Author Haruki Murakami Says Pandemic, War in Ukraine Create Walls That Divide People 

Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
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Author Haruki Murakami Says Pandemic, War in Ukraine Create Walls That Divide People 

Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)

Japanese writer Haruki Murakami says walls are increasingly built and dividing people and countries after Russia’s invasion of Ukraine and the COVID-19 pandemic fueled fear and skepticism.

“With feelings of suspicion replacing mutual trust, walls are continually being erected around us,” Murakami said in late April at Wellesley College. That speech, “Writing Fiction in the Time of Pandemic and War,” was released Wednesday in The Shincho Monthly literary magazine published by Shinchosha Co.

“Everybody seems to be confronted with a choice — to hide behind the walls, preserving safety and the status quo or, knowing the risks, to emerge beyond the walls in search of a freer value system,” he said.

Like the protagonist in his new novel.

“The City and Its Uncertain Walls” was released in April in Japan and an English translation is expected in 2024. The protagonist, as Murakami described, faces a tough choice between two worlds: an isolated walled city of tranquility with no desire or suffering, and the real world beyond the walls filled with pain and desire and contradictions.

The novel is based on a story he wrote for a magazine soon after becoming a novelist but was never published in book form. He said he knew it had important ideas and put it aside because he wanted to rewrite it.

Some 40 years later, he discovered “this tale fits perfectly with the age we live in now.”

Murakami started rewriting the book in March 2020, soon after COVID-19 began spreading around the world, and finished it two years later, as the war in Ukraine passed its one-year mark.

“The two big events combined and changed the world in dramatic ways,” he said.

The sense of safety that came with a common belief in globalism and mutual economic and cultural dependency “crumbled with Russia’s sudden invasion of Ukraine,” Murakami said, spreading fear of similar invasions elsewhere. Many countries, including his home Japan, have since bolstered their military preparedness and budgets.

As the war continues without an end in sight, so do the high walls being built around people, between countries and individuals, Murakami said. “It seems to me that the psychic condition — if someone isn’t your ally, he is your enemy — continues to spread.”

“Can our trust in each other once more overcome our suspicions? Can wisdom conquer fear? The answers to these questions are entrusted to our hands. And rather than an instant answer, we are being required to undergo a deep investigation that will take time,” Murakami said.

He says that, while there’s not much a novelist can do, “I sincerely hope that novels and stories can lend their power to such an investigation. It’s something that we novelists dearly hope for.”

Murakami has made other efforts to encourage people to think, combat fear or tear down walls. He hosted the radio show “Music to put an end to war” a month after Russia’ invaded Ukraine. His Japanese translation of “The Last Flower,” former New Yorker cartoonist James Thurber’s 1939 anti-war picture book, will be released later this month from Poplar Sha.

Did the protagonist stay inside the walls? “Please try reading the book yourselves,” Murakami said.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.