New Book Reveals Secrets, Untold Stories from Baligh Hamdi’s Last Days

Book, Baligh Hamdi
Book, Baligh Hamdi
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New Book Reveals Secrets, Untold Stories from Baligh Hamdi’s Last Days

Book, Baligh Hamdi
Book, Baligh Hamdi

New stories and important secrets from the last days of late musician Baligh Hamdi have been revealed in “Baligh…Secrets of Last Days”, a new book published recently, 30 years after his death aged 61, on September 12, 1993.

The late Egyptian poet composed for the most prominent singers of his era, he was described by Abdel Halim Hafez as “the hope of Egypt’s music”, and had many titles including “the king of music”.

Released by Dar Insan publishing, Cairo, “Baligh…Secrets of Last Days” is written by journalist Ayman al-Hakim, who has always been eager to express his loyalty to Baligh. The journalist recalls when late popular crooner Mohammed Rushdi called him to witness the evacuation of Baligh’s office, in Zamalek area.
The properties of late musician were on the floor, including his oud and handwritten music notes. At that moment, Rushdi cried while collecting the belongings to take them to Hamdi’s family house.

This book is the journalist’s third about Baligh; he also wrote a play exploring the last years of the late musician’s life. Dubbed “Love Story”, the play was produced two years ago on the national theater.

The author goes back to Baligh's last days, revealing untold stories and new secrets through Baligh's friend, Mohsen Khattab, who accompanied him throughout the years he had to spend abroad after the case of Moroccan Samira Melian.

A letter in the book says that Baligh died of an absurd mistake. His date of birth recorded in his passport was October 7, 1939, but he was nine years older. Doctors determined the treatment dose based on the recorded date, which led to serious complications.

According to his friend, Baligh’s last demand was to hear the voice of Warda. Exhausted after he had taken the second dose of treatment, he kept asking whether she called to ask about him. Then, he was transferred to the ICU, where he passed away moments before he could fulfill his last wish.

“On September 12, 1993, Baligh Hamdi’s heart stopped in the ICU at the Gustave Roussy Hospital, where he spent three months. The screenings he underwent in Cairo and Jeddah showed liver deterioration due to cirrhosis. At the time, he had traveled to Jeddah to attend the wedding of a friend's son in Saudi Arabia, and to visit the new studios that were opened there. But at the end of the visit, doctors discovered that he also had terminal liver cancer,” the author wrote.

Baligh's friend reveals that the late musician’s body was purified twice; The first in the hospital in Paris and the second in Egypt. Forty days after his death, a memorial service was held at the Balloon Theater in the presence of his family, and Warda who sang ‘Bawadaak’ and cried. Baligh had written this song so Warda can sing it in his farewell. According to the book, Baligh requested four roses on his grave, and to be buried next to his mother, the only woman he chose to be with in his final resting place.

Ayman al-Hakim wrote that although the date of Baligh’s death was September 12, 1993, many believe that he died years earlier, specifically on May 14, 1986, the day he was sentenced to one year in prison in the Samira Melian case. That date marked the beginning of the tragic chapter that broke Baligh and forced him to leave Egypt to Paris before his conviction, and return again for a retrial and acquittal on July 25, 1990. The book highlights the details of the famous case that was the beginning of the end for the late musician.

In the book, Khattab opens up about Baligh’s life in Paris, and the support he got from influential Arab figures, kings and presidents. Libyan President Muammar Gaddafi sent, through his special envoy, Ahmed Gaddaf al-Dam, blank checks to Baligh, who thanked him and rejected his offer.

The book also includes chapters about his first marriage, and dedicates a special chapter for stories about Baligh narrated by singer Ali Al-Hajjar. It also includes an exclusive record of his works, over 1500 pieces including 101 for Warda, 79 for Shadia, 74 for Najat, 32 for Abdel Halim, and 11 for Umm Kulthum.



Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts
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Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

The Saudi Visual Arts Commission has signed a memorandum of understanding with Cité Internationale des arts in Paris to strengthen collaboration, exchange expertise in the visual arts, and explore areas of cooperation that support artists and practitioners and broaden their access to artistic, cultural, and professional exchange.

Areas of collaboration include developing visual arts-related initiatives and residency programs, exploring opportunities to involve local and international artists and talent in programs organized by both parties, and supporting Saudi artists and expanding their opportunities to connect with the global art scene, SPA reported.

The two parties will also collaborate on organizing joint initiatives and exhibitions, exchanging expertise and knowledge, and engaging experts and professionals in mentorship, professional guidance, and talent development initiatives.

The MoU forms part of the commission’s efforts to support the visual arts ecosystem in Saudi Arabia, strengthen international cultural exchange and collaboration, and expand opportunities for artists and cultural practitioners to engage and develop professionally, in line with the objectives of Saudi Vision 2030 to support the growth of the cultural sector, empower practitioners, and enhance the Kingdom’s cultural presence internationally.


Pompeii’s Grandest House Gets a $1.6 Million Restoration Funded by Private Sponsor

 In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
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Pompeii’s Grandest House Gets a $1.6 Million Restoration Funded by Private Sponsor

 In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)

An ancient residence believed to be the grandest in the Pompeii archaeological site is being restored with the entire 1.4 million euros ($1.6 million) cost being covered by a private sponsor, officials announced Tuesday.

The house of Marcus Fabius Rufus, modeled after Rome’s imperial palaces and buried in the eruption of Mt. Vesuvio that destroyed the ancient city in 79 A.D., has been inaccessible to the public since 1980. Originally built on Pompeii’s city walls, it features four floors connected by a maze of corridors and staircases.

Part of it is expected to open to guided groups by Christmas, officials for the Archeological Park of Pompeii said.

The renovation is being paid for by a German entrepreneur, Frank Hoefer, who contacted the archaeological park after reading superintendent Gabriel Zuchtriegel’s 2023 book: “Pompeii: The Enchanted City.”

“Restoring the spectacular residence of Marcus Fabius Rufus ... is a project I find exciting,” Hoefer said in a release. “I also have the impression that Pompeii is very open to innovative approaches to preservation and public access.”

Zuchtriegel said the goal is to expand such sponsorships.

“This does not mean that from tomorrow on if we had 50 such sponsors we would be able to abolish the entrance ticket, putting it at just a symbolic one-euro price, but it is a perspective towards which we have to work to develop the site,” Zuchtriegel said in a video statement.

Structural work was carried out on the house from 2021-2023, and current renovations are focused on the frescoes, including the famous Venus of Pompeii located in a chapel within the residence. The owner was believed to be a magistrate or a freedman of the imperial household.

Zuchtriegel said work was also being done to make the complex more accessible, and digital technology was being developed to help people grasp the “incredible labyrinth” that makes up the house.

“At times, you feel like you are in a 19th-century palace in Naples, yet this is a Roman house from 2,000 years ago,” Zuchtriegel said.


Saudi Arabia Named Guest of Honor at Algiers International Book Fair 2026

Saudi Arabia Named Guest of Honor at Algiers International Book Fair 2026
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Saudi Arabia Named Guest of Honor at Algiers International Book Fair 2026

Saudi Arabia Named Guest of Honor at Algiers International Book Fair 2026

Saudi Arabia will be the guest of honor at the Algiers International Book Fair 2026, taking place from October 28 to November 7 at the Palais des Expositions in Pins Maritimes. The Kingdom's participation aims to strengthen cultural exchange with Algeria.

Saudi Arabia's selection as guest of honor reflects the strong fraternal relations between the two countries and the rapid development of the Kingdom's cultural sector, supported by the Saudi leadership. These efforts have helped strengthen the global presence of Saudi culture and raise awareness of the Kingdom's cultural heritage.

The Literature, Publishing and Translation Commission will lead the Kingdom's participation in the fair, organizing a cultural program featuring seminars, panel discussions, and poetry evenings. The events will bring together a distinguished group of intellectuals, writers, and specialists. The program will also highlight Saudi Arabia's literary scene and the creative momentum across various cultural fields.

The Saudi pavilion will feature sections dedicated to handicrafts, traditional Saudi attire, and musical instruments, alongside an exhibition of manuscripts and archaeological replicas.

It will host performances of Saudi performing arts that reflect the depth of the Kingdom's cultural heritage, as well as screenings of Saudi films.

Several government entities, authorities, and cultural organizations will participate, presenting a comprehensive picture of cultural activity across various sectors in Saudi Arabia.

The pavilion is expected to offer an integrated cultural experience that reflects the richness and diversity of Saudi identity. It will showcase cultural achievements made under Saudi Vision 2030, which seeks to establish culture as a component of quality of life and a means of fostering cultural exchange among peoples.