Author Haruki Murakami Says Pandemic, War in Ukraine Create Walls That Divide People 

Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
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Author Haruki Murakami Says Pandemic, War in Ukraine Create Walls That Divide People 

Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)

Japanese writer Haruki Murakami says walls are increasingly built and dividing people and countries after Russia’s invasion of Ukraine and the COVID-19 pandemic fueled fear and skepticism.

“With feelings of suspicion replacing mutual trust, walls are continually being erected around us,” Murakami said in late April at Wellesley College. That speech, “Writing Fiction in the Time of Pandemic and War,” was released Wednesday in The Shincho Monthly literary magazine published by Shinchosha Co.

“Everybody seems to be confronted with a choice — to hide behind the walls, preserving safety and the status quo or, knowing the risks, to emerge beyond the walls in search of a freer value system,” he said.

Like the protagonist in his new novel.

“The City and Its Uncertain Walls” was released in April in Japan and an English translation is expected in 2024. The protagonist, as Murakami described, faces a tough choice between two worlds: an isolated walled city of tranquility with no desire or suffering, and the real world beyond the walls filled with pain and desire and contradictions.

The novel is based on a story he wrote for a magazine soon after becoming a novelist but was never published in book form. He said he knew it had important ideas and put it aside because he wanted to rewrite it.

Some 40 years later, he discovered “this tale fits perfectly with the age we live in now.”

Murakami started rewriting the book in March 2020, soon after COVID-19 began spreading around the world, and finished it two years later, as the war in Ukraine passed its one-year mark.

“The two big events combined and changed the world in dramatic ways,” he said.

The sense of safety that came with a common belief in globalism and mutual economic and cultural dependency “crumbled with Russia’s sudden invasion of Ukraine,” Murakami said, spreading fear of similar invasions elsewhere. Many countries, including his home Japan, have since bolstered their military preparedness and budgets.

As the war continues without an end in sight, so do the high walls being built around people, between countries and individuals, Murakami said. “It seems to me that the psychic condition — if someone isn’t your ally, he is your enemy — continues to spread.”

“Can our trust in each other once more overcome our suspicions? Can wisdom conquer fear? The answers to these questions are entrusted to our hands. And rather than an instant answer, we are being required to undergo a deep investigation that will take time,” Murakami said.

He says that, while there’s not much a novelist can do, “I sincerely hope that novels and stories can lend their power to such an investigation. It’s something that we novelists dearly hope for.”

Murakami has made other efforts to encourage people to think, combat fear or tear down walls. He hosted the radio show “Music to put an end to war” a month after Russia’ invaded Ukraine. His Japanese translation of “The Last Flower,” former New Yorker cartoonist James Thurber’s 1939 anti-war picture book, will be released later this month from Poplar Sha.

Did the protagonist stay inside the walls? “Please try reading the book yourselves,” Murakami said.



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.