French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
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French Montana Chronicles Mom’s Sacrifice after Emigrating from Morocco in Doc Film ‘for Khadija’

French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)
French Montana arrives at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (AP)

If French Montana’s father never abandoned him as a teenager, the rapper believes he would not have grown into a popular figure who has earned three Grammy nominations.

Montana and his family left Morocco more than two decades ago in hopes of a better life in the US, but when times got tough, his father returned to their native country. Montana turned to New York City’s street life in the South Bronx for manly guidance while his mother served as the faithful backbone. It was his mother’s sacrifice to raise her sons as a single parent that inspired him to become a better man.

The “Pop That’’ rapper is telling that story in the documentary film “For Khadija,” a project named after his mother that recently premiered at the Tribeca Film Festival. The project touches on his rise as a successful recording artist and the plight of his single immigrant mother raising three sons.

“This is a story about the grind, the losses and the sacrifices,” said Montana about the documentary, which is executive produced by Drake and Sean “Diddy” Combs.

“That father figure left, and I had no guidance, so the streets became my father,” Montana said. “But my father didn’t’ have the right guidance himself. I think Allah moved him out of my life, because he had his own destiny for me. I’m sure (my father) wanted me to do a lot of things that he sees in his eyes. But I feel like when he left, French Montana took over.”

Montana’s music career includes several hits, including “Unforgettable” featuring Swae Lee. The Moroccan-born rapper earned his Grammy nominations through his songwriting endeavors on Kanye West’s “All Day” and being featured on “All the Way Up” with Fat Joe, Remy Ma and Infared. He’s also been actively fighting for global healthcare efforts in Uganda as a Global Citizen rap ambassador.

Montana feels no bitterness toward his father for leaving them during their stressful circumstances. His father wanted to return to Morocco for good after a couple opportunities didn’t pan out, but his mother was against taking the family back. She believed there were better opportunities in the United States.

“I ... respect the move he made, than if he would’ve stayed with us and we all suffered in New York,” he said. “I’m happy that he found his peace. If he stayed, I would have never been French Montana. Why would I be mad at him? That was the best thing he ever did for me as a man. He left me and I became a man. That’s how it’s supposed to be. The right way.”

With his mother having no work experience and unable to speak English, Montana said his father thought they would only last maybe a year or two before they too would return to Morocco. Instead, their time in America ultimately lasted 25 years.

In the documentary, Montana said he and his mother shared a heartfelt moment – which symbolized how her enduring faith helped them overcome a plethora of financial obstacles while she worked multiple jobs and prayed daily.

“When you see my mother kiss me on the forehead, it was us sacrificing, us going through the trials and tribulations,” he said. “It was really making the impossible come true. It was a miracle. It was no support except for the man upstairs.”

Director Mandon Lovett said he first became intrigued about Montana’s story after reading a 2012 article about him traveling to Morocco and seeing his father for the first time since the elder man left New York. Lovett was compelled by Montana’s story and wanted to one day work with him.

That moment came in 2017 when Montana took a trip to Morocco to film a music video for his song “Famous.” Through mutual acquaintances, the director was able to tag along and create a short sizzle reel.

After viewing all the material, Lovett said the story was strong enough to turn into a full-length project.

“From Morocco to New York, this story spans the globe,” said Lovett, who mentioned that Montana’s father has photos of all his sons through his apartment. “It’s a big, broad story. As French and I got to know each other, it took an even more of a turn which turned into a story that paid homage to his mother.”

Montana said naming the documentary after his mother was an easy decision after seeing Lovett’s finished product. The rapper said no accomplishment in his music career was greater than seeing his mother return to Morocco and hug her sister who she hadn’t seen in more than two decades.

“When we watched the film, I said to myself ‘This is bigger than me,’” he said. “When my mother hugged my aunt at the end, it was just a full circle moment. I came back to Morocco before my mother did. But the real warrior here, and the real struggle was her.”



Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
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Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)

Netflix is now offering to buy Warner Bros. Discovery’s studio and streaming business in all cash — in an effort to win over the Hollywood giant's shareholders for its $72 billion merger and potentially thwart a hostile bid from Skydance-owned Paramount.

Back in December, Netflix struck a cash and stock deal with Warner valued at $27.75 per share, giving it a total enterprise value of $82.7 billion, including debt. But on Tuesday, the companies announced that they would be revising the transaction to simplify its structure, provide more certainty of value for Warner stockholders and speed up the path to a shareholder vote — which they said could arrive by April.

The all-cash transaction is still valued at $27.75 per Warner share. Warner stockholders will also receive the additional value of shares of Discovery Global, which would become a separate public company following a previously-announced separation from Warner Bros.

Warner leadership has repeatedly backed a merger with Netflix and the boards of both companies approved the all-cash deal announced Tuesday. In a statement, Warner CEO David Zaslav said the revised agreement “brings us even closer to combining two of the greatest storytelling companies in the world.”

A spokesperson for Paramount declined to comment when reached by The Associated Press on Tuesday. Unlike Netflix, Paramount wants to acquire Warner's entire company — including networks like CNN and Discovery — and went straight to shareholders with all cash, $77.9 billion offer last month.

Warner stockholders have until 5 p.m. ET Wednesday to tender their shares in support of Paramount's bid, which has an enterprise value of $108 billion including debt. But that deadline could be pushed back further. While Paramount declined to share further details on Tuesday, the Wall Street Journal reported last week that the company was planning another extension.

Beyond its tender offer, Paramount has promised a proxy fight. Last week, the company said it would nominate its own slate of directors before the Warner's next shareholder meeting, the date of which has still not been set.

Paramount also filed a suit in Delaware Chancery Court seeking to compel Warner Bros. to disclose to shareholders how it values its bid and the competing offer from Netflix. But a judge on Thursday denied Paramount's request to expedite that proceeding.

In a statement at the time, Warner applauded the court’s decision and called Paramount’s lawsuit “yet another unserious attempt to distract.” Paramount, meanwhile, maintained that the ruling wasn't about the merits of its allegations and said Warner shareholders “should ask why their Board is working so hard to hide this information.”

Regardless of who eventually wins the upper hand, a Warner Bros. Discovery sale could be a long, drawn-out process that is almost certain to attract tremendous antitrust scrutiny. On Tuesday, Netflix and Warner maintained that they expect to close on a merger 12 to 18 months from December's agreement.


New James Bond Actor Revealed ’Soon’, Frontrunners Emerge

Actor Callum Turner is believed to be leading the charge (Getty Images) 
Actor Callum Turner is believed to be leading the charge (Getty Images) 
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New James Bond Actor Revealed ’Soon’, Frontrunners Emerge

Actor Callum Turner is believed to be leading the charge (Getty Images) 
Actor Callum Turner is believed to be leading the charge (Getty Images) 

An industry insider has revealed when the next James Bond film could begin shooting with its all-new 007, according to METRO newspaper.

The search for the next Bond has been on since Daniel Craig’s version of the character was killed off in No Time To Die, rather definitively vacating the role.

Since then, the franchise has been acquired by Amazon MGM Studios, who have begun work on the secret agent’s next era.

This has included hiring Dune director Denis Villeneuve to helm the next instalment of the long-running series.

While we know that Villeneuve will direct a script by Peaky Blinders creator Steven Knight, Amazon has yet to pick its next leading actor – although they have reportedly narrowed their search down to eight names.

Sharing his thoughts on when our new Bond could be revealed, senior Deadline film reporter Justin Kroll has hinted that the announcement everyone’s waiting for may be imminent.

Appearing on the My Mom’s Basement podcast, Kroll shared his prediction for when Villeneuve’s Bond might begin rolling.

“I am predicting summer, if I had to be a betting man,” Kroll said. “Because I think production will likely start [at the] end of this year/top of next.”

He continued: “Obviously, it could be a little sooner, but from everything people have said since I’ve been back, Bond is more likely middle of the year than first quarter.”

If true, this means that Bond fans could finally get some major news any day now.

This comes as producers have reportedly narrowed their search to include some of the hottest names in Hollywood right now.

Dua Lipa’s husband-to-be and Eternity actor Callum Turner is believed to be leading the charge – according to the star himself, if a source for the Daily Mail is to be believed.

Turner is confident that his license to kill is already in the post, with an insider sharing how he’d been ‘blabbing’ the news all over town.

“Callum is the new Bond; it’s been confirmed,” they said. “Everyone in his circle is talking about it. It’s the worst-kept secret going.”

They finished: “Dua is over the moon for Callum. She’s been saying she’d love to record the Bond theme.”


'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
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'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)

"Avatar: Fire and Ash" showed no signs of slowing down, topping the North American box office for the fifth consecutive week over the long holiday weekend, industry estimates showed Sunday.

The third installment in director James Cameron's blockbuster fantasy series took in another $17.2 million from Friday to Monday, when Americans mark Martin Luther King Jr Day.

That put its US and Canadian haul at $367.4 million, and its worldwide total at more than $1.3 billion, according to Exhibitor Relations.

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington as ex-Marine Jake Sully, who must battle a new foe threatening their family's life on the planet Pandora.

It is the fourth Cameron film to pass the $1 billion mark, along with the first two "Avatar" films and "Titanic."

Debuting in second place with a disappointing $15 million was "28 Years Later: The Bone Temple," the fourth installment in the zombie horror series, which comes less than a year after the last film.

"Returning after 7 months is quick -- it's too quick, and it's hurting the numbers," said analyst David A. Gross of Franchise Entertainment Research.

Disney's feel-good animated film "Zootopia 2" showed its staying power, moving up to third place at $12 million over the four-day weekend.

In fourth place at $10.2 million was "The Housemaid," an adaptation of Freida McFadden's best-selling novel about a young woman who is hired by a wealthy couple with dark secrets. Sydney Sweeney and Amanda Seyfried star in the Lionsgate release.

"Marty Supreme," starring Oscars frontrunner Timothee Chalamet as a conniving 1950s table tennis player with big dreams, finished in fifth place at $6.7 million.