Penguin to Publish ‘Classic’ Roald Dahl Books after Backlash

A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
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Penguin to Publish ‘Classic’ Roald Dahl Books after Backlash

A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)

Publisher Penguin Random House announced Friday it will publish “classic” unexpurgated versions of Roald Dahl’s children’s novels after it received criticism for cuts and rewrites that were intended to make the books suitable for modern readers.

Along with the new editions, the company said 17 of Dahl’s books would be published in their original form later this year as “The Roald Dahl Classic Collection” so “readers will be free to choose which version of Dahl’s stories they prefer.”

The move comes after criticism of scores of changes made to “Charlie and the Chocolate Factory” and other much-loved classics for recent editions published under the company’s Puffin children’s label, in which passages relating to weight, mental health, gender and race were altered.

Augustus Gloop, Charlie’s gluttonous antagonist in “Charlie and the Chocolate Factory” — originally published in 1964 — became “enormous” rather than “enormously fat.” In “Witches,” an “old hag” became an “old crow,” and a supernatural female posing as an ordinary woman may be a “top scientist or running a business” instead of a “cashier in a supermarket or typing letters for a businessman.”

In “Fantastic Mr. Fox," the word “black” was removed from a description of the “murderous, brutal-looking” tractors.

The Roald Dahl Story Company, which controls the rights to the books, said it had worked with Puffin to review and revise the texts because it wanted to ensure that “Dahl’s wonderful stories and characters continue to be enjoyed by all children today.”

While tweaking old books for modern sensibilities is not a new phenomenon in publishing, the scale of the edits drew strong criticism from free-speech groups such as writers’ organization PEN America.

PEN America chief executive Suzanne Nossel wrote on Twitter: “I applaud Penguin for hearing out critics, taking the time to rethink this, and coming to the right place.”

Camilla, Britain's queen consort, appeared to offer her view at a literary reception on Thursday. She urged writers to “remain true to your calling, unimpeded by those who may wish to curb the freedom of your expression or impose limits on your imagination.”

Dahl’s books, with their mischievous children, strange beasts and often beastly adults, have sold more than 300 million copies and continue to be read by children around the world. Their multiple stage and screen adaptations include “Matilda the Musical” and two “Willy Wonka” films based on “Charlie and the Chocolate Factory,” with a third in the works.

But Dahl, who died in 1990, is also a controversial figure because of antisemitic comments made throughout his life. His family apologized in 2020.

In 2021, Dahl's estate sold the rights to the books to Netflix, which plans to produce a new generation of films based on the stories.

Francesca Dow, managing director of Penguin Random House Children’s, said the publisher had “listened to the debate over the past week which has reaffirmed the extraordinary power of Roald Dahl’s books and the very real questions around how stories from another era can be kept relevant for each new generation.”

“Roald Dahl’s fantastic books are often the first stories young children will read independently, and taking care for the imaginations and fast-developing minds of young readers is both a privilege and a responsibility," she said.

“We also recognize the importance of keeping Dahl’s classic texts in print,” Dow said. “By making both Puffin and Penguin versions available, we are offering readers the choice to decide how they experience Roald Dahl’s magical, marvelous stories.”



Madrasat Addeera Empowers AlUla Youth Through Traditional Crafts

The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA
The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA
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Madrasat Addeera Empowers AlUla Youth Through Traditional Crafts

The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA
The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA

Madrasat Addeera in AlUla Governorate offers specialized training programs and workshops to develop the skills of local youth in traditional crafts and arts, preserving cultural heritage while connecting it to contemporary life.

The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities, SPA reported.

Throughout the year, the school contributes to the cultural vibrancy of the governorate by taking part in festivals and exhibitions. Through its workshops, visitors can explore traditional industries such as pottery, weaving, carpets, and natural products.

According to SPA, Madrasat Addeera's programs go beyond training, transforming craft skills into sustainable income, with handcrafted items sold locally and online, all entirely Saudi-made and inspired by AlUla’s culture and environment.

Since its establishment as the first girls’ school in AlUla and as the region’s first center for arts and design, the school has become a hub for nurturing talent, rediscovering heritage crafts, and attracting both local and global expertise.


British Treasury to Cover Bayeux Tapestry for Estimated £800 Million

This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)
This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)
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British Treasury to Cover Bayeux Tapestry for Estimated £800 Million

This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)
This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)

The British Treasury is set to insure the Bayeux Tapestry against damage for an estimated £800 million while it is on loan to the British Museum next year, reported the BBC.

The 70m-long embroidery depicting the Battle of Hastings in 1066 will travel from France to London as part of a deal between the two nations' governments.

The artifact's transit and its time in storage and on display will be covered under the Government Indemnity Scheme (GIS). Indemnity insurance covers situations like loss or damage.

The Treasury said without the long-standing scheme, “public museums and galleries would face a substantial commercial insurance premium, which would be significantly less cost effective.”

There are concerns about the move, as some French art experts have suggested the nearly 1,000-year-old work was in far too a delicate state to be transported - something French officials have denied.

It is understood the Treasury has received an initial valuation for covering the Bayeux Tapestry that has been provisionally approved. The loan will not be formally confirmed until it receives the final valuation.

That final valuation is estimated to be around £800 million.

The Bayeux Tapestry will be displayed in the Sainsbury Exhibitions Gallery of the British Museum from next September until July 2027 while its current home, the Bayeux Museum, undergoes renovations.

Comprising 58 scenes, 626 characters and 202 horses, the huge masterpiece charts a contested time in Anglo-French relations when William The Conqueror took the English throne from Harold Godwinson, becoming the first Norman king of England.

The government's indemnity scheme allows art and cultural objects to be shown publicly in the UK which "might not have been otherwise because the cost of insurance would have been too high".

The scheme - first set up in 1980 - has facilitated numerous high-value loans, including Vincent van Gogh's 1888 work "The Bedroom" to the National Gallery.

In exchange for the Bayeux Tapestry, the British Museum will loan items to France, including the 7th Century Anglo-Saxon artifacts discovered at the Sutton Hoo burial site in Suffolk and the 12th Century Lewis chess pieces.


Kolkata’s Iconic Trams Face Final Stop as Modernization Rolls in

Passengers sit inside a decorated tram during the 152nd anniversary celebrations of trams in Kolkata, India, February 24, 2025. (Reuters)
Passengers sit inside a decorated tram during the 152nd anniversary celebrations of trams in Kolkata, India, February 24, 2025. (Reuters)
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Kolkata’s Iconic Trams Face Final Stop as Modernization Rolls in

Passengers sit inside a decorated tram during the 152nd anniversary celebrations of trams in Kolkata, India, February 24, 2025. (Reuters)
Passengers sit inside a decorated tram during the 152nd anniversary celebrations of trams in Kolkata, India, February 24, 2025. (Reuters)

For more than a century, trams have rumbled past Kolkata's crumbling colonial facades, with their chiming bells contributing to the city's soundtrack as they ferried generations of ​commuters.

Now, Asia's oldest tram network is on the brink of disappearing as authorities consider pulling the plug on a mode of transport that has become more nostalgia than necessity.

The West Bengal government plans to shut down the 152-year-old system, keeping only a short heritage route. The decision has sparked a court battle as residents and heritage advocates fight to keep ‌the trams ‌rolling.

"As children, we would take the ‌trams ⁠for ​fun, ‌but as I grew older it became a necessity," said Abha Maity, 44, recalling rides to school and college. "I can’t imagine Kolkata without them."

Once a highlight of the city's streets, the wobbly trams now struggle for space amid traffic jams - competing with buses and yellow taxis - as Kolkata builds modern infrastructure and seeks faster transport.

Kolkata introduced ⁠horse-drawn trams in 1873 and electrified them in 1902. At its peak, the ‌network boasted more than 340 trams and ‍covered the entire city. Today, ‍only two routes remain, with a fleet of about 10.

"When ‍I joined, more than 340 trams were running. Now it's down to seven or eight," said Bacchu Sidda, a conductor for 36 years who still checks his duty roster pinned on a board ​at the last functioning depot in Gariahat.

The government began selling depots and scrapping cars years ago, prompting a citizens' ⁠group called Calcutta Tram Users Association (CTUA) to take the fight to court. CTUA has campaigned since 2016 to save what remains of the system.

"I love my trams more than myself," said Deep Das, 19, a journalism student and CTUA member. "If they disappear, it will be like a part of my body has left me."

Despite resistance, authorities are pouring billions into upgrading Kolkata's infrastructure, focusing on metro expansion, wider roads and new highways to ease congestion.

For now, the fate of Kolkata's aging trams awaits a ‌court review, as they continue carrying some passengers who view them as living memories of the city's past.