Dior Mania and K-Pop Overtake Paris Fashion Week Menswear 

A model presents a creation from the Fall/Winter 2023/2024 Collection by British designer Kim Jones for Dior fashion house during the Paris Fashion Week, in Paris, France, 20 January 2023. (EPA)
A model presents a creation from the Fall/Winter 2023/2024 Collection by British designer Kim Jones for Dior fashion house during the Paris Fashion Week, in Paris, France, 20 January 2023. (EPA)
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Dior Mania and K-Pop Overtake Paris Fashion Week Menswear 

A model presents a creation from the Fall/Winter 2023/2024 Collection by British designer Kim Jones for Dior fashion house during the Paris Fashion Week, in Paris, France, 20 January 2023. (EPA)
A model presents a creation from the Fall/Winter 2023/2024 Collection by British designer Kim Jones for Dior fashion house during the Paris Fashion Week, in Paris, France, 20 January 2023. (EPA)

Dior mania descended on Paris Fashion Week menswear Friday as over a thousand screaming fans thronged the magnificent Place de la Concorde for a glimpse of their favorite stars, with some almost risking their lives in snarled traffic. 

The minders of the show's VIP guests, including David Beckham, Naomi Campbell and Korean band BTS members J-Hope and Jimin, navigated the crowd like salmon swimming upstream. 

Inside, Dior designer Kim Jones paid homage to Yves Saint Laurent, who became the world’s youngest couturier in 1957 upon Christian Dior’s death. 

Here are some highlights of fall-winter 2023-2024 collections: 

YSL: An homage 

In 1958, Saint Laurent unveiled his first collection for Christian Dior. It was a global event which saw the 21-year-old draw thousands upon thousands of screaming fans who thronged avenues. Some things never change, even in 65 years. 

Kim Jones used that women’s collection as the inspiration for his men’s -- mirroring its contrasts of masculine versus feminine and British tailoring versus couture. 

Jones also captured its fluidity to produce softened shapes and loose waists. Unbuttoned suits that unfurled cut a nice trapeze silhouette, as did clever white knit sweaters with sleeves snipped away to flap like a poncho. 

Jones did his homework. In Saint Laurent’s debut, he famously abandoned Dior’s cinched waists and lengthy fabrics in favor of more fluid shapes in which the body disappeared, inventing the trapeze silhouette. 

Some Jones styles, like an update marine sailor top, were lifted directly from the 1958 archive. 

But this sublime show was much more than mere homage. Three-dimensional printed shoes followed contemporary sheer organza vests with tiered banding, and looked aggressive yet feminine. Off the shoulder tailoring on one embellished pearl coat simultaneously evoked a slouchy rebel and an opening flower. 

Dior’s stars, thespians 

The unique fusion of celebrity, artistry, hysteria, beauty and wafting perfume at Dior’s show overwhelmed the senses. It began with remarkable filmed performances of actors Gwendoline Christie and Robert Pattinson reciting excerpts from English poet T.S.. Eliot’s “The Waste Land” spliced with images of the Dior collection. 

But even the cool Christie, star of both Dior show and “Game of Thrones,” seemed overwhelmed when journalists ditched her in a split second upon the arrival of BTS's Jimin, who recently was announced as Dior brand ambassador. 

Paul Smith changes centuries 

Smith delved into the history books for a thoughtful display that seemed to merge London from the 1970s with the city in the 1870s. 

A quilted coat with checked cape demonstrated this perfectly. It flared out at the back looking as if it were fashioned on Baker Street and could have been worn by Sherlock Holmes if it came with a pipe. 

Elsewhere, a high white collar had a prim 19th century feel, while a dark velvety coat with a big collar sported a beautiful textured thickness. 

Such old-fashion musing gave fall-winter a more austere style than usual, but it was a welcome change. 

The 1970s, a Smith touchstone, also were on abundant display. The designs included blown up checked coats, vibrant blue printed pants and loose colored suits with broad, rounded shoulders. 

The best looks were ones that fused the two eras, such as a loose cerulean trench coat with voluminous layers, twinned with a striped blue silk foulard. 

Botter is sublime 

Flashes of bright color and quirk infused the fabulous co-ed fall fare of Rushemy Botter and Lisi Herrebrugh. 

If there was an overarching theme in Botter's ever-creative and eccentric show, it surely was the haphazard. 

A blue bikini was sewn humorously atop a shimmering satin shirt-dress. A suit jacket’s outer layer peeled off to reveal a snakeskin-like underlayer. A mermaid look featured a salmon printed on a tight vest descending to a rippled metallic satin skirt “tail.” A neon-pink knit sweater placed on the front of another sweater was surely a swipe at how cold the Paris weather has been of late. 



Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
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Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.


Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
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Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo

Ralph Lauren posted third-quarter results above Wall Street estimates on Thursday, but the luxury retailer's warning of margin pressure tied to US tariffs sent its shares down nearly 6.4% in premarket trading.

The company expects fourth-quarter margins, its smallest revenue period, to shrink about 80 to 120 basis points due to higher tariff pressure and marketing spend.

Ralph Lauren, which sources its products from regions such as China, India and Vietnam, has relied on raising prices and reallocating production to regions with lower duty exposure to offset US tariff pressures, Reuters reported.

"Ralph Lauren has been able to raise prices for some time now. There is some limit on how long it can continue to do this. I think (the company's) gross margins are near peak levels," Morningstar analyst David Swartz said.

The company, which sells $148 striped linen shirts and $498 leather handbags, has tightened inventory, lifted full-price sales and refreshed core styles, boosting its appeal among wealthier and younger customers, including Gen Z.

Higher-income households are still splurging on luxury items, travel and restaurant meals, while lower- and middle-income consumers are strained by higher costs for rents and food as well as a softer job market.

The New York City-based company saw quarterly operating costs jump 12% year-on-year as it ramped up brand building efforts through sports-focused brand campaigns such as Wimbledon and the US Open tennis championship.

The luxury retailer said revenue in the quarter ended December 27 rose 12% to $2.41 billion, above analysts' estimates of a 7.9% rise to $2.31 billion, according to data compiled by LSEG.

It earned $6.22 per share, excluding items, compared to expectations of $5.81, aided by a 220 basis points increase in margins and an 18% rise in average unit retail across its direct-to-consumer channel.

Ralph Lauren now expects fiscal 2026 revenue to rise in the high single to low double digits on a constant currency basis, up from its prior forecast of a 5% to 7% growth.


Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
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Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA

Saudi Arabia’s Fashion Commission and global luxury group Kering have launched the "Kering Generation Award X MENA" across the Middle East and North Africa (MENA) for 2026.

The announcement was made on Tuesday during the opening of the RLC Global Forum, hosted at the French Embassy in Riyadh.

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners.

Participants benefited from mentorship programs, workshops, and opportunities to strengthen their global presence. Building on this momentum, the 2026 program seeks to expand its impact across the MENA region.

The 2026 award focuses on four key areas of sustainable fashion: innovation in regenerative materials and clean production, circular design and sustainable business models, nature conservation and animal welfare, and consumer awareness and cultural engagement.

The program targets startups across the MENA region that operate in, or positively influence, the sustainable fashion sector, provided they demonstrate innovation capabilities and the ability to deliver measurable sustainability outcomes.