Pianist Dedicates Music to Indigenous People Who Inspired Him

Bringing the grand piano to his remote village required a long journey along dirt roads with the piano laid on its side, supported by piles of potatoes. CLAUDIO CRUZ / AFP
Bringing the grand piano to his remote village required a long journey along dirt roads with the piano laid on its side, supported by piles of potatoes. CLAUDIO CRUZ / AFP
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Pianist Dedicates Music to Indigenous People Who Inspired Him

Bringing the grand piano to his remote village required a long journey along dirt roads with the piano laid on its side, supported by piles of potatoes. CLAUDIO CRUZ / AFP
Bringing the grand piano to his remote village required a long journey along dirt roads with the piano laid on its side, supported by piles of potatoes. CLAUDIO CRUZ / AFP

Romayne Wheeler sits at his grand piano overlooking Mexico's Copper Canyon and plays music inspired by the mountains and remote Indigenous communities that he now dedicates his life to helping.

The 81-year-old California-born composer no longer lives in the cave where he slept with his solar-powered portable piano after arriving several decades ago in the Sierra Tarahumara in northwestern Mexico.

But he feels as close as ever to nature and Indigenous Raramuri people who welcomed him into their lives, sharing their food, music, and culture, said AFP.

"I feel truly that all of this area around me is my studio," Wheeler told AFP in his stone house perched on the canyon's edge, several hours from the nearest significant town along winding mountain tracks.

"Every tree, every plant, every flower -- everything here has something to tell me," he said.

Wheeler's love affair with the Sierra Tarahumara began in 1980 when he was in the United States studying Indigenous music and a snowstorm made it impossible to travel to a Native American reservation near the Grand Canyon.

Leafing through a copy of National Geographic magazine, he came across pictures of the remote Mexican region and decided to see it for himself.
"It was like coming home," he recalled, wearing the Indigenous-style shirt and traditional sandals that he now prefers to Western attire.

"The people that are most revered here are the musicians. They stand in high honor like the shamans," he said.

The mountainous corner of Chihuahua state is part of the notorious "Golden Triangle," a region with a history of marijuana and opium poppy production as well as drug cartel violence.

Raramuri philosophy
Wheeler identified so much with the philosophy of the Raramuri -- also known as Tarahumara -- that he came back for several weeks each year before settling there permanently in 1992.

They were "people who shared everything they had, who considered the person that is of most value is the one that helps others the most, and contributed something positive to humanity," he said.

When he first arrived, the Raramuri -- whose name means "light-footed ones" and who are renowned for their running stamina -- showed Wheeler a small cave where he could practice and keep his electric piano dry.

"My friends said sometimes with the wind just right they could hear my little tiny instrument all the way across the canyon," he remembered.

One young child, a neighbor's son, showed particular interest, so Wheeler taught him to play and sent him to study in the Chihuahua state capital.

Now Romeyno Gutierrez, his protege, is an acclaimed pianist in his own right who performs abroad and accompanied Wheeler on two tours of Europe.

"He's the first pianist and composer of Indian heritage that I know of on our continent," Wheeler said proudly.

Bringing his 1917 Steinway grand piano to the village of Retosachi was almost as much of an odyssey as Wheeler's own.

The dream to put a piano on a mountaintop was born in Austria where Wheeler, a keen mountaineer, studied and lived for 32 years, but where harsh winters made it impossible.

In Mexico, he hired a professional moving company to bring the fragile musical instrument from the western city of Guadalajara as far as it could into the mountains.

It then took 28 hours to reach Wheeler's home by truck along dirt mountain roads with the piano laid on its side, supported by piles of potatoes, he said.

"We went at a walking rhythm for most of the way because of all the potholes," he added.

Helping humanity
Despite the remoteness of his home, affectionately named Eagle's Nest, visits from his neighbors and the company of his dogs mean that Wheeler never feels alone.

"I feel more lonely in the city because of all the people around that have nothing to say to each other," he said.

He has 42 godsons in the area, one of the poorest in Mexico, where limited access to clean water, sufficient food, and healthcare pose major challenges to communities that rely mostly on subsistence agriculture.

In the early 1990s, Wheeler decided to use proceeds from the concerts he performs around the world to establish a school, a clinic, and a scholarship program.

"They're very good people. They help a lot," said one of his neighbors, Gerardo Gutierrez, who was a child when he first met Wheeler.

"They gave away blankets when it was very cold. And sometimes they got groceries for the people here," the 49-year-old added.

Giving back to the community has also given Wheeler a deeper sense of purpose.

"These years have been the most happy years of my life really because I feel like my music is doing something of value to help humanity," he said.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.