‘Laverne & Shirley’ Actor Cindy Williams Dies at 75

In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)
In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)
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‘Laverne & Shirley’ Actor Cindy Williams Dies at 75

In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)
In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)

Cindy Williams, who was among the most recognizable stars in America in the 1970s and 1980s for her role as Shirley opposite Penny Marshall's Laverne on the beloved sitcom "Laverne & Shirley," has died, her family said Monday.

Williams died in Los Angeles at age 75 on Wednesday after a brief illness, her children, Zak and Emily Hudson, said in a statement released through family spokeswoman Liza Cranis.

"The passing of our kind, hilarious mother, Cindy Williams, has brought us insurmountable sadness that could never truly be expressed," the statement said. "Knowing and loving her has been our joy and privilege. She was one of a kind, beautiful, generous and possessed a brilliant sense of humor and a glittering spirit that everyone loved."

Williams worked with some of Hollywood's most elite directors in a film career that preceded her full-time move to television, appearing in George Cukor's 1972 "Travels With My Aunt," George Lucas' 1973 "American Graffiti" and Francis Ford Coppola's "The Conversation" from 1974.

But she was by far best known for "Laverne & Shirley," the "Happy Days" spinoff that ran on ABC from 1976 to 1983 that in its prime was among the most popular shows on TV.

Williams played the straitlaced Shirley Feeney to Marshall's more libertine Laverne DeFazio on the show about a pair of blue-collar roommates who toiled on the assembly line of a Milwaukee brewery in the 1950s and 1960s.

"They were beloved characters," Williams told The Associated Press in 2002.

DeFazio was quick-tempered and defensive; Feeney was naive and trusting. The actors drew upon their own lives for plot inspiration.

"We’d make up a list at the start of each season of what talents we had," Marshall told the AP in 2002. "Cindy could touch her tongue to her nose and we used it in the show. I did tap dance."

Williams told The Associated Press in 2013 that she and Marshall had "very different personalities" but tales of the two clashing during the making of the show were "a bit overblown."

The series was the rare network hit about working-class characters, with its self-empowering opening song: "Give us any chance, we’ll take it, read us any rule, we’ll break it."

That opening would become as popular as the show itself. Williams’ and Marshall’s chant of "schlemiel, schlimazel" as they skipped along together became a cultural phenomenon and oft-invoked piece of nostalgia.

Marshall, whose brother, Garry Marshall, co-created the series, died in 2018.

Actor Rosario Dawson shared a video of the opening theme on Twitter on Tuesday.

"Singing this song with so much gratitude for both of you ladies," Dawson tweeted. "Absolute gems. United again… Rest in Paradise Cindy Williams."

The show also starred Michael McKean and David Lander as Laverne and Shirley's oddball hangers-on Lenny and Squiggy. Lander died in 2020.

McKean paid tribute to Williams on Twitter with a memory from the production.

"Backstage, Season 1: I’m offstage waiting for a cue. The script’s been a tough one, so we’re giving it 110% and the audience is having a great time," McKean tweeted. "Cindy scoots by me to make her entrance and with a glorious grin, says: ‘Show’s cookin’!’ Amen. Thank you, Cindy."

As ratings dropped in the sixth season, the characters moved from Milwaukee to Burbank, California, trading their brewery jobs for work at a department store.

In 1982, Williams became pregnant and wanted her working hours curtailed. When her demands weren’t met, she walked off the set, and filed a lawsuit against its production company. She appeared infrequently during the final season.

Williams was born one of two sisters in the Van Nuys area of Los Angeles in 1947. Her family moved to Dallas soon after she was born, but returned to Los Angeles, where she would take up acting while attending Birmingham High School and a major in theater arts at LA City College.

Her acting career began with small roles in television starting in 1969, with appearances on "Room 222," "Nanny and the Professor" and "Love, American Style."

Her part in Lucas' "American Graffiti" would become a defining role. The film was a forerunner to a nostalgia boom for the 1950s and early 1960s that would follow. "Happy Days," starring her "American Graffiti" co-star Ron Howard, would premiere the following year. The characters of Laverne and Shirley made their first TV appearance as dates of Henry Winkler's Fonzie before they got their own show.

Lucas also considered her for the role of Princess Leia in "Star Wars," a role that went to Carrie Fisher.

In the past three decades, Williams made guest appearances on dozens of TV series including "7th Heaven," "8 Simple Rules" and "Law and Order: Special Victims Unit." In 2013, she and Marshall appeared in a "Laverne & Shirley" tribute episode of the Nickelodeon series "Sam and Cat."

Last year, Williams appeared in a one-woman stage show full of stories from her career, " Me, Myself and Shirley," at a theater in Palm Springs, California, near her home in Desert Hot Springs.

Williams was married to singer Bill Hudson of musical group the Hudson Brothers from 1982 until 2000. Hudson was father to her two children. He was previously married to Goldie Hawn and is also the father of actor Kate Hudson.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.