Italy Gets Back 266 Antiquities from New York Seizures after Collector Approaches Houston Museum

In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)
In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)
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Italy Gets Back 266 Antiquities from New York Seizures after Collector Approaches Houston Museum

In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)
In this picture made available by the Italian Carabinieri, paramilitary police, Friday, Aug. 11, 2023, some of the 266 266 antiquities returned from the United States to Italy are displayed during a handing over ceremony to the offices of the Manhattan district attorney. (Italian Carabinieri Via AP)

Italy celebrated the return Friday of 266 antiquities from the United States, including Etruscan vases and ancient Roman coins and mosaics worth tens of millions of euros, that were looted and sold to US museums and private collectors.

The returned items include artifacts recently seized in New York from a storage unit belonging to British antiquities dealer Robin Symes, officials said. In addition, the haul that arrived in Rome included 65 objects that had been offered by a collector to Houston’s Menil Collection, but were declined.

The art unit of Italy’s Carabinieri paramilitary police said the owner of the collection "spontaneously" gave back the items after investigators determined they had come from clandestine excavations of archaeological sites, according to a carabinieri statement.

While the carabinieri said the works had been part of the Menil Collection, the museum said they never were. The museum said a collector approached the museum in 2022 about making a gift of the artifacts, but the museum curator directed the collector to the Italian culture minister, "who alerted the museum that Italy was claiming the objects."

"The Menil Collection declined these works from the collector and they have never been part of the museum's collection," spokesperson Tommy Napier said in a statement late Friday to The Associated Press.

Italy has been on a decades-long campaign to hunt down antiquities that were looted by "tombaroli," or tomb raiders, and then sold to private collectors and museums in the US and beyond. The looting operations involved art dealers who sold the items directly or via auctions.

Some of the items were handed over to Italian authorities Tuesday at the offices of the Manhattan district attorney, Alvin Bragg. Bragg’s office said they included an Apulian krater, or vase, dating from 335 B.C. that was seized in July from a private collection in New York.

The vase had been photographed and included in the famous Polaroid "archive" of dealer Giacomo Medici, who passed it onto Symes, who then "laundered the piece through Sotheby’s London," Bragg’s office alleged.

Other items included two Etruscan tile paintings from Cerveteri, a frequently-looted necropolis site northwest of Rome, that date back to 440 B.C.

According to Bragg’s office, the tiles were looted in the 1980s and ended up with Symes, who sold them to noted New York collectors Shelby White and Leon Levy in 1992 for $1.6 million. The couple returned the tiles to Symes before 1999 "after questions about their illicit origins were raised by multiple scholars," the statement said.

The objects remained in Symes’ New York storage unit until they were seized in March, the statement said.

The Italian police art squad said the value of all 266 pieces, on the open market, would come to tens of millions of euros. The Symes items are in addition to 750 pieces that were in the possession of Symes' London company, Symes Ltd, which is being liquidated, and Italy put on display May 31.

Symes’ Italy-based lawyers did not immediately respond to an email late Friday seeking comment on the new returns.

In May, before Italy reclaimed the initial trove of 750 objects, Symes' lawyers, Antonella Anselmo and Giuliano Lemme, said the return was the result of an agreement between the British dealer and the Italian Culture Ministry following "years of complex negotiations and legal proceedings."

"Under the agreement, hundreds of archaeological finds of great cultural value, which are assumed to have been illegally exported, will return to Italy, where they will be destined for public use," the lawyers said in a May 11 statement.

The deal also allowed Symes to use proceeds from the sale of some items to satisfy creditors.



King Khalid Cultural Center in Buraidah Fosters Cultural Activity in Qassim

The center holds significant cultural and social value, featuring facilities, halls, and theaters that host diverse events, festivals, exhibitions, and forums - SPA
The center holds significant cultural and social value, featuring facilities, halls, and theaters that host diverse events, festivals, exhibitions, and forums - SPA
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King Khalid Cultural Center in Buraidah Fosters Cultural Activity in Qassim

The center holds significant cultural and social value, featuring facilities, halls, and theaters that host diverse events, festivals, exhibitions, and forums - SPA
The center holds significant cultural and social value, featuring facilities, halls, and theaters that host diverse events, festivals, exhibitions, and forums - SPA

The King Khalid Cultural Center in Buraidah is a prominent cultural landmark in Qassim Region. It holds significant cultural and social value, featuring facilities, halls, and theaters that host diverse events, festivals, exhibitions, and forums.

Official spokesperson for the Qassim Region Municipality Nayef Al-Nufai stated that the center serves as a vibrant space for activities and programs that bring together various segments of society, providing an ideal environment for specialized events and professional gatherings, SPA reported.

He added that the municipality is committed to maximizing the utility of such cultural facilities, ensuring they serve the community effectively, align with residents' aspirations, invigorate cultural and tourism activity, and elevate Buraidah's urban landscape.


Northern Borders Region’s Heritage Preserves Cultural Identity

Folk arts are another integral part of the region’s social fabric, characterized by rhythmic performances and communal chants that express courage, enthusiasm, and social cohesion - SPA
Folk arts are another integral part of the region’s social fabric, characterized by rhythmic performances and communal chants that express courage, enthusiasm, and social cohesion - SPA
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Northern Borders Region’s Heritage Preserves Cultural Identity

Folk arts are another integral part of the region’s social fabric, characterized by rhythmic performances and communal chants that express courage, enthusiasm, and social cohesion - SPA
Folk arts are another integral part of the region’s social fabric, characterized by rhythmic performances and communal chants that express courage, enthusiasm, and social cohesion - SPA

Northern Borders Region preserves a diverse intangible cultural heritage, including social customs, folk arts, and knowledge rooted in desert life that remain deeply embedded in the local community's consciousness and daily practices.

The region evokes its collective memory and cultural heritage through social practices passed down through generations, including generosity, hospitality, and traditional gathering spaces where community members meet to exchange news and ideas, SPA reported.

Saudi coffee is also central, along with the etiquette and traditions surrounding its preparation and service, which embody the values of welcoming others and fostering social connection.

Folk arts are another integral part of the region’s social fabric, characterized by rhythmic performances and communal chants that express courage, enthusiasm, and social cohesion.

The region’s traditional way of life is reflected in various crafts and manual practices developed to meet the needs of desert life. This includes specialized knowledge of camels and traditional methods for traveling and living in the desert, as well as the expertise gained from navigating its challenging climatic conditions.


Jazan’s Traditional Sweets Preserve Culinary Heritage, Cultural Identity

Halqum, meanwhile, has a soft, elastic, gelatinous texture and comes in various flavors and colors depending on its ingredients and preparation methods - SPA
Halqum, meanwhile, has a soft, elastic, gelatinous texture and comes in various flavors and colors depending on its ingredients and preparation methods - SPA
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Jazan’s Traditional Sweets Preserve Culinary Heritage, Cultural Identity

Halqum, meanwhile, has a soft, elastic, gelatinous texture and comes in various flavors and colors depending on its ingredients and preparation methods - SPA
Halqum, meanwhile, has a soft, elastic, gelatinous texture and comes in various flavors and colors depending on its ingredients and preparation methods - SPA

Traditional sweets in Jazan Region tell a story that goes beyond their taste, evoking customs passed down through generations, with some varieties becoming familiar and cherished. Mashbak and Halqum are among these sweets, combining visual appeal with familiar flavors.

Mashbak is usually made from a dough mixture shaped into interwoven strands, then fried until golden, SPA reported.

Halqum, meanwhile, has a soft, elastic, gelatinous texture and comes in various flavors and colors depending on its ingredients and preparation methods. Differences in texture and shape give each sweet its own distinctive character within a diverse world of confectionery preparation and presentation.

Food heritage is an important way to introduce the cultural identity of different regions. Understanding a place extends beyond its natural and historical landmarks to include its local products and the customs, skills, and practices passed down through generations.

From this perspective, traditional sweets represent part of the cultural experience through which visitors can discover aspects of daily life and local hospitality.