Bear Grylls Goes into the Wild with a New Batch of Celebrities, from Bradley Cooper to Rita Ora

 This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)
This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)
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Bear Grylls Goes into the Wild with a New Batch of Celebrities, from Bradley Cooper to Rita Ora

 This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)
This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)

For his latest role, Bradley Cooper leapt onto a hovering helicopter, rappelled down a 400-foot cliff and pulled himself across a 100-foot ravine in one of the harshest climates in North America.

His reward wasn't an Oscar nomination or a big box office hit. It was a hug from adventurist Bear Grylls and some words of encouragement.

“He smashed it,” Grylls says.

Cooper is one of several celebrities — including Benedict Cumberbatch, Cynthia Erivo, Russell Brand, Troy Kotsur, Rita Ora, Daveed Diggs and Tatiana Maslany — who put their survival skills to the test in a new season of Nat Geo’s “Running Wild with Bear Grylls: The Challenge,” premiering Friday.

“I’m really proud of this season. We’ve had incredible guests who pushed the boundaries in terms of terrain and the challenge,” Grylls told The Associated Press. “When there’s real tough weather with fun people, it’s often really compelling TV.”

The series pairs Grylls with a celebrity for 48 hours in a harsh environment. The first day, Grylls teaches key skills — climbing techniques, water-finding tips and fire-setting, among them — and then the guest must do them alone the second day.

Kotsur, who won an Oscar for “CODA,” was tested in the Scottish Highlands, descending 2,500 feet (760 meters) across eight miles (13 kilometers) of harsh terrain and freezing rivers, including a 150-foot (45-meter) rappel down a waterfall. Because Kotsur is deaf, the two men used rope tugs to communicate. Kotsur's reward: haggis, a Scottish delicacy in which organ meat is put inside a sheep's stomach and cooked.

Diggs, a city kid, finds himself in the inhospitable Great Basin Desert in Nevada.

“I don’t know how this is going to go and that’s why I’m doing it,” he says. Diggs learns how to use anchor points, track a target and make a signal fire. His dinner is a tarantula.

“It’s not what I was hoping for, I’m not going to lie to you,” Diggs says.

Grylls told the AP the best guests are always those who come with a willingness to go with it, not to look good.

“The wild is so unpredictable and stuff is always happening. You can’t look cool all the time in the wild,” he said.

The show is not just about survival. Grylls' guests usually open up and show a different side. Ora talks about her ties to Kosovo, Cooper seems unfazed eating mule deer tongue and Cumberbatch reveals stories about his grandfather. Over a campfire, Grylls goes deeper than many TV interviewers.

“It’s as much about the stars and their own personal journeys and struggles and battles as it is about the adventure and the places,” he says. “I think that combination works well because it doesn’t feel like a performance, like a chat show does, where you’re dressed up and made up and you get three minutes.”

Cumberbatch is taken to the Isle of Skye, where his grandfather trained as a submariner. He learns how to use climbing talons and how to tie an Italian hitch knot.

“It’s not the same as doing a stunt on a Marvel film. It’s a lot more real,” Cumberbatch says. His meal is seaweed and limpets — “Definitely al dente,” he jokes — and his bed is a wet field.

Ora arrives at the Valley of Fire in Nevada following a 15,000-foot (4,570-meter) skydive, learns a chimney climb, butchers a dead pigeon, sacrifices her lip balm to make a fire and uses a sock to soak up water. She and Grylls even dance on a rock ledge, casting their shadows tall.

“The wild strips us all bare, doesn’t it?” Grylls told the AP. “It’s like a grape when you squeeze us, you see what we’re made of. And that’s always the appealing part of ‘Running Wild’ — getting to know the real people.”

One commonality among the guests is that viewers will often hear it was the celebrity's parents who instilled in them a sense of adventure and testing themselves.

“It’s a reminder just how important parenting is,” Grylls said. “Almost invariably when I ask stars, ‘Where does it come from?’ they go, ‘Oh, my dad was amazing when I was really struggling at school.’ Or, ‘My mum was just such inspiration holding down three jobs.’”

“Running Wild with Bear Grylls" is only one of several shows the adventurist is juggling. On TBS this year, he debuted “I Survived Bear Grylls,” a competition series that bridges the survival and game show genres by having regular contestants recreate some of Grylls' stunts — like digging through poop or drinking urine. Younger fans can also enjoy “You vs. Wild,” an interactive Netflix show that asks viewers to choose how Grylls will make it out of the wilderness alive.

“I’m not going to be doing these shows forever but hopefully having an adventurous spirit and knowing the value of great friends and the power of a never-give-up attitude in the world — hopefully those things will keep going,” the 49-year-old said.

He seems to have tapped into something deep in the human DNA — a need to be able to start a fire, use tools and master the wild. But Grylls thinks it's more than that.

“I really believe it’s a state of mind. We don’t have to be in the wild to live an adventurous life,” he said. “It’s how we live our life, how we approach our work, our relationships, our dreams, our aspirations, our interactions with people. Are we leaning on the adventure side? Are we always pushing the boundaries, taking a few risks?”



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)