‘Succession’ and Strikes: What to Expect from Emmy Nominations 

An Emmy statue is seen ahead of the 74th Emmy Awards at the Microsoft Theater in Los Angeles, California, on September 12, 2022. (AFP)
An Emmy statue is seen ahead of the 74th Emmy Awards at the Microsoft Theater in Los Angeles, California, on September 12, 2022. (AFP)
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‘Succession’ and Strikes: What to Expect from Emmy Nominations 

An Emmy statue is seen ahead of the 74th Emmy Awards at the Microsoft Theater in Los Angeles, California, on September 12, 2022. (AFP)
An Emmy statue is seen ahead of the 74th Emmy Awards at the Microsoft Theater in Los Angeles, California, on September 12, 2022. (AFP)

Can any TV show topple "Succession" at the Emmys? Will Amazon's lavish "Lord of the Rings" prequel rule them all? And, with ongoing Hollywood strikes, will television's finest even be honored this year?

Nominations for television's equivalent of the Oscars will be announced in a live-streamed ceremony Wednesday starting at 8:30 am Pacific time (1530 GMT), after which final-round voting begins for the 75th Emmy Awards, tentatively set for September 18.

Here are five things to look out for:

Will protests strike the Emmys?

In normal years, TV pundits argue over which shows will be nominated -- not whether the Emmys will even take place.

But this year's ceremony is already jeopardized by a writers' strike, now in its 11th week.

Nominations are to be announced on the same day that Hollywood actors will decide whether to walk off the job too, over pay and other conditions.

A Screen Actors Guild (SAG) shutdown would mean a boycott by stars -- and therefore, a likely delay -- of the Emmys.

"If there is a strike, that's going to really affect the Emmys going forward," said Deadline awards columnist Pete Hammond.

"Because the TV Academy is going to have to decide, 'How long is this going to go on?' and 'What's our drop-dead date to move the show?'"

'Succession' to steamroll?

Emmy voters love "Succession."

The HBO drama about the warring family behind a sinister media empire has already earned 48 nods, with 13 wins -- including the best drama prize, twice.

The series concluded this year with a critically adored final season, and voters are expected to shower nominations on its cast.

Best actor in a drama, alone, could feature three "Succession" stars -- Brian Cox, Jeremy Strong, and Kieran Culkin -- among its six nominees.

"I would say with all the acting they have, they're looking at 20 nominations or more, easily," said Hammond.

Much of the competition will come from within HBO, which also boasts popular dramas "The White Lotus," "The Last of Us" and "House of the Dragon," a prequel to "Game of Thrones."

School, soccer and sandwiches

The comedy categories look like they will feature a more open and varied field.

Feel-good soccer show "Ted Lasso" from Apple TV+ has thrashed its rivals in recent years, but its third -- and possibly final -- season was not well received.

ABC's "Abbott Elementary" -- a rare non-streaming show, set at a struggling Philadelphia school -- won three out of seven Emmys in a breakthrough debut last year, and will now be seeking even higher grades.

And then there is "The Bear."

Taking viewers inside the astonishingly stressful, frantic and occasionally violent kitchen of a run-down Chicago sandwich shop, it is not your typical comedy, but became a cultural phenomenon last summer.

Limited appeal

In recent years, the Emmys' "limited series" category -- for shows that end after a single season -- has been arguably the most competitive, stuffed with high-budget, star-studded shows.

But this has been a quiet, and notably dark, season for prestige one-offs, with serial-killer and crime shows "Dahmer -- Monster: The Jeffrey Dahmer Story" and "Black Bird" out in front.

Netflix's popular "Beef" offers a (slightly) lighter alternative -- despite being premised on a road-rage encounter that spirals into a bitter feud.

Can lavish 'Rings' woo voters?

With an overall $1 billion budget, Amazon's "Lord of the Rings" prequel "The Rings of Power" has been dubbed the most expensive television show ever made.

While its first season earned weak reviews, even the toughest critics were impressed by the show's luxurious production values.

So "Rings" should perform strongly across technical categories, from special effects to makeup.

But few fantasy genre productions -- with the notable exception of "Game of Thrones," or the "Lord of the Rings" movies at the Oscars -- have been big winners at awards shows.

"I don't think you're going to see it in any major categories," said Hammond.

Competition from "House of the Dragon" could also "burst its bubble," he said.



Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
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Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)

Israa was 11 years ‌old and selling cigarettes with her father on a street corner in Türkiye when filmmakers Jack MacInnes and Itab Azzam met the Syrian refugee in 2015.

They were charmed by the bubbly young girl and wanted to tell her story as her family, who had fled war-ravaged Aleppo, journeyed across eight countries to settle in Germany.

"We were with them the whole time ... we slept with them ... in the street, in the rain. We were, like, in freezing conditions in Serbia and Croatia ... And ‌by the time ‌we arrived in Germany, it was like ‌we ⁠became like a ⁠family and we really bonded," Azzam told Reuters.

That was when the idea came about for "One in a Million," the couple's documentary filmed over 10 years following Israa to adulthood.

The intimate coming-of-age story shows Israa and her family crossing borders and adapting in Germany, where new-found freedoms jar with old traditions.

Viewers follow Israa ⁠into adolescence, marriage and motherhood as she seeks ‌to find herself amid fracturing ‌shifts at home. A married Israa eventually returns to visit Syria with her ‌husband after the 2024 overthrow of Bashar al-Assad.

“Migration ...(has) become ‌such a sort of political football that has so much to do with the way we feel about each other and the way we feel about our own country and has so little ‌to do with what it's actually like to be a refugee," MacInnes said.

"And what we ⁠hope is ⁠that you can watch this film and walk for an hour and a half in a refugee's shoes and understand the complexity of it."

"One in a Million", which opens in UK cinemas on Friday, premiered at January's Sundance Film Festival where it won the Audience Award.

“We... brought Israa out as a surprise, and the place just went wild," MacInnes said.

"It was so emotional for us to see this girl... who we'd met 11 years previously ... selling cigarettes on a street corner, being beaten up by police, no one gave a damn about her. And ... suddenly here she is getting her moment."


Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)
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Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)

The manager of US country music legend Dolly Parton dropped a civil lawsuit against the singer's nephew on Thursday, US media reported, after a row enveloped the late musician's estate.

The lawsuit filed in September by Parton's longtime manager Danny Nozell accused her nephew, Bryan Seaver, of attempting to extort money from the estate, which includes an amusement park, a hotel and a soon-to-be-opened museum.

Seaver, who broke the news of the singer's death at age 80 in an emotional video in August, had provided security for Parton for years but was abruptly fired, according to TMZ.

Court filings alleged that Seaver sent threats including a text message warning he would become "the hand of retribution for my entire family," The New York Times reported.

A judge had issued a temporary restraining order against Seaver as part of the proceedings, which were voluntarily dismissed Thursday in a Nashville court, multiple US media said.

Parton rose from grinding poverty to become a rhinestone-studded legend with hits like "Jolene" and "I Will Always Love You."

She also starred in multiple films and donated millions of dollars to charities as she built a vast business empire that includes her popular Dollywood theme park in Tennessee, cosmetics, pet apparel, baking mixes and even a truck stop.


South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.