Janet Jackson Performs Alongside YOLA at Sold-Out Concert in Los Angeles with Special Guest Ludacris

Singer Janet Jackson performs during the European MTV Awards in Bilbao, Spain, on Nov. 4, 2018. (AP)
Singer Janet Jackson performs during the European MTV Awards in Bilbao, Spain, on Nov. 4, 2018. (AP)
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Janet Jackson Performs Alongside YOLA at Sold-Out Concert in Los Angeles with Special Guest Ludacris

Singer Janet Jackson performs during the European MTV Awards in Bilbao, Spain, on Nov. 4, 2018. (AP)
Singer Janet Jackson performs during the European MTV Awards in Bilbao, Spain, on Nov. 4, 2018. (AP)

Janet Jackson inserted some youthful spirit into her normally mature concert during a Saturday night tour stop in Los Angeles.

In a show filled with nostalgic hits, Jackson took a moment to perform her 1993 ballad “Again” alongside the LA Phil’s Youth Orchestra Los Angeles at the Hollywood Bowl. Before the 16-member ensemble’s performance with the pop icon, the five-time Grammy winner had a brief conversation with an 11-year-old percussionist who has only been a part of the orchestra for a year.

“Tonight, is very special to me because we’re here to support LA Phil,” said Jackson in front of a sold-out crowd, which collectively rose to its feet to applaud the singer. She paid homage to the Los Angeles Philharmonic for the YOLA program that serves around 1,700 young musicians across five sites with free instruments, intensive music instruction, academic support and leadership training.

Last year, YOLA accompanied gospel duo Mary Mary to perform “Lift Every Voice and Sing” at the Super Bowl.

Jackson hugged the young percussionist then asked how she became aware of the program.

“My mom probably found YOLA on Instagram or social media, and she asked me if I was interested in a music program and I said ‘Sure, I’ll try it,’” the percussionist said. After their chat in front of thousands of concertgoers, Jackson told her “Let’s do something a little special.”

It was indeed.

Many in the audience pulled out their phones as Jackson sang alongside the orchestra - conducted by Thomas Wilkins - played the melody of “Again” from her fifth studio album “Janet.” The ballad also earned an Oscar nomination through the 1993 film “Poetic Justice.”

After Jackson’s performance with YOLA, the singer turned back to her more mature content with “Any Time, Any Place” before she segued into “I Get Lonely.” During her hour-plus long set, she put on an impressive show performing a plethora of her other hits including “That’s the Way Love Goes,” “Nasty,” “Control” and “Scream,” a song she recorded with her late brother, Michael Jackson.

Jackson had several notable names in attendance including “Fast X” stars Michelle Rodriguez and Jordana Brewster along with actors Larenz Tate and Lil Rel Howery.

Rodriguez and Brewster showed support to their cast mate Ludacris who performed as a guest ahead of Jackson. During the rapper’s 35-minute set, Tate danced in the aisle as other attendees rose to their feet and recited the lyrics to his songs from “What’s Your Fantasy,” “Area Codes” and “Welcome to Atlanta.”

After his performance, Ludacris joined the audience for a brief chat with his “Fast X” crew and Howery separately at their box seats during the beginning stages of Jackson’s show.

In all, it was an eventful night for Jackson who closed out her concert with “Rhythm Nation” - a Grammy-winning song from 1989 that drew a slew of fireworks at the venue. Her tour kicked off in April and will finish in Seattle on June 21.

Jackson's show opened the Hollywood Bowl's summer concerts from June and September that'll include performances by the Beach Boys, Gladys Knight, Jill Scott, Maxwell and Quincy Jones' 90th birthday tribute.



‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
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‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)

A white house in a quiet corner of the city of Rio de Janeiro, Brazil, has been attracting a stream of visitors in recent weeks.

They are eager to see the family home portrayed in the Academy Awards nominee film "I’m Still Here", in which a mother of five rebuilds her life while struggling to uncover the truth about her husband's forced disappearance during Brazil’s military regime in the 1970s.

"We came here to pay homage to the family," said visitor Daniela Gurgel, as she roamed through the house. "Raising this story at this time is very important."

The film's three Oscar nominations - best picture, best international feature, and best lead actress - cast a global spotlight on both the real story of Eunice Paiva and her husband Rubens Paiva, and the authoritarian government that upended their lives. The military ruled Brazil between 1964 and 1985.

"Seeing the world watch this story is the recognition of a struggle that my family has been fighting for over 50 years," said Marcelo Rubens Paiva, the son of Eunice and Rubens and the author of the book on which the movie is based.

This struggle, he added, is one "for respect for human rights and democracy."

Brazil's dictatorship ended four decades ago but no one has ever been held accountable for the murder of hundreds of its critics or the torture of what many believe were tens of thousands. Even Rubens Paiva's disappearance, one of the most emblematic cases of human rights abuse of that time, is still an open case before Brazil's Supreme Court. His body was never found.

In 2010, the court upheld a 1979 law, passed during the dictatorship, that pardoned the crimes committed by the regime. But prosecutors and others who oppose the ruling still have cases pending before the court, including Paiva's.

On Friday, the Brazilian government provided families some relief.

Rubens Paiva's death certificate was amended to register that the cause of his death was "unnatural, violent, caused by the Brazilian State in the context of systematic persecution of the population identified as political dissidents of the dictatorial regime established in 1964".

Actress Fernanda Torres, who plays Eunice Paiva in the movie, said: "They did everything they could so that there would be no body, so that there would be no memory, so that it would not be spoken of, so that it would remain hidden in a corner."

But, she added: "This story will not be forgotten."

More than 400 other death certificates from victims of the military dictatorship all over Brazil will be rectified in an effort led by the Special Commission on Political Deaths and Disappearances under former human rights minister Nilmario Miranda.

"The film came as a gift from heaven for us, because it deals with a political disappearance," Miranda said. "The families feel that Brazil needs it. This debt to democracy is being redeemed now."