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Ke Huy Quan Realizes an Oscar Dream He Thought Was Dead

Ke Huy Quan arrives at the 2023 BAFTA Tea Party, Saturday, Jan. 14, 2023, at the Four Seasons Hotel Los Angeles at Beverly Hills, in Los Angeles. (AP)
Ke Huy Quan arrives at the 2023 BAFTA Tea Party, Saturday, Jan. 14, 2023, at the Four Seasons Hotel Los Angeles at Beverly Hills, in Los Angeles. (AP)
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Ke Huy Quan Realizes an Oscar Dream He Thought Was Dead

Ke Huy Quan arrives at the 2023 BAFTA Tea Party, Saturday, Jan. 14, 2023, at the Four Seasons Hotel Los Angeles at Beverly Hills, in Los Angeles. (AP)
Ke Huy Quan arrives at the 2023 BAFTA Tea Party, Saturday, Jan. 14, 2023, at the Four Seasons Hotel Los Angeles at Beverly Hills, in Los Angeles. (AP)

It's about an hour after Ke Huy Quan heard his name read as an Academy Award nominee for his performance in “Everything Everywhere All at Once.” “Still processing” would be an understatement. “Still jumping for joy” would be more accurate.

“This is one of the happiest mornings I've ever had!” exclaims Quan.

Few Oscar nominees this year have had a more round-about way to reaching the Academy Awards than the 51-year-old Quan. After starring as a child in two of the most beloved films of the 1980s — as Short Round in “Indiana Jones and the Temple of Doom” and Data in “The Goonies" — Quan struggled to find work in an industry where opportunities for Asian-American actors were few and far between. He eventually went to film school, began working beyond the camera and more or less abandoned his hopes of acting again.

Now, thanks to Daniel Kwan and Daniel Scheinert's existential romp — “Everything Everywhere All at Once” led all films Tuesday 11 nominations including best picture and best actress for Michelle Yeoh — Quan is living a dream he had given up on.

Speaking by phone from Los Angeles, Quan — widely considered the frontrunner to win best supporting actor at the March 12 Oscars — reflected on his once-unfathomable Oscar moment.

AP: How does this feel?

Quan: It feels surreal. I cannot believe this is happening. When I heard the nomination, I jumped up and I screamed so loud. I felt exactly how I felt when my agent called to tell me I got the part of Waymond.

This is something that I have dreamed of for more than 30 years. I would watch the Oscars every year, religiously. I would always envision myself on the red carpet, being in that room, being nominated and the anticipation of them reading it — all of that. It just seemed so far-fetched. Especially when I had to step away for acting for so many years, that dream seemed like it was dead. I didn't even dare to think of that anymore because I wasn't an actor anymore. My whole thing was just I wanted a job. I just wanted to have a steady job where I could act again.

So getting an Oscar nomination is so beyond my imagination. I cannot believe I'm having this conversation with you.

AP: What was your morning like?

Quan: I set an alarm clock. I woke up really early and I got on a Zoom with my “EEAAO” family, with Michelle, with the Daniels, with our producer Jonathan (Wang). We were just talking and watching as the nominations came in. All of us were so blown away. We can't believe that we're leading with 11 categories. I'm so grateful to the academy. They've made a lot of dreams come true today.

AP: You've been much celebrated this awards season. Have you felt people rooting for you and inspired by your twist of fate?

Quan: When I decided to get back into acting, I was so afraid. The last time they saw me up on the screen, I was a little kid. Now, I'm a middle-aged man. Ever since our movie came out, they have shown me nothing but love and kindness, and I'm grateful to them. I've cried so many times. I've been so emotional because I've met a lot of them in person and they all said they're so happy to see me back up on the screen again. This has been such a wild and unbelievable ride. I didn't expect any of this. I do hope that my story inspires them to not give up on their dreams.

AP: What are you going to do to celebrate today?

Quan: I want to call my family. I want to give my wife a hug. They have supported me all these years unconditionally. They saw me when I was struggling. They were happy for me starting out making those movies. And when I was dispirited, they were worried for me. They would always ask if there was anything they could do for me, even offering me to go up to Houston — where the majority of my family lives — to see if I wanted to do something else. So they understand my struggles more than anybody.

Ever since our movie came out, especially during awards season, they have been so, so happy for me. Seeing their smiles, their joy, that's what warms my heart. That's what I'm grateful for. Especially my wife who I've been married to for 22 years now. Every month, every year, she tells that: “Ke, one day it will happen.” She never wavered in her belief in me. (Quan's voice quivers) When I didn't believe in myself, she believed in me.

AP: Michelle Yeoh described her Oscar nomination as a validation. Especially considering you went through those long periods of self-doubt, is it the same for you?

Quan: She's right. It's the biggest validation. When I stepped in front of the camera, I didn't know whether I could do this again, and I didn't know if the audience wanted to see me do this again. All I knew was that I felt happy when I was in front of the camera. I felt very comfortable, like that's where I belong. So this nomination means that I made the right decision.

For the longest time, when I was much, much younger, I was so lost because I didn't see a road for me. But now I see it. I think this means that I get to do this for as long as I like. And honestly, to be able to do something that you love, it's such a huge luxury. That's what this nomination is. It means the world to me.

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Entertainment

Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."

Entertainment

First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.

Entertainment

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”