Penguin to Publish ‘Classic’ Roald Dahl Books after Backlash

A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
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Penguin to Publish ‘Classic’ Roald Dahl Books after Backlash

A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)

Publisher Penguin Random House announced Friday it will publish “classic” unexpurgated versions of Roald Dahl’s children’s novels after it received criticism for cuts and rewrites that were intended to make the books suitable for modern readers.

Along with the new editions, the company said 17 of Dahl’s books would be published in their original form later this year as “The Roald Dahl Classic Collection” so “readers will be free to choose which version of Dahl’s stories they prefer.”

The move comes after criticism of scores of changes made to “Charlie and the Chocolate Factory” and other much-loved classics for recent editions published under the company’s Puffin children’s label, in which passages relating to weight, mental health, gender and race were altered.

Augustus Gloop, Charlie’s gluttonous antagonist in “Charlie and the Chocolate Factory” — originally published in 1964 — became “enormous” rather than “enormously fat.” In “Witches,” an “old hag” became an “old crow,” and a supernatural female posing as an ordinary woman may be a “top scientist or running a business” instead of a “cashier in a supermarket or typing letters for a businessman.”

In “Fantastic Mr. Fox," the word “black” was removed from a description of the “murderous, brutal-looking” tractors.

The Roald Dahl Story Company, which controls the rights to the books, said it had worked with Puffin to review and revise the texts because it wanted to ensure that “Dahl’s wonderful stories and characters continue to be enjoyed by all children today.”

While tweaking old books for modern sensibilities is not a new phenomenon in publishing, the scale of the edits drew strong criticism from free-speech groups such as writers’ organization PEN America.

PEN America chief executive Suzanne Nossel wrote on Twitter: “I applaud Penguin for hearing out critics, taking the time to rethink this, and coming to the right place.”

Camilla, Britain's queen consort, appeared to offer her view at a literary reception on Thursday. She urged writers to “remain true to your calling, unimpeded by those who may wish to curb the freedom of your expression or impose limits on your imagination.”

Dahl’s books, with their mischievous children, strange beasts and often beastly adults, have sold more than 300 million copies and continue to be read by children around the world. Their multiple stage and screen adaptations include “Matilda the Musical” and two “Willy Wonka” films based on “Charlie and the Chocolate Factory,” with a third in the works.

But Dahl, who died in 1990, is also a controversial figure because of antisemitic comments made throughout his life. His family apologized in 2020.

In 2021, Dahl's estate sold the rights to the books to Netflix, which plans to produce a new generation of films based on the stories.

Francesca Dow, managing director of Penguin Random House Children’s, said the publisher had “listened to the debate over the past week which has reaffirmed the extraordinary power of Roald Dahl’s books and the very real questions around how stories from another era can be kept relevant for each new generation.”

“Roald Dahl’s fantastic books are often the first stories young children will read independently, and taking care for the imaginations and fast-developing minds of young readers is both a privilege and a responsibility," she said.

“We also recognize the importance of keeping Dahl’s classic texts in print,” Dow said. “By making both Puffin and Penguin versions available, we are offering readers the choice to decide how they experience Roald Dahl’s magical, marvelous stories.”



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.