French Documentary, Spanish Girl Clinch Top Prizes at Berlinale

25 February 2023, Berlin: Sofia Otero receives the Silver Bear for Best Acting Performance in a Leading Role during the awards ceremony of the 73rd Berlin International Film Festival (Berlinale), which takes place in Berlin from Feb. 16-26, 2023. Photo: Monika Skolimowska/dpa
25 February 2023, Berlin: Sofia Otero receives the Silver Bear for Best Acting Performance in a Leading Role during the awards ceremony of the 73rd Berlin International Film Festival (Berlinale), which takes place in Berlin from Feb. 16-26, 2023. Photo: Monika Skolimowska/dpa
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French Documentary, Spanish Girl Clinch Top Prizes at Berlinale

25 February 2023, Berlin: Sofia Otero receives the Silver Bear for Best Acting Performance in a Leading Role during the awards ceremony of the 73rd Berlin International Film Festival (Berlinale), which takes place in Berlin from Feb. 16-26, 2023. Photo: Monika Skolimowska/dpa
25 February 2023, Berlin: Sofia Otero receives the Silver Bear for Best Acting Performance in a Leading Role during the awards ceremony of the 73rd Berlin International Film Festival (Berlinale), which takes place in Berlin from Feb. 16-26, 2023. Photo: Monika Skolimowska/dpa

The Berlin film festival on Saturday awarded its Golden Bear top prize to a documentary by French director Nicolas Philibert and its best acting award to an eight-year-old girl in what jury chief Kristen Stewart described as a "boundary-pushing" event.

"On the Adamant", coming more than 20 years after Philibert's acclaimed education documentary "To Be and To Have", is about a floating day-care centre for people with psychiatric problems on the Seine in Paris.

Thanking the jury, Philibert, 72, said "that documentary can be considered to be cinema in its own right touches me deeply".

On a night full of surprises, the festival's gender-neutral acting prize was awarded to an eight-year-old, Spain's Sofia Otero, AFP said.

The young actress won the prize for playing a transgender child in "20,000 Species of Bees", the feature debut from Spanish director Estibaliz Urresola Solaguren.

Critics have lavished praise on the film. Screen Daily, for one, predicted that "arthouse audiences worldwide should respond to the pathos, breadth and humanity of a film that takes a while to build but, when it does, never loses its grip".

Otero, who fought back tears when collecting the award, later told journalists she was "very grateful, very happy".

- 'Invisible parameters' -
Stewart, at 32 the youngest president in the festival's history, said the jury had been asking themselves all week "what makes a movie a movie".

They had set aside "invisible parameters" in awarding the Golden Bear, she said, because "when you focus too much on what something is you tend to lose track of what it does.

"This is a boundary-pushing festival and so it offers us the opportunity to be expansive in how we define those things, how we value works of art, how we categorize them," she said.

There was more success for France as Philippe Garrel, 74, won the Silver Bear for best director for "The Plough", a drama about three siblings from a family of puppeteers coping with the death of their father.

Garrel dedicated the prize to his children and to French-Swiss director Jean-Luc Godard, "a great master for many of us", who died last September.

Second prize went to "Afire" from German director Christian Petzold, about a group of friends whose holiday retreat to the Baltic coast goes horribly wrong.

Variety called it "wincingly well-observed and acidly funny", while the Hollywood Reporter said it was "a deceptively simple and straightforward but emotionally layered film".

Coming in third was "Bad Living" by Portugal's Joao Canijo, about several female members of the same family who run a dilapidated hotel and are also struggling with their relationships to one another.

- Star power -
"On the Adamant" offers an intimate glimpse into the lives of adults and their carers in the Parisian day-care center, which puts an accent on offering them a creative outlet.

The film is "an attempt to overturn the image we have" of people with psychiatric problems, Philibert said.

"The cliches are deep-rooted. The film tries to unravel them (but) there is a long way to go."

The Hollywood Reporter praised the film's "warmth and enthusiasm", calling it "a portrait of several individuals who, despite their noticeable disabilities, are capable of producing original and moving works of art".

French President Emmanuel Macron congratulated both Philibert and his subjects on the win, calling the film a "story of humanity and commitment".

Documentaries are regularly selected in major international film competitions, but rarely win awards.

Last year, the Venice Film Festival awarded its Golden Lion to a documentary about the opiate crisis in the United States by Laura Poitras ("All The Beauty And The Bloodshed").

After two years of a reduced format due to pandemic restrictions, the 11-day Berlinale got back in full swing this year, with A-listers such as Cate Blanchett, Helen Mirren and Steven Spielberg walking the red carpet.

The festival, which ranks alongside Cannes and Venice as one of Europe's top cinema showcases, also marked the first anniversary of Russia's invasion of Ukraine and highlighted anti-government protests in Iran with new feature films and documentaries.

There were 19 films from around the world vying for this year's Golden Bear, which was awarded at a gala ceremony by a jury led by Stewart.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.