Italy Gets Back 266 Antiquities from New York Seizures after Collector Approaches Houston Museum

In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)
In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)
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Italy Gets Back 266 Antiquities from New York Seizures after Collector Approaches Houston Museum

In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)
In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)

Italy celebrated the return Friday of 266 antiquities from the United States, including Etruscan vases and ancient Roman coins and mosaics worth tens of millions of euros, that were looted and sold to US museums and private collectors.

The returned items include artifacts recently seized in New York from a storage unit belonging to British antiquities dealer Robin Symes, officials said. In addition, the haul that arrived in Rome included 65 objects that had been offered by a collector to Houston’s Menil Collection, but were declined.

The art unit of Italy’s Carabinieri paramilitary police said the owner of the collection "spontaneously" gave back the items after investigators determined they had come from clandestine excavations of archaeological sites, according to a carabinieri statement.

While the carabinieri said the works had been part of the Menil Collection, the museum said they never were. The museum said a collector approached the museum in 2022 about making a gift of the artifacts, but the museum curator directed the collector to the Italian culture minister, "who alerted the museum that Italy was claiming the objects."

"The Menil Collection declined these works from the collector and they have never been part of the museum's collection," spokesperson Tommy Napier said in a statement late Friday to The Associated Press.

Italy has been on a decades-long campaign to hunt down antiquities that were looted by "tombaroli," or tomb raiders, and then sold to private collectors and museums in the US and beyond. The looting operations involved art dealers who sold the items directly or via auctions.

Some of the items were handed over to Italian authorities Tuesday at the offices of the Manhattan district attorney, Alvin Bragg. Bragg’s office said they included an Apulian krater, or vase, dating from 335 B.C. that was seized in July from a private collection in New York.

The vase had been photographed and included in the famous Polaroid "archive" of dealer Giacomo Medici, who passed it onto Symes, who then "laundered the piece through Sotheby’s London," Bragg’s office alleged.

Other items included two Etruscan tile paintings from Cerveteri, a frequently-looted necropolis site northwest of Rome, that date back to 440 B.C.

According to Bragg’s office, the tiles were looted in the 1980s and ended up with Symes, who sold them to noted New York collectors Shelby White and Leon Levy in 1992 for $1.6 million. The couple returned the tiles to Symes before 1999 "after questions about their illicit origins were raised by multiple scholars," the statement said.

The objects remained in Symes’ New York storage unit until they were seized in March, the statement said.

The Italian police art squad said the value of all 266 pieces, on the open market, would come to tens of millions of euros. The Symes items are in addition to 750 pieces that were in the possession of Symes' London company, Symes Ltd, which is being liquidated, and Italy put on display May 31.

Symes’ Italy-based lawyers did not immediately respond to an email late Friday seeking comment on the new returns.

In May, before Italy reclaimed the initial trove of 750 objects, Symes' lawyers, Antonella Anselmo and Giuliano Lemme, said the return was the result of an agreement between the British dealer and the Italian Culture Ministry following "years of complex negotiations and legal proceedings."

"Under the agreement, hundreds of archaeological finds of great cultural value, which are assumed to have been illegally exported, will return to Italy, where they will be destined for public use," the lawyers said in a May 11 statement.

The deal also allowed Symes to use proceeds from the sale of some items to satisfy creditors.



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.