Deaf Nigerian Dancers Delight Public, Challenge Expectations

Members of Deaf Can Dance team pose after their performance at a dance concert in Ibadan, Nigeria August 6, 2023. REUTERS/Seun Sanni/File photo
Members of Deaf Can Dance team pose after their performance at a dance concert in Ibadan, Nigeria August 6, 2023. REUTERS/Seun Sanni/File photo
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Deaf Nigerian Dancers Delight Public, Challenge Expectations

Members of Deaf Can Dance team pose after their performance at a dance concert in Ibadan, Nigeria August 6, 2023. REUTERS/Seun Sanni/File photo
Members of Deaf Can Dance team pose after their performance at a dance concert in Ibadan, Nigeria August 6, 2023. REUTERS/Seun Sanni/File photo

Amateur dancer Omowunmi Otunuyi, who is deaf, delighted an audience in the Nigerian city of Ibadan, as she performed with her dance troupe in a show intended to challenge preconceptions about deafness.
"I am so glad we were able to show the audience what we could do, I'm excited because we made it happen," said the 20-year-old in sign language.
Public performances by deaf artists are rare in Nigeria, where there is little provision for people with disabilities to access cultural and artistic activities, Reuters said.
Otunuyi's way into the world of dance came through professional coach Samuel James, who launched the Seams Deaf-Pro Foundation with an ambition to give deaf performers opportunities to excel and to combat prejudice against them.
"When we go to a place to dance, say 'how is this possible, how are they able to work with songs, the sounds'... that has been our target and that is what we always push," James said.
Otunuyi and others in the group credit James with helping them express rhythm and flow during rigorous training sessions.
"Some may think it is just a waste of energy, a waste of time," Otunuyi signed. "I'm a born dancer. I believe there is success in this."
James and his students have a clear purpose.
"We are trying to break the biases, the prejudices against deaf people," he said.



Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
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Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)

Ticketmaster may have misled music fans into paying more for tickets than they had planned last year to see British band Oasis, the UK's competition watchdog said on Tuesday, urging the company to change how it labels tickets and informs customers.

Thousands of fans waited for hours online to get their hands on highly coveted tickets for the band's 2025 reunion shows, only to find prices had jumped by the time they got to the front of the queue.

"We’re concerned that Oasis fans didn’t get the information they needed or may have been misled into buying tickets they thought were better than they were," said Hayley Fletcher, interim senior director of consumer protection at the Competition and Markets Authority (CMA).

The watchdog said it was concerned that Ticketmaster may have breached consumer law. CMA does not currently have power to levy fines for breaching consumer laws, which are enforced through the court system.

A Ticketmaster statement said that it aimed to provide a "simple, transparent and consumer-friendly experience" and welcomed the CMA's input.

The CMA launched an investigation into Ticketmaster in September to examine if it had engaged in "unfair commercial practices," and if they were pressured to buy tickets within a short period of time.

The CMA originally said it was also looking at how dynamic pricing models - a form of surge pricing - may have been used, but Ticketmaster has said it did not use dynamic pricing models.

The outcry over the way the ticket sale process was managed became a hot political topic, spurring Prime Minister Keir Starmer to promise to get a grip on the wider issue of event tickets being sold at inflated prices.

The government has since announced proposals to cap resale prices and hold reselling websites more accountable.

The CMA issued an update on its findings on Tuesday outlining two main concerns.

One was that seats labelled as "platinum" were sold at a premium without consumers being made fully aware that they didn't come with any extra benefits.

Another was insufficient information provided to buyers at the start of the queue on different ticket categories and their prices if cheaper tickets were sold out before their turn to buy.

The CMA said Ticketmaster had made some changes since the investigation began, but that more work was still needed.

"We now expect Ticketmaster to work with us to address these concerns so, in future, fans can make well-informed decisions when buying tickets," the CMA's Fletcher said.