Richard E. Grant Brings Enthusiasm as BAFTA Film Awards Host

Richard E. Grant poses for photographers upon arrival at the BAFTA Film Awards after party in London on Feb. 2, 2020. (AP)
Richard E. Grant poses for photographers upon arrival at the BAFTA Film Awards after party in London on Feb. 2, 2020. (AP)
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Richard E. Grant Brings Enthusiasm as BAFTA Film Awards Host

Richard E. Grant poses for photographers upon arrival at the BAFTA Film Awards after party in London on Feb. 2, 2020. (AP)
Richard E. Grant poses for photographers upon arrival at the BAFTA Film Awards after party in London on Feb. 2, 2020. (AP)

There is no bigger cheerleader of awards season than Richard E. Grant.

He brings joy to the red carpet, snapping selfies with stars and posting congratulations to nominees on social media.

Now this enthusiasm has been tapped to host the EE BAFTA Film Awards on February 19 at the Royal Festival Hall.

“I’m an unabashed fan of movies and of talent and always have been. I’ve never been disingenuous or, you know, blasé about that,” he says.

“I probably have to restrain myself from permanently taking selfies with every nominee and winner coming up on the stage.”

“From that point of view, I am the right fit for the job, hopefully,” he says.

Grant also knows how it feels to participate in awards season and sit, nervously, waiting for that career changing envelope to be opened. He was nominated as supporting actor at both the BAFTAs and Oscars in 2019 for “Can You Ever Forgive Me?”

And he’s aware that, as a working actor, hosting has its challenges.

“Traditionally if you’re a comedian, your role is very clear to roast the audience. Whereas I’m an actor and, you know, even though I’m the vast vintage that I am now, I still want to work and collaborate with directors and actors and writers for the remainder of my breathing days. So roasting them is not really an option and not something that I want to do.”

When asked if there will be any humor in the ceremony — Grant has jokes.

“No, it’s going to be very, very serious. There’ll be no jokes and it will be … it’ll be brutally earnest,” he says, laughing.

Rebel Wilson got mixed reviews for her joke heavy turn as the BAFTA ceremony emcee last March, which at one point involved a cake of Benedict Cumberbatch’s face.

This year, “All Quiet on the Western Front” leads the nominees with 14. “The Banshees of Inisherin” and “Everything Everywhere All at Once” both have 10 nominations.

As you’d expect, Grant knows quite a few of the nominees, having worked with EE Rising Star nominees Naomi Ackie and Daryl McCormack, plus Bill Nighy, Cate Blanchett and most of the “Banshees” cast.

But there will be big changes at the BAFTA Film Awards ceremony this year.

After six years of walking up the red carpeted steps into the Royal Albert Hall, nominees will be attending an event held beside the River Thames on London’s Southbank at the Royal Festival Hall.

Also, for the first time, the last 30 minutes of the show will be broadcast live on BBC One, as BAFTA moves towards the idea of a fully live ceremony.

“In an age where everything can be paused or fast forwarded or, you know, watched on at a later time, the thing of it being live gives it a kind of frisson and excitement and also the possibility that something can go fantastically well or really badly. And that’s always a good thing,” Grant says.

British rapper Lil Simz will be performing at the ceremony and both the prince and princess of Wales will be in the audience, as he is president of the British Academy of Film and Television Arts.

Grant, currently working with script writers on what he’ll be saying on stage, claims he’s more excited than nervous, adding he’ll probably be “levitating” on the big day.

“It is absolutely genuine,” he says of his boundless enthusiasm, “and it’s to the annoyance of some people.”

“Just surviving in show-business because it is, you know — for what it looks like from the outside — it is a profession that is has an enormous amount of rejection in built into it. So when people are recognized or succeed at what they’re doing and do it so brilliantly — I’m a great champion of that.”



Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.


Eurovision Host Says It Will Not Drown Out Any Boos During Israel’s Performance

A screen shows the logo of the Eurovision Song Contest (ESC) 2026 during a press conference of Austrian national public broadcaster ORF in Vienna on December 16, 2025. (AFP)
A screen shows the logo of the Eurovision Song Contest (ESC) 2026 during a press conference of Austrian national public broadcaster ORF in Vienna on December 16, 2025. (AFP)
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Eurovision Host Says It Will Not Drown Out Any Boos During Israel’s Performance

A screen shows the logo of the Eurovision Song Contest (ESC) 2026 during a press conference of Austrian national public broadcaster ORF in Vienna on December 16, 2025. (AFP)
A screen shows the logo of the Eurovision Song Contest (ESC) 2026 during a press conference of Austrian national public broadcaster ORF in Vienna on December 16, 2025. (AFP)

The host broadcaster of the next Eurovision Song Contest, Austria's ORF, will not ban the Palestinian flag from the audience or drown out booing during Israel's performance as has happened at previous shows, organizers said on Tuesday.

The 70th edition of the contest in May will have just 35 entries, the smallest number of participants since 2003, after five national broadcasters including those of Spain, Ireland and the Netherlands said they would boycott the show in protest at Israel's participation.

What is usually a celebration of national diversity, pop music and high camp has become embroiled in diplomatic strife, with those boycotting saying it would be unconscionable to take part given the number of civilians killed in Gaza as part of Israel's retaliation to the October 7 attack by Hamas in 2023.

"We will allow all official flags that exist in the world, if they comply with the law and are in a certain form - size, security risks, etc," the show's executive producer, Michael Kroen, told a news conference organized by ORF.

" ... we will not sugarcoat anything or avoid showing what is happening, because our task is to show things as they are," Kroen said.

AUSTRIA SUPPORTED ISRAEL PARTICIPATING

The broadcaster will not drown out the sound of any booing from the crowd, as happened this year during Israel's performance, ORF's director of programming Stefanie Groiss-Horowitz said.

"We won't play artificial applause over it at any point," she said.

Israel's 2025 entrant, Yuval Raphael, was at the Nova music festival that was a target of the Hamas-led attack. The CEO of Israeli broadcaster KAN had likened the efforts to exclude Israel in 2026 to a form of "cultural boycott".

ORF and the Austrian government were among the biggest supporters of Israel participating over the objections of countries including Iceland and Slovenia, which will also boycott the next contest in protest. ORF Director General Roland Weissmann visited Israel in November to show his support.

This year's show drew around 166 million viewers, according to the European Broadcasting Union, more than the roughly 128 million who Nielsen estimates watched the Super Bowl.

The war in Gaza began after Hamas-led fighters killed 1,200 people, most of them civilians, and seized 251 hostages in an attack on southern Israel. Israel's retaliatory offensive has killed more than 70,700 Palestinians, most of them civilians, health officials in Gaza say.