Ryuichi Sakamoto, Japanese Musician and Film Composer, Dies

Maestro Ryuichi Sakamoto poses during a photo call for the film "Coda" at the 74th Venice Film Festival in Venice, Italy, Sept. 3, 2017. (AP)
Maestro Ryuichi Sakamoto poses during a photo call for the film "Coda" at the 74th Venice Film Festival in Venice, Italy, Sept. 3, 2017. (AP)
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Ryuichi Sakamoto, Japanese Musician and Film Composer, Dies

Maestro Ryuichi Sakamoto poses during a photo call for the film "Coda" at the 74th Venice Film Festival in Venice, Italy, Sept. 3, 2017. (AP)
Maestro Ryuichi Sakamoto poses during a photo call for the film "Coda" at the 74th Venice Film Festival in Venice, Italy, Sept. 3, 2017. (AP)

Ryuichi Sakamoto, a world-renowned Japanese musician and actor who composed for Hollywood hits such as “The Last Emperor” and “The Revenant,” has died. He was 71.

Japan’s recording company Avex said in a statement Sunday that Sakamoto died on March 28 while undergoing treatment for cancer.

He was first diagnosed with throat cancer in 2014. In 2022, he revealed that he had terminal cancer, a year after he disclosed suffering from rectal cancer.

Sakamoto was a pioneer of the electronics music of the late 1970s and founded the Yellow Magic Orchestra, also known as YMO, with Haruomi Hosono and Yukihiro Takahashi.

Takahashi died in January.

Despite his battle with cancer, Sakamoto released a full-length album “12” on his 71st birthday in January, stating that composing had a “small healing effect on my damaged body and soul,” according to the official statement released with the latest album.

He was a world-class musician, winning an Oscar and Grammy for the 1987 movie “The Last Emperor.”

Sakamoto was also an actor, starring in the BAFTA-winning 1983 film “Merry Christmas, Mr. Lawrence.”

He was mostly based in New York in recent years, though he regularly visited Japan.

Born in Tokyo in 1952, Sakamoto started studying music at the age of 10 and was influenced by Debussy and the Beatles.

The statement from Avex said that despite his sickness, when he was feeling relatively well, he kept working on his music in his home studio. “To his final days, he lived with music,” it said.

The statement expressed gratitude to the doctors who had treated him in the US and Japan, as well as to all his fans around the world. It referenced the words Sakamoto loved: “Ars longa, vita brevis,” which refers to the longevity of art, no matter how short human life might be.

Sakamoto also left his mark as a pacifist and environmental activist. He spoke out against nuclear power following the March 2011 Fukushima nuclear plant meltdowns caused by an earthquake and tsunami.

He took part in rallies and made speeches in Tokyo, and was among a group of respected Japanese artists, like the Nobel-winning novelist Kenzaburo Oe, who were not afraid to take an unpopular stand on political issues.

In a July 2012 rally, he got up on stage and read from notes on an iPhone, warning Japan not to risk people’s lives for electricity.

“Life is more important than money,” he said in Japanese, then added in English, “Keeping silent after Fukushima is barbaric.”

He also appeared in advertising for Nissan electric cars, although he acknowledged he got a bashing for being so commercial. At his home in New York, he gets electricity from a company that relies on renewables, he said.

“How we make electricity is going to diversify, with fossil fuel and nuclear power declining,” Sakamoto told The Associated Press in an interview in 2012. “People should be able to choose the kind of electricity they want to use.”

Funeral services have been held with family and close friends, the Avex statement said.

Sakamoto is survived by his daughter Miu Sakamoto, a musician. She posted on her Instagram the years her father had lived — from Jan. 17, 1952, to March 28, 2023 — and a photo of a worn out, half-broken piano. He was separated from his former wife, singer and composer Akiko Yano.



Movie Review: Caleb Landry Jones Is a Lovesick Vampire with a Fabulous Wig in Besson’s ‘Dracula’

Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
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Movie Review: Caleb Landry Jones Is a Lovesick Vampire with a Fabulous Wig in Besson’s ‘Dracula’

Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)

“I haven’t eaten in centuries,” says the stooped, wrinkled man knocking at a convent door, seeking food and shelter.

LOL! It’s a funny line, given that this is a disguised Count Dracula — who indeed has not eaten in centuries, unless you count human blood. And it’s especially funny given that “Dracula” is not now, nor has ever been, a comedy.

But the humor’s a nice touch, as are the splashes of color, the lovely 19th-century gowns, the rendering of Parisian salons and vivid street celebrations that are part of Luc Besson’s reimagining of the oft-told tale (more like the told-all-the-time tale), starring Caleb Landry Jones. And yes, the story of Dracula is not usually set in Paris. There’s a lot that’s familiar in this version, but enough variety, panache and bravado to raise it up a notch and give it, well, a raison d’être.

Writer-director Besson’s calling card is romance. Unlike Robert Eggers’ 2024 “Nosferatu,” which was beautiful but bleak to look at and featured an ugly, fearsome vampire, Besson imbues his main character with a swashbuckling sexiness that suits his star's craggy appeal.

We begin back in the year 1480, in a remote castle, where a handsome prince — Vlad’s his name, for now — is with beautiful bride Elisabeta (Zoë Bleu). They are interrupted suddenly by Vlad’s men: War is at hand, and it’s time to fight.

Vlad’s main concern is his wife. He asks the Orthodox priest to protect the life of Elisabeta. Alas, escaping through the forest in the snow, Elisabeta is killed in an ambush. A grief-stricken Vlad returns to kill the priest and is thus cursed with immortal life. A life he will spend trying to find his wife, reincarnated.

Four hundred years later, Vlad, now Count Dracula, resides — shriveled but stylish, with an incredible flowing, white wig that looks like something Elvis might have worn if he were a 400-year-old vampire — in the Carpathian Mountains. But the action shifts to Paris, mainly just because Besson loves Paris, where citizens are joyously celebrating the centenary of the French Revolution.

Paris is also where we meet a prominent vampire-hunter from Bavaria — and unnamed priest — played by Christoph Waltz, who you might imagine is perfect for this role. Like Javert hunting Valjean in “Les Miserables,” this priest is determined to find his prey, wherever that takes him.

And Dracula's on his own mission. In his gloomy castle, where he lives with a gaggle of CGI gargoyles, he prepares to kill a young solicitor (Ewens Abid) who came to see him about his property, hanging him upside down until the blood pools in his head.

But then he sees a picture of the frightened young man’s intended, Mina, and becomes obsessed with finding her, certain she's his reincarnated bride. He spares the man’s life and heads to Paris.

The scenes in the French capital are full of welcome color and life — everything from receptions in salons or at Versailles to a street carnival to a mermaid swimming in an aquarium — all chances to display sumptuous costumes by Corinne Bruand.

When, aided by one of his vampire followers, Maria (Matilda De Angelis), Dracula finds Mina — also played by Bleu (the real-life daughter of Rosanna Arquette) — he immediately knows she’s his eternal love. Now, all he needs to do is win her heart, and get back to Transylvania to escape the vampire hunters. Luckily for him, he’s looking good — those nuns at the convent gave him all the fresh blood he needed to look young and handsome again.

There are plenty of Bessonian flourishes along the way — those gargoyles sure are weird, and they don't remain gargoyles — but in the end, it’s too bad there weren’t even more, to further distinguish this “Dracula” telling from many before it. In any case it all leads to a fairly satisfying confrontation between Dracula and the priest, saved until the very end, a la Pacino and De Niro in “Heat.”

Here, it’s fun to watch Jones and Waltz sink their teeth — well for Jones, his fangs — into a story that’s old as time, but can always use another fairly watchable remake.


‘Doctor Who’ Auction to Fire Up Global Interest

Propstore employees pose with a screen-matched TARDIS (C), a Bronze Asylum Dalek (R) and a Sardickton Clock (L), which were used in the filming of the "Doctor Who" TV series, during a photocall for the upcoming "Doctor Who" auction by Propstore auction house in Rickmansworth, Hertfordshire, Britain, 30 January 2026. (EPA)
Propstore employees pose with a screen-matched TARDIS (C), a Bronze Asylum Dalek (R) and a Sardickton Clock (L), which were used in the filming of the "Doctor Who" TV series, during a photocall for the upcoming "Doctor Who" auction by Propstore auction house in Rickmansworth, Hertfordshire, Britain, 30 January 2026. (EPA)
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‘Doctor Who’ Auction to Fire Up Global Interest

Propstore employees pose with a screen-matched TARDIS (C), a Bronze Asylum Dalek (R) and a Sardickton Clock (L), which were used in the filming of the "Doctor Who" TV series, during a photocall for the upcoming "Doctor Who" auction by Propstore auction house in Rickmansworth, Hertfordshire, Britain, 30 January 2026. (EPA)
Propstore employees pose with a screen-matched TARDIS (C), a Bronze Asylum Dalek (R) and a Sardickton Clock (L), which were used in the filming of the "Doctor Who" TV series, during a photocall for the upcoming "Doctor Who" auction by Propstore auction house in Rickmansworth, Hertfordshire, Britain, 30 January 2026. (EPA)

From a TARDIS to a Dalek, "Doctor Who" fans can bid from Tuesday to own a piece of television history as the BBC auctions off props from the cult sci-fi series.

The 17-day online auction features items from the modern era of the decades-spanning show, which first appeared on British TV in 1963 and relaunched in 2005 after a 16-year small-screen hiatus.

The longest-running science fiction series by episode numbers, according to the Guinness Book of World Records, it has drawn fans globally after airing in scores of countries over the years.

Memorabilia auctioneers Propstore, managing the sale, anticipate worldwide interest, boosted by Disney+ streaming episodes outside the UK and Ireland since 2023.

"It's gone absolutely global," Sian Taylor, a Propstore manager, told AFP of the current popularity of "Doctor Who" as the firm previewed some of the items going under the hammer online until February 19.

"There will be people buying from in Europe, North America, East Asia, Australia, everywhere across the world. It truly is a worldwide phenomenon."

Some buyers will need plenty of space, given several of the series's heftier staples are among the lots.

That includes a TARDIS, the nearly three-meter- high (ten-foot) police box that is a disguised fictional hybrid time machine and spacecraft used by the Time Lord.

Also up for grabs is a bulky Dalek -- one of the fictional extraterrestrial mutant enemies of the doctor, mounted on wheels, that have featured in numerous episodes.

"It's possibly one of the best pieces in the auction," noted Taylor.

- 'Doctor Who history' -

Sitting in a repurposed cattle stable in countryside northwest of London as they await their new owners, the more than 200 lots have all come from the BBC.

On a rainy morning, white-gloved Propstore assistants showed off some other highlights, including costumes, sonic screwdrivers and an anti-cyber gun used by character Clara Oswald (Jenna Coleman) in episode 12 of the seventh series.

Miranda McCabe, Propstore's director of marketing, noted that one of the sonic screwdrivers -- which she described as like an "alien Swiss Army knife" and one of the Doctor's key tools -- was a so-called hero version, used for close-up shots.

"That's why this one lights up and looks so nice ... which is super special," she said.

As part of its partnership with the BBC, Propstore staged a similar, smaller "Doctor Who" memorabilia sale last February which raised around £250,000 ($342,500) for the broadcaster's Children in Need annual fundraising drive.

The 2026 auction will again donate a fifth of the proceeds to the charity.

"Everything starts at £100, so in theory everything is accessible to pretty much everybody," Taylor explained.

"We will see where the prices end up but hopefully some people will be able to get a piece of 'Doctor Who' history to take home with them."

However, those hoping to snag the TARDIS or Dalek for that price are likely to be disappointed: similar versions sold last year for £12,600 and £2,520 respectively.


Netflix to Livestream BTS Comeback Concert in K-Pop Mega Event

Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
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Netflix to Livestream BTS Comeback Concert in K-Pop Mega Event

Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)

Streaming giant Netflix said Tuesday it will livestream BTS's comeback concert to around 190 countries in what could be the largest live K-pop event to date as the megastars return from military service.

The global stars and South Korea's biggest music act have been on a hiatus since 2022 while members completed mandatory military service.

All seven members were discharged last year, and the band have confirmed they will release a new album, ARIRANG, on March 20 and stage a free comeback concert in central Seoul's Gwanghwamun Square the following day before heading on tour.

"BTS THE COMEBACK LIVE | ARIRANG will stream live exclusively on Netflix March 21," the streaming giant said.

It said the performance would be broadcast live to viewers in more than 190 countries.

Their new album, ARIRANG, named after a Korean folk song about longing and separation often seen as an unofficial national anthem, will be their first since the anthology "Proof", which became South Korea's bestselling record of 2022.

The new album "contains a deep reflection on the team's origins and identity", Netflix said, adding a new documentary featuring the band's return, titled "BTS: THE RETURN" will be launched on March 27.

Their world tour, kicking off in April, will span 34 cities with 79 shows -- the largest single tour by a K-pop group by total performances and the widest regional reach for a South Korean artist, according to their label HYBE.

BTS are big business in South Korea. Before their military service, they generated more than 5.5 trillion won ($3.8 billion) for the country a year, according to Seoul's Korea Culture and Tourism Institute.

The figure is equivalent to 0.2 percent of South Korea's total GDP.

HYBE shares were up 2.5 percent in the morning trade in Seoul.