India’s Yamuna River Laps Walls of Taj Mahal after Heavy Rain

A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)
A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)
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India’s Yamuna River Laps Walls of Taj Mahal after Heavy Rain

A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)
A man takes picture of historic Taj Mahal as the Yamuna River overflows following heavy rains, in Agra, India July 18, 2023. (Reuters)

A river that runs through the northern Indian state of Uttar Pradesh has risen to lap the compound walls of the iconic Taj Mahal in Agra city, causing concern about damage to the 17th-century white marble monument.

The water level of the Yamuna River has increased over the last few days after unusually heavy rain in northern India, including Uttar Pradesh, which has received 108% of its normal rainfall since the four-month monsoon season began on June 1.

According to India's Central Water Commission (CWC), the portion of the river flowing alongside the Taj Mahal rose to 152 meters (499 feet) late on Tuesday, well above the warning level for potential danger of 151.4 meters. The level considered dangerous is 152.4 meters.

Local media outlets reported that the last time the river reached the walls of the monument, built by Mughal Emperor Shah Jahan in memory of his queen Mumtaz Mahal, was 45 years ago, in 1978.

CWC data also indicates that its station near the monument recorded the river's highest flood level that year at 154.76 meters.

Visuals from the area on Tuesday showed the red sandstone boundary wall of the Taj Mahal surrounded by muddy water, with pieces of garbage floating in it, the mausoleum itself looming over the scene, untouched by the river.

Officials from the Archaeological Survey of India (ASI), which oversees the Taj Mahal along with several other monuments in the country, said there was "no serious concern" about the monument at present.

"If it rains more, or the water stays this high for some days, we will need to assess the situation again," said Raj Kumar Patel, superintendent archaeologist with ASI.

Several other monuments and gardens located in the vicinity of the Taj Mahal, closer to the banks of the Yamuna, however, "have been submerged" and damaged, he said.

These include the tomb of Itimad-ud-Daulah, often called "baby Taj", which dates back to the 1600s, and Mehtab Bagh, also from the same period, whose structure has been damaged and garden area - currently under water - completely destroyed.

Tourists from around the world continued to stream in through the gates of the Taj Mahal on Tuesday evening, undeterred by the rising water levels.

"It is crazy to see the water go up so much, but to see the Taj Mahal was beautiful," said Mathew Kreton, 20, a student from Lucerne, Switzerland.

Local residents were more concerned, fearing the river would eventually invade their homes.

"We have kept our belongings on top so that they do not float away. Along with that we are staying on alert," said Sundar Dubey, 49, who lives near the temple.



Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
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Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA

Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan on Tuesday met with Indonesia’s Minister of Creative Economy Teuku Riefky Harsya in Jakarta.

The ministers discussed cooperation in the creative economy between the two countries through the exchange of artistic and technical expertise in film, fashion, and handicrafts.

They also explored opportunities for collaboration to promote innovation and sustainability.


‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
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‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)

A photography exhibition showcasing more than 100 photographs taken of and by the British Royal Family is on tour following its launch at Kensington Palace.

The “Life Through a Royal Lens” exhibition explores the enduring relationship between the Crown and the camera over 200 years.

It was first launched at Kensington Palace and is now on tour, starting at The Amelia Scott in Tunbridge Wells, according to the BBC.

Jeremy Kimmel, arts, heritage and engagement director at The Amelia Scott, said: “Royal Tunbridge Wells has been shaped by centuries of royal connections, from the first royal visit in the early 1600s to what was then just woodland, to becoming the favorite summer retreat of Princess Victoria.”

He said “Life Through a Royal Lens” was not just about royalty.

“The images reflect moments of national identity, cultural change, and shared experience,” said Kimmel.

The royal family are one of the most photographed families in the world and the exhibition captures state ceremonies and royal tours as well as personal images which share a glimpse of life behind the scenes.

It also features the last public photograph taken of Elizabeth II taken on 6 September 2022, just two days before she died at the age of 96.

Kimmel said: “It was taken at Balmoral Castle before the historic 'kissing of hands' ceremony in which she publicly appointed her 15th British Prime Minister, Liz Truss.”

The public can also view portraits and press photographs from the first three years of King Charles III and Queen Camilla's reign.

The exhibition was created by Historic Royal Palaces, the independent charity that cares for Kensington Palace.

Eleri Lynn, chief curator at Historic Royal Palaces, said the display of images spanning 300 years of family photoshoots, commissioned portraiture and official engagements would embark on a tour planned to span the UK.

“We are thrilled that visitors to ‘Life Through a Royal Lens’ at The Amelia Scott will be able to explore the history behind the iconic image of modern monarchy we know today,” she added.

“Life Through a Royal Lens” runs until June 7.


French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
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French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)

French lawmakers on Monday passed a bill to simplify the return of artworks looted during the colonial era to their countries of origin, AFP reported.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the lower house National Assembly late on Monday.

The upper house had unanimously passed the measure in January.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, Monday's bill specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin.