‘Discover Al-Khobar’ Chronicles Urban Renaissance in Eastern Saudi Arabia

“Discover Al-Khobar” exhibition, which seeks to highlight the aesthetic charm of this coastal city, received over 344 photographs from 172 photographers (Asharq Al-Awsat)
“Discover Al-Khobar” exhibition, which seeks to highlight the aesthetic charm of this coastal city, received over 344 photographs from 172 photographers (Asharq Al-Awsat)
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‘Discover Al-Khobar’ Chronicles Urban Renaissance in Eastern Saudi Arabia

“Discover Al-Khobar” exhibition, which seeks to highlight the aesthetic charm of this coastal city, received over 344 photographs from 172 photographers (Asharq Al-Awsat)
“Discover Al-Khobar” exhibition, which seeks to highlight the aesthetic charm of this coastal city, received over 344 photographs from 172 photographers (Asharq Al-Awsat)

The urban development movement in the eastern region of Saudi Arabia continues to thrive, with a growing momentum of activity in the city of Al-Khobar, known as the “Pearl of the Gulf.” This city flourishes with unique buildings and expansive green spaces, all along one of the most beautiful shores of the Arabian Gulf.

This picturesque city has captured the attention of a group of photographers who aim to document its landmarks through a diverse range of photographs showcased in the “Discover Al-Khobar” exhibition.

The exhibition is currently taking place at the municipal headquarters of the city, highlighting the modern face of Al-Khobar.

The exhibition, seeking to highlight the aesthetic charm of this enchanting coastal city and the vibrancy of its daily life, received over 344 photographs from 172 photographers.

Among these submissions, a committee of judges selected 45 images for participation.

Furthermore, three winning pieces were chosen for recognition during the exhibition’s opening ceremony held on Sunday evening.

The event was inaugurated by the Mayor of Al-Khobar Province, Eng. Mishal bin Hamidi Al Wahbi, under the patronage of Princess Abeer bint Faisal bin Turki, the President of the Eastern Region Council for Corporate Social Responsibility.

Yousef Al-Harbi, the Director of the Culture and Arts Association in Dammam, clarified in an interview with Asharq Al-Awsat that the association’s members, who are photographers, played an active role in the exhibition.

“Initiating, announcing, and involving all members, participating in judging the submitted works is a role, but in my opinion, the larger role is achieved through active engagement with Al-Khobar Municipality, which organized the exhibition,” Al-Harbi told Asharq Al-Awsat.

“Additionally, working with the Council for Corporate Social Responsibility, introducing the exhibition, guiding and connecting with photographers, contributing to and understanding the exhibition, and these effective initiatives, and encouraging them, are among the most important roles we are working on in community and artistic partnerships with various entities,” he clarified.

“This involves gauging the interests and aspirations of photographers, artists, and recipients alike,” added Al-Harbi.

When asked about the artistic value of this exhibition, Al-Harbi said: “Al-Khobar deserves it, and we consistently present the Eastern Province as a creative city.”

“It is an integral part of creativity, and this dedication to providing the environment and identity is what determines the artistic value of the exhibition,” he added.

Al-Harbi emphasized that the exhibition is not merely a repetition of the conventional image; rather, it delves into the context and time, artistic, sensory, and aesthetic exploration and discovery.



Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
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Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP

Like many of his fellow Tunisians, 23-year-old Amine Elhani has never been to the cinema, but now, thanks to a mobile theater touring the country, he can finally enjoy the big screen.

The bright red truck of CinemaTdour, or "moving cinema", has transformed parking lots and factory grounds in underserved towns and neighbourhoods across the North African country into pop-up theaters.

In the central town of Djemmal, dozens of workers unloaded the expandable truck, easily setting up a fully equipped outdoor movie theater with 100 seats.

"The screen is huge, and the sound effects are amazing," said Elhani, who had so far only watched films on his phone or computer.

He had "never had the chance to go to a movie theater", he told AFP.

"It's a fantastic experience, especially because I'm watching with friends."

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs.

Recognizing this gap, CinemaTdour was launched in May by private cultural network Agora and nonprofit Focus Gabes, with funding from private donors.

"We wanted a way to reach as many viewers as possible, in a short time and on a limited budget, while offering them an authentic cinematic experience," project director Ghofrane Heraghi told AFP.

Mobile cinemas have long existed in other countries, but Heraghi said CinemaTdour was "unique" for turning a truck into a full-fledged theater.

Without government funding, CinemaTdour relies heavily on partnerships with private companies to cover costs like film rights, maintenance and staffing.

The truck itself was purchased on credit for about one million Tunisian dinars ($315,000), Heraghi said, with annual operating expenses of around 500,000 dinars.

For 10 days in Djemmal, residents could watch films for free thanks to a partnership with German car parts manufacturer Draxlmaier, which has a factory in the town.

Jihene Ben Amor, Draxlmaier's communications manager in Tunisia, said the company wanted to "contribute to the development" of remote and underserved regions where it operates.

For many workers, earning up to 1,000 dinars a month, the cost of tickets and the journey to a main city with a movie theater can be prohibitive.

"Having this cinema right outside their workplace also gives workers a sense of pride and belonging," said Ben Amor.

- 'Social impact' -

After Djemmal, CinemaTdour set up in Hay Hlel, an impoverished neighbourhood of the capital Tunis.

Many children gathered around the pop-up theater, eager for their turn.

Yomna Warhani, 11, was beaming with excitement, anticipating her first ever movie screening.

"I can't wait to see what it's like inside and what films they'll show," she said.

Nejiba El Hadji, a 47-year-old mother of four, said: "It's not just the kids who are thrilled, believe me."

To her, the mobile cinema was a rare source of joy in an otherwise bleak environment.

"We have nothing here, no cultural centers and no entertainment, just the streets," said Hadji.

"People say our kids are lost, but no one does anything about it."

CinemaTdour's two-week stay in Hay Hlel was funded by the World Health Organization, with screenings themed on mental health, smoking and drug abuse, and violence against women.

The shows were tailored for younger audiences as well as for viewers with hearing or visual impairments.

Heraghi, the project head, said that "what drives us is the social impact of culture."

"We want to break stereotypes, shift mindsets, and promote values like social cohesion and community spirit."

In just a few months, CinemaTdour has reached more than 15,000 people, including 7,500 in the southern oasis town of Nefta where a month of free screenings was sponsored by a date exporter.

The project now hopes to secure funding for additional trucks to expand its activities across the country.

But Heraghli has even bigger aspirations, she said, "taking it to Algeria, Libya, and maybe even across Africa".