First Reactions to ‘The Flash,’ Starring Ezra Miller

Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP
Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP
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First Reactions to ‘The Flash,’ Starring Ezra Miller

Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP
Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP

The words “impressive” and “awesome” were common refrains from a group of entertainment reporters who were among the first to see the upcoming DC superhero movie “The Flash.”

Warner Bros. screened the film for the first time at CinemaCon Tuesday for theater owners, exhibitors and reporters attending the annual trade show and industry conference, The Associated Press said.

Reviews are embargoed until a later date – the film, the studio said, is not completely finished – but viewers were able to post reactions on social media as soon as the credits rolled.

Brian Welk of Indiewire wrote that “it played very well,” pointing out that there were more than a few screams and gasps in the packed theater.

Film critic Jordan Hoffman tweeted that it was, “far more madcap than I expected. Really nailed what reading a 5-issue crossover comic book is like. Tons of Ezra Miller being zany and time paradox stuff. Nerds will lose their minds at the ending.”

“The Playlist’s” Greg Ellwood wrote that it was “very good” and that Miller was “great,” while Scott Mantz went a step further declaring that it’s “one of the very best DC movies, a perfect blend of action, heart & humor.”

Erik Davis, of Fandango, wrote on Twitter that it is “tremendous" and that it is “without a doubt among the best superhero films ever made. An all-timer. Inventive storytelling, FANTASTIC action sequences, great cast. SO MANY nerdy details.”

Jason Guerrasio, of Business Insider, had a more tempered reaction, writing that it is “def not the best superhero movie ever made ... but it’s an impressive DC movie with lots of emotion and loads of surprises.”

“The Flash,” directed by Andy Muschietti, is one of the studio’s biggest films of the year. In the film, Barry Allen uses his superpowers to go back in time in an attempt to change the past and save his parents. But things go awry and he finds himself stuck in a very different reality where Michael Shannon's General Zod is back and Batman is not the Batman he knows (Ben Affleck's version). Widely available trailers have already revealed that the new Batman he encounters is Michael Keaton's version.

After the box office disappointment of “Shazam! Fury of the Gods” earlier this year, the hope is that “The Flash,” which reportedly carries a $200 million budget, will reach blockbuster heights when it opens in theaters on June 16.

The long-planned standalone about The Flash/Barry Allen has also been the subject of much discussion because of its star Ezra Miller, who made headlines last year for a string of arrests and erratic behavior.

Miller was arrested twice last year in Hawaii, for disorderly conduct and harassment at a karaoke bar and then for second-degree assault. The parents of 18-year-old Tokata Iron Eyes, a Native American activist, last year filed a protection order against Miller, accusing the actor of grooming their child and other inappropriate behavior with her as a minor from the age of 12. Tokata Iron Eyes has disputed that.

Miller, who identifies as non-binary and goes by they/them pronouns, said last year that they were seeking mental health treatment.

The development of a standalone Flash movie has been in the works for almost 10 years. In one plan, announced at Comic Con in 2014, an Ezra Miller Flash movie would have hit theaters in 2018. Muschietti wouldn’t even be attached to direct until 2019.

Warner Bros. has, throughout Miller’s personal troubles and the shelving of “Batgirl,” remained steadfast in its plans to release the “The Flash.”

And though plans are already underway for a new future for DC Studios, “The Flash” has been one that the new regime of James Gunn and Peter Safran have seemed particularly excited about. Gunn said it was, “One of the best superhero films I’ve ever seen.” And Warner Bros.

Discovery president and CEO David Zaslav even boasted that Tom Cruise saw and loved the film so much that he called Muschietti himself to congratulate him.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.