‘House of Arabic Singing’ … Cultural Tourism Destination in Egypt

Prince Bashtak Palace (Cultural Development Fund).
Prince Bashtak Palace (Cultural Development Fund).
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‘House of Arabic Singing’ … Cultural Tourism Destination in Egypt

Prince Bashtak Palace (Cultural Development Fund).
Prince Bashtak Palace (Cultural Development Fund).

It is a trip in the world of classic art, and not only a visit to an ancient palace or a unique architectural model from the Mamluk era in Egypt. Cairo’s Prince Bashtak Palace embraces a hub of creativity that truly pleases its visitors: it is the “House of Arabic Singing”, which presents charming voices and great Arabic songs.

While in Egypt, you can satisfy your crooning cravings in many prestigious places such as the Cairo Opera House and the Institute of Arabic music, yet, at the Bashtak Palace, it is a different experience, where delight goes beyond the limits, and music and singing meet civilization and history.

The connection between music and historic landmarks in Egypt is not nascent. While touring the Bashtak Palace before attending a concert, you can see engravings of cemeteries and temples on a varied collection of instruments. And if a touristic guide accompanies you on the tour, they will definitely link the palace to Egyptian musical history.

During my last visit to the “House of Arabic Singing”, guide Ahmad Abdul Samih told me: “Music was an integral part of the ancient Egyptian civilization. Many dead were buried with instruments, which indicates that music was a major aspect of the ancients’ daily life, as well as religious rituals.” Abdul Samih describes this cultural center specialized in singing as a “touristic destination boasting the Arabic musical heritage and a vital tool to preserve it.”

It offers an insight into the restoration and exploitation of the historic houses around old Cairo, which transformed the area into a special destination for cultural tourism. The palace also hosts concerts and workshops that aim to preserve the artistic identity and elevate the musical taste of visitors.

The House of Arabic Singing offers a monthly program of concerts that entertain visitors with diverse music colors including poems, religious chants, and crooning.

It also hosts emerging, highly-skilled talents who sing some of the greatest Arabic songs, as well as concerts that recall the masterpieces of Arab legends including Umm Kulthum, Mohammed Abdel Wahab, Farid al-Atrash, Abdel Halim Hafez, Wadih el-Safi, and Fairuz.

All you have to do before visiting is to check the concert program on the website of the Cultural Development Fund. You will be so lucky if you get the chance to attend a special concert that commemorates an esteemed singer, or if your visit overlaps with the monthly event, the “Maqamat Salon”.

You are also advised to inquire about the workshops held by the palace to preserve the musical heritage, which allow you to study music with some of the best young musicians, and get the chance to explore different music genres and rare oriental instruments. And if you are a fan of paintings, you will be delighted to visit the art gallery.

You might be surprised to see such an artistic momentum in the old, popular region known as “Darb Kormoz”, but it is not a coincidence. The Egyptian culture ministry wanted to introduce the popular Arabic singing in a way that brings it closer to the mainstream audience, and upscale their musical taste.

Before leaving the place, don’t forget to stop by the library which includes rare books and valuable encyclopedias on Arabic music and singing, or you can pass by the recording store to buy some rare releases.

From the magic of music, the palace, described by Al-Maqrizi as “one of the greatest establishments in Cairo,” takes you on a trip in history. Located in Al-Muizz li-Din Allah al-Fatimi Street, the palace was built by Prince Sayf al-Din Bashtak al-Nasiri on a part of the “Grand Eastern Palace Land”, between 1334-1339 AD.

When you wander in it, the palace triggers your imagination and prompts so many questions about it and its owner, especially when you hear some of the relevant anecdotes, such as what Al-Maqrizi said about “Prince Bashtak who never lived in this palace despite its breathtaking beauty, and that he felt horrible every time he visited it, until he sold it.”

Tickets of concerts at the House of Arabic Singing sell for 65-100 Egyptian pounds ($1=31 Egyptian pounds).



Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
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Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)

Tourists who want to get close to Rome's Trevi Fountain will soon have to pay a two-euro ($2.34) fee, the city mayor said on Friday, as authorities look to profit more handsomely from Italy's many attractions.

Mayor Roberto Gualtieri told reporters the new payment system would start on February 1, adding that the measure was expected to raise 6.5 million euros a year.

"Two euros isn't very much ... and it will lead to less chaotic tourist flows," Gualtieri said, stressing that citizens of Rome will continue to have free access to the fountain.

Tourists will ‌have to ‌pay if they want to get ‌onto ⁠the stone steps ‌surrounding the fountain's basin, while the small surrounding square offering a view of the imposing monument will remain open for everyone.

The Trevi Fountain, where tradition dictates that visitors toss a coin into the water to guarantee their return to Rome, has long been a major tourist attraction, even for visiting world leaders.

Completed in 1762, the monument is ⁠a late Baroque masterpiece depicting Oceanus and symbolizing the varying ‌moods of the world's seas and ‍rivers.

It has received nine million ‍visitors so far this year, Gualtieri said, suggesting that he ‍expects many people will opt to view the fountain from afar in future, rather than pay to get near the water.

Visitors on Friday said they would be willing to pay if the money was put to good use.

"If it means that money is used to keep it maintained, then yeah, that's fine," said British ⁠tourist Yvonne Salustri.

Gualtieri said five other relatively unknown sites in Rome that are currently free will start charging five euros for access from February, continuing the recent trend aimed at squeezing profits from Italy's cultural heritage.

In 2023, a five-euro entrance fee was introduced for Rome's ancient Pantheon. As a result, the square outside is often crammed with people waiting for their turn to pay and enter.

Venice has introduced a tourist entry-fee system during the peak travel season, while Verona this month began charging for access to the balcony in ‌the northern Italian city that is associated with Shakespeare's "Romeo and Juliet".


ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
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ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French

The International Center for Artificial Intelligence Research and Ethics (ICAIRE) announced the launch of an interactive edition of the Data and Artificial Intelligence Glossary, in cooperation with the Saudi Data and Artificial Intelligence Authority (SDAIA), the King Salman Global Academy for Arabic Language (KSGAAL), and the Islamic World Educational, Scientific and Cultural Organization (ICESCO).

The launch coincides with World Arabic Language Day, observed annually on December 18.

The dictionary aims to preserve the Arabic language, enrich Arabic digital content with technical terminology and concepts, raise awareness of modern concepts, and facilitate access to information for researchers and practitioners.

It seeks to unify technical terminology in support of the development of the digital economy and the building of a sustainable knowledge-based future.

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French, and allows users to interact with the dictionary by adding terms in various dialects.

These enhance knowledge exchange and help ensure the unification and integration of efforts among scientific and technical institutions both regionally and internationally. The dictionary includes more than 1,200 technical terms.


Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
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Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission

As part of its World Arabic Language Day celebration, the Jeddah Book Fair 2025 has organized a panel discussion on expanding Arabic literature’s global reach.

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission. Several female academics and other literature enthusiasts took part.

The panel discussed the concept of world literature and its relationship to comparative literature, stressing that opening Arabic texts to the world’s literature requires moving beyond local geographic boundaries and engaging in wider circles of reception and circulation.

The discussion also highlighted the key role of the press and media in conveying literary texts and reaching global readers, while praising Saudi efforts to internationalize Arabic literature through clear plans and strategies as a sustainable institutional approach.

The panel is part of the commission’s efforts to mark global occasions linked to Arabic literature and culture within an integrated cultural program offered by the Jeddah Book Fair, which continues to welcome visitors until December 20, with Saudi and Arab publishing houses showcasing the latest literary releases.