Gwyneth Paltrow’s Ski Collision Trial Continues with Defense

Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)
Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)
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Gwyneth Paltrow’s Ski Collision Trial Continues with Defense

Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)
Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)

Gwyneth Paltrow’s attorneys are expected to continue relying mostly on experts to mount their defense on Wednesday, the seventh day of the trial over her 2016 ski collision with a 76-year-old retired optometrist.

The judge presiding over the trial in Park City has made it clear that he wants Paltrow’s defense team to rest their case by Thursday afternoon — in order to give the jury enough time to deliberate and come to a consensus.

Terry Sanderson, the Utah man suing Paltrow, is asking for more than $300,000, saying that Paltrow’s recklessness on the slope caused the crash, leaving him with four broken ribs and years of post-concussion symptoms including confusion, memory loss and irritability. Paltrow has countersued for a symbolic $1 and attorney fees, alleging that Sanderson veered into her from behind.

In the second week of trial, it’s clear that both sides have spared little expense to ensure they have a roster of expert witnesses on call in case needed. Amid intense time constraints, multiple witnesses testified for longer than anticipated.

Paltrow’s attorneys have asked Judge Kent Holmberg repeatedly to clarify the timeline for the eight-day trial. They reversed plans to cross-examine Sanderson in order to keep time on the clock for the four expert witnesses they said they had put up in a nearby hotel on Tuesday.

Much like Sanderson’s attorneys, Paltrow’s legal team is attempting to cram into four days all testimony from family members, doctors and an accident reconstruction expert. They said on Tuesday that they planned to call four additional experts to testify, but left the door open to call to the stand Paltrow or Brad Falchuk, her television producer husband.

Holmberg gave Sanderson’s side the same amount of time to make its case.

Last week, Paltrow took the stand and insisted the ski collision wasn’t her fault. Her lead counsel Steve Owens said earlier in the week that he planned to call Paltrow’s teenage children — 16-year-old Moses and 18-year-old Apple — to the witness stand. But since Sanderson’s testimony extended into Monday, Paltrow’s legal team read depositions from her two teenage children for the record, instead of calling them to the stand to testify.

Over the last two days, Paltrow’s defense team has relied mainly on expert witnesses, yet read depositions from Paltrow’s children into the record on Tuesday. They’ve attempted to hold the jury’s attention by playing multiple high-resolution animations while their witnesses — including a collision expert, biomedical engineer, physician and ski instructor — have all testified.

The animations have not been included as trial evidence. Still, Sanderson’s attorneys have objected to their inclusion, arguing that Paltrow’s team is using the animations to mislead the jury.

Though the trial has titillated spectators worldwide who’ve consumed video clips circulated as memes on social media, it has tested the jury, whose eight members have gradually sunk deeper into their chairs through hours of expert-witness testimony.

After both sides give closing arguments on Thursday, the jury will likely make their decision later that day or on Friday.



At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
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At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)

Jude Law plays an FBI agent investigating the violent crimes of a white supremacist group in “The Order,” which premieres Saturday at the Venice Film Festival.

An adaptation of Kevin Flynn and Gary Gerhardt’s nonfiction book “The Silent Brotherhood,” Nicolas Hoult was cast as Robert Jay Mathews, the charismatic leader of the group which was considered the most radical hate group since the Ku Klux Klan. Their crimes, including bank robberies and armored car heists that the group was using to fund an armed revolution, led to one of the largest manhunts in FBI history, in 1983, according to The AP.

“What amazed me was it was a story I hadn’t heard about before,” said Law, who also produced. “It like a piece of work that needed to be made now.”

He added: “It’s always interesting finding a piece from the relative past that has some relationship to the present day.”

Law made the trip to Italy with his director, Justin Kurzel, and co-stars Hoult, Jurnee Smollett and Tye Sheridan for the premiere.

His character, called Agent Huss, is an amalgam FBI agent and not based on a specific person. This, they said, was important for positioning him within this story.

“He represents an awful lot of us,” Law said. “He felt his hardest work was behind him and in fact he had his biggest battle ahead of him.”

Kurzel, an Australian filmmaker known for the 2015 adaptation of “Macbeth” with Michael Fassbender, said he’d always wanted to make an American film in the vein of dramatic thrillers from the 1970s like “The French Connection,” “Mississippi Burning” and “All the Presidents’ Men.” He tried to make this film with the classic simplicity he admired in those classics.

Hoult felt it was a “difficult story to tell and difficult characters to inhabit,” but praised his director for helping to create a safe and creative environment as they explored the darkness of Mathews. He’d just recently learned, on the boat over to the Lido, that Kurzel had told Law to actually follow him around one day to get into character.

“The first time we spoke was in the first scene we interact,” Hoult said. “It gave a great energy.”

And all were struck by the parallels to today. Though no one wanted to comment directly on the upcoming U.S. presidential election, the film, they hope, speaks for itself.

“The history of America is very complex,” Smollett said. “This level of bigotry is not new and it has existed in our nation since it was founded. As artists we get to hold a mirror up to society....explore the very complex sides of humanity, the ugliness, the darkness in order for us to learn from it and hopefully not repeat it.”

“The Order” is playing in competition at Venice, alongside “ Maria,” “ Babygirl,” “The Room Next Door," “Queer” and “Joker: Folie à Deux.”

Vertical Entertainment will release the film in theaters later this year.