Venice Film Festival Unveils A-List Lineup with ‘Priscilla,’ ‘Ferrari,’ ‘Maestro’ Amid Strikes 

This image released by Netflix shows Michael Fassbender in a scene from "The Killer." (Netflix via AP)
This image released by Netflix shows Michael Fassbender in a scene from "The Killer." (Netflix via AP)
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Venice Film Festival Unveils A-List Lineup with ‘Priscilla,’ ‘Ferrari,’ ‘Maestro’ Amid Strikes 

This image released by Netflix shows Michael Fassbender in a scene from "The Killer." (Netflix via AP)
This image released by Netflix shows Michael Fassbender in a scene from "The Killer." (Netflix via AP)

Bradley Cooper’s Leonard Bernstein drama “Maestro,” Sofia Coppola’s Priscilla Presley movie, Michael Mann’s “Ferrari,” David Fincher’s “The Killer” and Ava DuVernay’s “Origin” will make their world debuts at the Venice International Film Festival this fall.

Organizers announced the lineup Tuesday for the 80th edition of the festival, which — despite the flashy names behind the films — could have a little less Hollywood glamour than usual gracing its picturesque docks and red carpet come September if the Hollywood actors and writers strikes stretch on. As part of the strike, actors cannot promote projects from the studios and streamers with whom the union is negotiating.

The prestigious film festival already lost one high-profile premiere to the labor disputes in the US in Luca Guadagnino’s tennis drama “Challengers, ” starring Zendaya, which had been set to play in the opening night slot but has now been pushed to 2024. But Alberto Barbera, the director of the Venice Film Festival, said Tuesday that the strikes’ effects on the festival lineup had otherwise been minimal.

“Priscilla,” an A24 film based on Priscilla Presley’s memoir “Elvis and Me,” stars Cailee Spaeny and Jacob Elordi and was widely expected to be in the festival. Coppola also launched “Somewhere” in Venice in 2010. “Priscilla” will be competing for the Golden Lion alongside “Ferrari,” the buzzy racing drama starring Adam Driver as Enzo Ferrari, and Penélope Cruz as his wife Laura, based on Brock Yates’ biography.

Yorgos Lanthimos’ highly anticipated “Poor Things,” with Emma Stone and Mark Ruffalo, will also have its bow on the Lido. Lanthimos previously launched “The Favorite” at Venice in 2018; it would go on to score 10 Oscar nominations and win one.

DuVernay’s film, “Origin,” meanwhile, is based on the book “Caste” and the life of its author, Pulitzer winner Isabel Wilkerson. The movie stars Aunjanue Ellis-Taylor.

Netflix will once again have a big presence at the festival with “Maestro,” directed by and starring Cooper as the legendary composer, opposite Carey Mulligan as Felicia Montealegre, and Fincher’s “The Killer,” with Michael Fassbender playing an assassin. The streamer is also bringing Pablo Larraín’s “El Conde,” a dark comedy in which Augusto Pinochet is a vampire, as part of the competition titles.

Another high-profile competition title is Michel Franco’s “Memory,” with Jessica Chastain and Peter Skarsgaard, as is “Drive My Car” director Ryûsuke Hamaguchi’s “Evil Does Not Exist.”

Venice has never been a festival to shy away from controversial directors and has programmed new films from both Roman Polanski and Woody Allen.

Polanski is back for the first time since 2019 with “The Palace,” about a New Year’s Eve in 1999 in a Swiss hotel, with John Cleese and Mickey Rourke. Allen is debuting his first French movie, “Coup de Chance.” Luc Besson, who was recently cleared of charges in a rape case, will also be on the Lido with “Dogman,” starring Caleb Landry Jones.

The jury presiding over the main competition this year is full of high-profile directors, including Damien Chazelle, Jane Campion, Martin McDonagh and last year’s Golden Lion winner Laura Poitras.

In addition to the Polanski and Allen films, also playing out of competition are Wes Anderson’s Roald Dahl-inspired “The Wonderful Story of Henry Sugar” with Benedict Cumberbatch, Dev Patel and Ralph Fiennes; Harmony Korine’s “Aggro Dr1ft”; Richard Linklater’s “Hit Man”; Frederick Wiseman’s “Menus Plaisirs – Les Troisgros”; and William Friedkin’s “The Caine Mutiny Court-Marshall.”

Venice is a top launching ground for awards hopefuls and has, in recent years, debuted Oscar-nominated films like “The Whale,” “The Banshees of Inisherin,” “Tár,” “The Power of the Dog,” “A Star is Born” and “La La Land.” It’s also the first major stop of the busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

Like the Cannes Film Festival, celebrity is a huge part of the Venice iconography: Think of Lady Gaga perched on the side of a water taxi in her black Jonathan Simkhai bustier dress, or Timothée Chalamet vamping in that backless red halter top by Haider Ackermann. Last year there were also viral moments aplenty thanks to the cast of “Don’t Worry Darling” and the alleged “spit-gate,” in which internet spectators wondered if Harry Styles had spit on his co-star Chris Pine at the film’s premiere.

It remains unclear whether any Hollywood talent will be able to make the journey this year. Barbera said at this point that some actors and actresses will not be able to attend but, without getting specific, said that talent from independent fare will be able to grace the red carpets and press conferences.

The Venice Film Festival runs from Aug. 30 through Sept. 9.



Iran Court Sentences Filmmaker Panahi to Five Years

Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)
Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)
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Iran Court Sentences Filmmaker Panahi to Five Years

Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)
Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)

An Iranian court has sentenced renowned filmmaker Jafar Panahi in absentia to over five years in prison, Iranian media said quoting his lawyer, although the latest charges remain unclear.

"The Tehran Revolutionary Court sentenced my client to five years and one month in prison and ordered the confiscation of all his movable and immovable property," the ISNA news agency reported, citing his lawyer Mostafa Nili on Tuesday.

"The court also imposed a two-year ban on social media activity and a two-year travel ban," he added.

The ISNA report did not specify the charges.

Nili said he discovered the conviction after Panahi told him last week that his bank accounts had been frozen, prompting the lawyer to visit the sentence enforcement office of the Culture and Media Prosecutor's Office.

The lawyer said Panahi had returned to Iran during the war with Israel and the United States which broke out on February 28.

It remains unclear if Panahi has remained in Iran.

Panahi currently has three pending cases, Nili said, adding that his client had not been notified of the hearing date in the latest case.

In June, an Iranian court rejected Panahi's appeal against a one-year sentence in one of the cases, which was handed down in December on charges of "propaganda" against Iran.

Panahi, 66, won the top prize at last year's Cannes film festival for "It Was Just an Accident", a film in which five ex-inmates contemplate whether to exact revenge on a man they believe to be their former jailer.

He has won a host of prizes at European film festivals since showcasing his debut film "The White Balloon" in Cannes in 1995, which won an award for best first feature.

In 2010, Panahi was banned from making movies for 20 years, and from leaving the country, after supporting mass anti-government protests a year earlier and making a series of films that critiqued the state of modern Iran.

Convicted of "propaganda against the system", he was sentenced to six years in jail but served only two months behind bars before being released on bail.

A year later, he dispatched a documentary with the title "This is Not a Film" to the Cannes festival on a flash drive stashed in a cake.

His 2015 movie "Taxi" featured him acting as a taxi driver and was shot entirely in a car.

In 2022, he was arrested in connection with protests by a group of filmmakers but was released nearly seven months later.

Iranian filmmakers, prominent media figures and celebrities are closely monitored in Iran and their work reviewed for content deemed critical of the regime.


Susan Saint James, Emmy-Winning Actor of ‘McMillan & Wife’ and ‘Kate & Allie,’ Dies at 80

Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)
Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)
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Susan Saint James, Emmy-Winning Actor of ‘McMillan & Wife’ and ‘Kate & Allie,’ Dies at 80

Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)
Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)

Susan Saint James, who co-starred with Rock Hudson in the 1970s TV crime series “McMillan & Wife” and later co-starred with Jane Curtin in the sitcom “Kate & Allie” in the 1980s, has died. She was 80.

People magazine, citing a representative for the actor, said Saint James died Monday. She had been diagnosed with pancreatic cancer.

“She never met a stranger," her family said in a statement to People. "Every person she met became the most important person in the room at that moment, from a fellow board member to the clerk at the shoe store, who usually walked away knowing her entire life story."

Born Susan Jane Miller on Aug. 14, 1946, in Los Angeles, she was raised in the northern Illinois city of Rockford, where her father had transferred for work. She began modeling as a teenager in Paris.

At 20, she moved back to Los Angeles and landed a seven-year contract with Universal Studios. She made her television debut in the 1966 movie “Fame is the Name of the Game” with Tony Franciosa.

She got another break when it became a series called “The Name of the Game” in 1968, with rotating lead characters played by Franciosa, Gene Barry and Robert Stack. Saint James provided the show continuity in her role as Peggy Maxwell, a research assistant who worked for all three men. She won an Emmy Award for the part in 1969.

Before “The Name of the Game,” Saint James had a recurring role in the crime-caper series “It Takes a Thief” starring Robert Wagner. Her other early TV credits included “Ironside," “McCloud” and “Alias Smith and Jones.” In 1980, she guest-starred in an episode of “M(asterisk)A(asterisk)S(asterisk)H.”

Saint James, known for her unique, throaty voice, had a supporting role in the 1968 movie “Where Angels Go, Trouble Follows” starring Rosalind Russell and Stella Stevens.

She earned her biggest fame as Sally McMillan, the plucky wife of Hudson’s San Francisco police commissioner Stewart McMillan, in the hit series “McMillan & Wife” from 1971-76. She received three Emmy nominations for the role.

Saint James left the NBC show before its sixth and final season because of a contract dispute, with her character killed off in a plane crash. Saint James then turned to feature films.

She played opposite Peter Fonda in “Outlaw Blues” in 1977. She co-starred with George Hamilton in the 1979 vampire spoof “Love at First Bite” and joined Jessica Lange and Curtin in the 1980 comedy heist “How to Beat the High Cost of Living.” She co-starred in the 1981 romantic comedy “Carbon Copy,” in which Denzel Washington made his movie debut.

After middling success on the big screen, Saint James reunited with Curtin in the CBS sitcom “Kate & Allie,” which ran from 1984-89 and earned Saint James two Emmy nominations as the free-spirited Kate to Curtin’s straight-laced Allie.

While guest-hosting “Saturday Night Live” in 1981, Saint James met Dick Ebersol, the show’s then-executive producer and the future chairman of NBC Sports. They married barely six weeks after meeting and had three sons, Charlie, Willie and Teddy.

Teddy died at age 14 in a 2004 private plane crash that also killed the pilot and flight attendant; Ebersol and Charlie survived with serious injuries.

Saint James filed for divorce from Ebersol in 2002, but they reconciled later that year. “We had a second chance,” she told People magazine in 2002. “I’m amazingly happier, so that’s a good sign.”

In his 2022 memoir “From Saturday Night to Sunday Night,” Ebersol called Saint James “the greatest partner I’ve ever had by far.”

She retired when “Kate & Allie” ended, choosing to focus on raising her younger children in Litchfield, Connecticut, while Ebersol took the executive job at NBC Sports.

Saint James made occasional guest appearances after that, including as the mother of her real-life look-alike niece Christa Miller on “The Drew Carey Show,” as well as “Law & Order: Special Victims Unit” and “Suits.” In 1999, she starred in a production of “The Miracle Worker” in Torrington, Connecticut.

In 1998, Saint James, her sister, Mercedes Dewey, and a friend founded Seedling and Pip, a baby gift basket business with a focus on books based in Litchfield, Connecticut.

She was a longtime supporter of Special Olympics, volunteering and serving on its board of directors.

Besides her husband, she is survived by daughter Sunshine and son Harmony from her second marriage to makeup artist Tom Lucas, with whom she remained friends; sons Charlie and Willie with Ebersol; and Miller, whose first TV role was on “Kate & Allie.” Saint James’ first marriage to Richard Neubert ended in divorce.


Dutch Broadcaster Pulls Out of Eurovision Over Israel ‘Sensitivities’

The Eurovision Song Contest 2025 logo is displayed on a screen at the end of the dress rehearsal for the second semi-final, Basel, Switzerland, May 14, 2025. (AFP)
The Eurovision Song Contest 2025 logo is displayed on a screen at the end of the dress rehearsal for the second semi-final, Basel, Switzerland, May 14, 2025. (AFP)
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Dutch Broadcaster Pulls Out of Eurovision Over Israel ‘Sensitivities’

The Eurovision Song Contest 2025 logo is displayed on a screen at the end of the dress rehearsal for the second semi-final, Basel, Switzerland, May 14, 2025. (AFP)
The Eurovision Song Contest 2025 logo is displayed on a screen at the end of the dress rehearsal for the second semi-final, Basel, Switzerland, May 14, 2025. (AFP)

The Netherlands will not participate in next year's Eurovision Song Contest, its broadcaster NPO said Tuesday, citing "sensitivities" over Israel's participation.

"We have known for some time that Israel's participation elicits various reactions in society and causes discussion and division... therefore, after consultation with the Board of Broadcasters, the NPO has decided to forgo participation in 2027," Jurre Bosman, NPO's media director, said in a statement.

Jet de Ranitz, NPO's executive chairman, acknowledged this would disappoint many Dutch Eurovision fans and stressed that the contest would still be aired on the public channels.

However, he said: "We must conclude that it is currently too early to participate in the Eurovision Song Contest in 2027."

"Due to the sensitivities surrounding the themes currently at play, we have decided to take a step back for the time being," added De Ranitz.

The contest has recently been hit by a wave of boycotts over Israel's participation, in protest at the country's deadly offensive in Gaza, which was sparked by Hamas attacks in 2023.

Earlier this month, the Czech public broadcaster also pulled out, but cited spending cuts as the reason.

Ireland has already announced it will not be taking part, while the head of the Spanish public broadcaster has come out in favor of a boycott.