‘Joys of Life’: Hong Kong Food Traditions Endure in City of Flux

This picture taken on June 8, 2023, shows a bamboo steamer of Yum Cha, Cantonese brunch involving tea and dim sum, on a table at a restaurant in Hong Kong. (AFP)
This picture taken on June 8, 2023, shows a bamboo steamer of Yum Cha, Cantonese brunch involving tea and dim sum, on a table at a restaurant in Hong Kong. (AFP)
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‘Joys of Life’: Hong Kong Food Traditions Endure in City of Flux

This picture taken on June 8, 2023, shows a bamboo steamer of Yum Cha, Cantonese brunch involving tea and dim sum, on a table at a restaurant in Hong Kong. (AFP)
This picture taken on June 8, 2023, shows a bamboo steamer of Yum Cha, Cantonese brunch involving tea and dim sum, on a table at a restaurant in Hong Kong. (AFP)

Bent over a low bench in his cluttered Hong Kong workshop, dark-framed glasses perched on his nose, Lui Ming deftly assembles a bamboo steamer, a utensil essential to Cantonese cooking.

It's a craft the 93-year-old has been perfecting for seven decades, and steamers like his are an indispensable part of yum cha, the Cantonese brunch involving tea and dim sum -- perhaps the most prized culinary ritual in the city.

The circular bamboo baskets are ferried in small trolleys around yum cha restaurants, filled with bite-sized dumplings and other delicacies.

"My only hobbies are yum cha and Cantonese opera," Lui tells AFP while twisting thin strips of bamboo to build the single most important dim sum-making tool.

"Those are the joys of my life."

Hong Kong is equally acclaimed for its fine dining restaurants and its street-side eateries, and the enduring use of handwoven steamers in both is part of a set of unique food traditions that have shaped its culinary landscape for generations.

As in many modern metropoles, the flow of commerce in the finance hub brings constant change, but Hong Kong´s cuisine remains wedded to a network of traditions that residents view as staunch markers of local identity.

"Bamboo steamers absorb moisture and there won't be condensation (on the lid)," Lui explains, adding that metal or plastic versions would never pass as part of an authentic yum cha experience in Hong Kong.

But he does add steel around the bamboo rim to make his steamers more durable and improve insulation, an innovation he says he pioneered.

"For steaming buns, there is no substitute."

Hong Kong institutions

Liu's shop is located on Shanghai Street, a historic stretch of road in Hong Kong's Kowloon district that is a treasure trove of kitchenware and utensils.

One block north is Chan Chi Kee cutlery -- a family-run Hong Kong institution more than 100 years old.

Retired craftsman Mr. Chan, who is part of the clan that runs the shop and now in his 80s, spends much of his time there.

He started forging cleavers when he was around 15 years old as part of the already-established family business.

"I was given a piece of metal and shaped it into a knife," he says, giving only his surname.

"It was on the mountainside in the squatter huts... But eventually there was not enough space -- they built housing there."

Today, Chinese chefs from around the world visit Chan Chi Kee's storefront on Shanghai Street to buy handcrafted cleavers and woks.

"At least 80 percent of Chinese restaurants in Hong Kong use our knives," Chan tells AFP.

But rising property prices and the city's shift away from manufacturing has pushed the bulk of production for the knives, woks and steamers to Guangzhou, China -- though a small select stock is still "Made in Hong Kong".

Increased wages have also contributed to soaring costs, says Wong Yan-wai, a dried seafood trader for over three decades.

"Most dried seafood is not processed in Hong Kong because of the high cost," Wong, 53, tells AFP.

The fresh seafood is caught across the world and dried on-site -- in South Africa, Japan, Brazil and Australia -- before being shipped to Wong's shop on Des Voeux Road.

More colloquially known as "Dried Seafood Street", it and its neighboring side streets are home to nearly 200 vendors hawking dried scallops, bird's nest, abalone, sea cucumber and more.

Pulling out a dried fish bladder from an ornate gold box, Wong says it is priced at 168,000 Hong Kong dollars ($21,500) due to its age and size.

"For businesses that do well, they can make 800 million to a billion Hong Kong dollars a year in revenue."

'Modernize Cantonese food'

Ten minutes away, ArChan Chan deftly flips dried shrimp in a carbon steel Chan Chi Kee wok to make her version of the classic Cantonese dish known as stir-fry king.

The 37-year-old chef at Ho Lee Fook, located in the glitzy Central district, is one of the city's most celebrated women chefs and among a handful of young innovators redefining Cantonese food.

"One of the biggest challenges I have is how to modernize Cantonese food," ArChan says.

The answer lies in sourcing quality ingredients while making small tweaks to dishes' flavor profiles, such as adding fermented aged garlic soy to a classic razor clam dish.

In her sleek kitchen, Archan lifts the lid of a bamboo steamer to unveil three glistening vegetable dumplings, ready to be served.

"There is such a big wealth of knowledge," she tells AFP. "I want to be able to learn and absorb as much as possible and just to pass it on."



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.