'Atelier Zuhra' Releases New Collection Inspired by Birds, Flowers

'Atelier Zuhra' Releases New Collection Inspired by Birds, Flowers
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'Atelier Zuhra' Releases New Collection Inspired by Birds, Flowers

'Atelier Zuhra' Releases New Collection Inspired by Birds, Flowers

A hall at the Corinthia Hotel, in the heart of London, was sounding with an unusual vivacity. Traffic in the street, and long queues of men and women wearing their evening garments and patiently waiting for the doors of the hall to open. The picture inside wasn’t different. The backstage was like a beehive; some were ironing dresses, others were putting makeup or trying dresses.

Omani Rayan al-Suleimani, owner of the Atelier Zuhra brand, was moving like a bee among the models while finishing their makeup or rehearsing with their heels on. With her Abaya and white veil, she didn’t seem nervous. On the contrary, she looked cheerful, sending her smiles around, unlike the other designers, as if she knew the result in advance. Her designs have gained momentum, and her name has been echoing worldwide recently. She just returned from Dubai, where she took care of Beyoncé’s look during the Atlantis the Palm concert.

“It will be a surprise in all means and so different from my previous works. I humbly hope people will love it,” she said when we asked her about the new collection.

The show kicked off, and the collection was indeed surprising and impressive. Its only weakness was that it was fancy and luxurious as Haute Couture in a fashion capital known for weirdness and madness. “It must be like this because it was inspired by the lily of the valley, its scent, beauty, and tenderness,” Rayan said.

The models swayed on the white podium wearing evening and cocktail dresses in natural colors. The lily petals creatively adorned the round skirts and their pleats, but with the magical opera pieces and the models swaying like peacocks, the show was more like a swan dance than a garden of blooming flowers. The swan dance idea was emphasized with the remarkable quantity of feather the designer used, the long tails, and the colors.

Rayan al-Suleimani is the CEO of the Atelier Zuhra brand, which was founded by her mother, Mouza Al Awfi, in Dubai in 2015.

Rayan didn’t study fashion design, but she was passionate about it, and with time, she turned her expertise and passion into a profession, especially that “she understands women and what they dream of.”

Rayan managed to upscale her brand from local to international in no time, and her designs by far were chosen by stars including Eva Longoria, Naomi Campbell, Paris Hilton, Aishwarya Rai, Amanda Holden, Kareena Kapoor, and last but not least, Beyoncé.



Elegance of the Edwardians on Display at Buckingham Palace

Queen Alexandra's coronation dress is the centerpiece of the exhibition. HENRY NICHOLLS / AFP
Queen Alexandra's coronation dress is the centerpiece of the exhibition. HENRY NICHOLLS / AFP
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Elegance of the Edwardians on Display at Buckingham Palace

Queen Alexandra's coronation dress is the centerpiece of the exhibition. HENRY NICHOLLS / AFP
Queen Alexandra's coronation dress is the centerpiece of the exhibition. HENRY NICHOLLS / AFP

A rare exhibition is exploring the glamorous lives and fashions of two royal couples who reigned over Britain during the Edwardian period as the country tipped ever closer to World War I.
"The Edwardians: Age of Elegance", which opened on Friday at the King's Gallery in Buckingham Palace, brings together more than 300 works from the Royal Collection that will be on display until November 23.

The centerpiece is the coronation gown Queen Alexandra wore on August 9, 1902, made of silk embroidered with thousands of gold sequins and designed by the French house Morin Blossier, AFP said.

Alexandra, daughter of King Christian IX of Denmark and sister of King George I of Greece, married Edward, then Prince of Wales, on March 10, 1863, in the chapel of Windsor Castle.

She was 18 years old. He was 22.

Alexandra was to remain the princess of Wales for almost 40 years until Edward succeeded to the throne on the death of his mother, Queen Victoria, in 1901.

Under Edward VII began the Edwardian period.

The royal couple ushered in a new generation after the austere last years of Victoria's long reign, when she largely withdrew from public life, mourning the death of her beloved husband, Albert.

'Pure drama'
For her coronation as the new queen, Alexandra decided against wearing the traditional white or cream robes, which had an ecclesiastical feel.

"She wanted that moment to be a moment of pure drama," said curator Kathryn Jones.

Realizing that electric light was to be "used for the first time in Westminster Abbey ... she chooses a gold fabric so that she shimmers with thousands of tiny spangles", Jones told AFP.

The dress is fragile and has not been on public display for some 30 years.

Conservators have spent more than 100 hours preparing it for the exhibition.

"It's a powerful example of Edward and Alexandra's attempts to balance tradition and modernity as they stood on the cusp of the 20th century -- a shining moment of glamour before the world was at war," Jones says on the exhibition's website.
Edward's gold coronation mantle is also on display, along with two thrones commissioned for the event.

Photography was still in its infancy but it allowed thousands of pictures of the new queen to be seen around the world, turning her into fashion icon and symbol of elegance of the times.

Alexandra was a keen amateur photographer herself and some of her snapshots taken with a portable Kodak camera are on display.

Two massive portraits of the couple greet visitors arriving at the King's Gallery.

One room depicts their lavish lifestyle through paintings of opulent receptions, concerts, regattas on the Isle of Wight, lavish costume balls, garden parties and their residences at Marlborough House in London and Sandringham in Norfolk.

As collectors, they amassed textiles, artworks, tableware, paintings, furniture, sculptures, plants, and rare books.

There is a copy of Oscar Wilde's "Poems" with a rare handwritten note by the author.

Edward also discovered a passion for Faberge and ordered several miniature figures of his favorite animals.

Visitors can admire paintings and water colors by such artists as Frederic Leighton, Lawrence Alma-Tadema and John Singer Sargent, as well as bronze sculptures by Alfred Gilbert.

Several rooms are dedicated to the royal couple's travels across five continents.

The exhibition also includes works collected by Alexandra and Edward's son, who became George V and was crowned in June 1911, with his wife Mary.

By then, times were changing, and instability and political turmoil roiled Europe and the British Empire.

The Age of the Edwardians was fast coming to an end.