, 2022. (Reuters)
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Actor Marisa Abela to Portray Amy Winehouse in New Biopic

Actor Marisa Abela poses on the red carpet at the Fashion Awards 2022 in London, Britain, December 5, 2022. (Reuters)
Actor Marisa Abela poses on the red carpet at the Fashion Awards 2022 in London, Britain, December 5, 2022. (Reuters)

British actress Marisa Abela will portray Amy Winehouse in a biopic about the late singer, with filming due to begin in London on Monday, production and distribution company Studiocanal has said. 

Called "Back to Black" and directed by British filmmaker Sam Taylor-Johnson, the movie will focus on Winehouse’s "vibrant years living in London in the early aughts and her intense journey to fame". 

The six-time Grammy Award winner died from alcohol poisoning at her north London home on July 23, 2011. Winehouse, who struggled with drink and drug problems through much of her career, was 27 years old. 

Speculation had been rife as to who would play the "Rehab" and "Back to Black" singer. Rising star Abela, 26, is best known for high octane television drama "Industry", about a group of graduates competing for jobs at a top investment bank. 

"As a filmmaker you can’t really ask for more. I feel excited and humbled to have this opportunity to realize Amy’s beautifully unique and tragic story to cinema accompanied by the most important part of her legacy – her music," Taylor-Johnson said in a statement on Friday. 

"I am fully aware of the responsibility, with my writing collaborator – Matt Greenhalgh – I will create a movie that we will all love and cherish forever. Just like we do Amy." 

Taylor-Johnson is known for directing the first "Fifty Shades of Grey" film, an adaptation from the hit book trilogy, drama "A Million Little Pieces" as well as episodes for television series "Gypsy" and "Solos". 

Considered one of the most talented singers of her generation, Winehouse's untimely death shook the music world. 

Several documentaries about her have been made, the most recent narrated by her mother and airing on Britain's BBC in 2021 to mark 10 years since the singer's death. 

A 2015 documentary "AMY" won director Asif Kapadia an Oscar, although at the time the singer’s father Mitch Winehouse called it misleading and said the family had disassociated itself from the film. 

"We are thrilled that Studiocanal, Focus Features and Monumental are making this movie celebrating our daughter Amy’s extraordinary music legacy and showcasing her talent in the way that it deserves," The Amy Winehouse Estate said on Friday. 

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Entertainment

Beyonce and the Grammys: A Tense Relationship again at a Head

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
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Beyonce and the Grammys: A Tense Relationship again at a Head

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File

Beyonce is the most decorated artist in Grammys history, and her album releases have both triggered cultural earthquakes and reshaped music industry norms.

But few artists have ever been snubbed so conspicuously by the Recording Academy -- for all her trailblazing accomplishments, Beyonce has never won the prestigious prizes for best album or record, said AFP.

Once again on Sunday, she will head to the Grammys gala with the most chances to win, after "Cowboy Carter" -- her genre-spanning, sociopolitically charged conversation piece of an album -- dropped last spring to critical acclaim.

It earned her a fifth nomination for Album of the Year: in years past, she has lost to Taylor Swift, Beck, Adele and, most recently, Harry Styles.

As for Record of the Year, this is her ninth shot at a golden gramophone.

And in a glaringly consistent pattern, nearly all of Beyonce's losses have been to white pop and rock artists.

"If she wins the Album of the Year category for 'Cowboy Carter,' it would be -- for me, personally -- similar to when Barack Obama won the presidency," said Birgitta Johnson, a professor of African American studies and music history at the University of South Carolina.

To explain the parallel, Johnson said that upon Obama's victory, "as a Black person in America... I was totally shocked."

'Fault lines'

For Johnson, Grammy voters tend to dismiss collaborative projects, which is Beyonce's bread and butter: the megastar showcases Black music and traditions while elevating fellow artists.

Musicologist Lauron Kehrer seconded that point, citing Beyonce's 2015 loss to Beck for Album of the Year; the chatter afterwards was that while Beyonce worked with a team, Beck put the album together himself.

Voter "values have been more aligned with white-dominated genres like rock and alternative," said Kehrer.

"When we look at pop and R&B and other genres, they take a more collaborative approach -- but that approach to collaboration hasn't really been valued by Grammy voters."

Kehrer said Beyonce's career is emblematic of "fault lines in how organizations think about style and think about genre, especially around race and gender lines."

And though the Grammys have increased the number of contenders in the top categories -- it used to be five, was bumped to 10, and is currently eight -- in a bid to promote diversity, the change has actually meant votes are split to a degree that people of color and less conventional artists still rarely win.

"All those things are coming into play when it comes to Beyonce, this iconic global star that keeps missing this particular brass ring," Johnson said.

No 'one-trick pony'

Beyonce's work is difficult to define -- beyond the top categories, her 11 Grammy nominations this year span Americana, country, pop and rap.

She has previously scooped awards for dance and electronic music.

"She refuses to be a one-trick pony," Kehrer said.

"It does feel like 'Cowboy Carter' especially was a project to show, among other things, that she's a versatile artist who can't be pigeon-holed, and to kind of force institutions in the industry to pay attention to that."

Beyonce has thus challenged the Recording Academy to keep up with her by improving on its categorization of music to better reflect industry trends -- something that the Grammy organizers have indeed endeavored to do.

In the end, the Grammys need Beyonce a whole lot more than she needs the Grammys, Johnson says.

Her touch is vital to the gala "so they can seem not only relevant, but as inclusive as they claim they have been trying to be," she told AFP.

'Litmus test'

As for winning prizes, if that were Beyonce's primary concern, she would write music tailored for that, Johnson notes.

Instead, "she's trying to do more work around narratives and identity," the professor said.

"She's one of those rare artists who are free creatively, but also has the wealth to propel her vision."

That vision trickles down to the artists who routinely win the big prizes, Johnson said, pointing to Grammys darling Billie Eilish as an example of how younger generations take inspiration from Beyonce to work across genres.

Ultimately, even if Queen Bey doesn't need institutional approval, wins matter for fans -- and, in turn, representation.

"It's hard to get around the fact that it's such a significant recognition," Kehrer said, calling the Grammys a "litmus test for where we are on race and genre in the music industry."