British Museum Says It Has Recovered Some of the Stolen 2,000 Items

Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)
Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)
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British Museum Says It Has Recovered Some of the Stolen 2,000 Items

Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)
Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)

The head of trustees at the British Museum said Saturday that the museum has recovered some of the 2,000 items believed to have been stolen by an insider, but admitted that the 264-year-old institution does not have records of everything in its vast collection.

Chairman of trustees George Osborne acknowledged that the museum’s reputation has been damaged by its mishandling of the thefts, which has sparked the resignation of its director and raised questions about security and leadership.

Osborne told the BBC Saturday that 2,000 stolen items was a “very provisional figure” and staff were working to identify everything missing. The items include gold jewelry, gemstones and antiquities as much as 3,500 years old. None had been on public display recently.

He said the museum was working with the antiquarian community and art recovery experts to get the items back.

“We believe we’ve been the victim of thefts over a long period of time and, frankly, more could have been done to prevent them,” he said. “But I promise you this: it is a mess that we are going to clear up.”

Museum director, Hartwig Fischer, announced his resignation on Friday, apologizing for failing to take seriously enough a warning from an art historian that artifacts from its collection were being sold on eBay. Deputy director, Jonathan Williams, also said he would step aside while a review of the incident is conducted.

In early 2021, British-Danish art historian and dealer Ittai Gradel contacted the Museum bosses with his suspicions, but they assured him nothing was amiss. However, at the start of this year, the museum called in London’s Metropolitan Police force.

The museum has fired a member of staff and launched legal action against them, but no arrests have been made.

Gradel told The Associated Press Friday he became suspicious after buying one of three objects a seller had listed on eBay. Gradel traced the two items he didn’t buy to the museum. The object he bought wasn’t listed in the museum’s catalog, but he discovered it had belonged to a man who turned over his entire collection to the museum in 1814.

The historian said he found the identity of the seller through PayPal. He turned out to be the museum staff member who has since been fired.

Gradelsaid Williams had assured him that a thorough investigation found no improprieties. “He basically told me to sod off and mind my own business.”

Fischer said in his resignation statement that “it is evident that the British Museum did not respond as comprehensively as it should have in response to the warnings in 2021.” He also apologized to Gradel.

The thefts, and the museum’s bungled response, have plunged the institution into crisis. The 18th-century museum in central London’s Bloomsbury district is one of Britain’s biggest tourist attractions, visited by 6 million people a year. They come to see a collection that ranges from Egyptian mummies and ancient Greek statues to Viking hoards, scrolls bearing 12th-century Chinese poetry and masks created by the Indigenous peoples of Canada.

The thefts have been seized on by those who want the museum to return items taken from around the world during the period of the British Empire, including friezes that once adorned the Parthenon in Athens and the Benin bronzes from west Africa.

“We want to tell the British Museum that they cannot anymore say that Greek (cultural) heritage is more protected in the British Museum,” Despina Koutsoumba, head of the Association of Greek Archaeologists, told the BBC this week.

Osborne, a former UK Treasury chief, said the museum has launched an independent review led by a lawyer and a senior police officer. He said it also had built a state-of-the-art off-site storage facility so the collection would no longer be housed in an “18th-century basement.”

“I don’t myself believe there was a sort of deliberate cover-up, although the review may find that to be the case,” he said.

“But was there some potential groupthink in the museum at the time, at the very top of the museum, that just couldn’t believe that an insider was stealing things, couldn’t believe that one of the members of staff were doing this? Yes, that’s very possible.”



Visitors Flock to Hira Cultural District for Immersive Islamic Heritage Experiences

The district is among the key projects highlighting Makkah's cultural and civilizational dimension in line with Saudi Vision 2030 - SPA
The district is among the key projects highlighting Makkah's cultural and civilizational dimension in line with Saudi Vision 2030 - SPA
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Visitors Flock to Hira Cultural District for Immersive Islamic Heritage Experiences

The district is among the key projects highlighting Makkah's cultural and civilizational dimension in line with Saudi Vision 2030 - SPA
The district is among the key projects highlighting Makkah's cultural and civilizational dimension in line with Saudi Vision 2030 - SPA

The Hira Cultural District in Makkah is witnessing a growing influx of domestic and international visitors with the start of the summer vacation, cementing its status as one of the Holy Capital's most prominent cultural and educational destinations.

Located at the foot of Mount Hira, home to Hira Cave, where revelation first descended upon Prophet Muhammad (peace be upon him), the district offers educational content through modern interactive technologies that blend authenticity with innovation, SPA reported.

The Revelation Exhibition, the district's most prominent component, documents the story of the first revelation through visual and audio presentations. The district also houses the Holy Quran Museum, which displays rare Quranic manuscripts and traces the stages of writing and developing the Holy Quran across Islamic eras.

Supporting facilities include open squares, restaurants, cafés, shops, and visitor reception areas, providing a suitable environment for families and visitors of all nationalities.

The district is among the key projects highlighting Makkah's cultural and civilizational dimension in line with Saudi Vision 2030's objectives to develop the cultural and tourism sectors and showcase Islamic heritage.


Saudi Arabia’s Rafha Heritage Museum Showcases over 3,000 Rare Coins, Currencies from World Civilizations

The collection documents the evolution of civilizations. SPA
The collection documents the evolution of civilizations. SPA
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Saudi Arabia’s Rafha Heritage Museum Showcases over 3,000 Rare Coins, Currencies from World Civilizations

The collection documents the evolution of civilizations. SPA
The collection documents the evolution of civilizations. SPA

The cultural heritage museum in Rafha Governorate, licensed by the Saudi Museums Commission, houses a collection of more than 3,000 rare coins and currencies, both paper and metal, from around the world.

Spanning successive historical periods, the collection documents the evolution of civilizations and offers insight into the economic and cultural developments that have shaped societies throughout history.

During a tour of the museum, the Saudi Press Agency (SPA) observed a dedicated section featuring coins from a wide range of historical periods.

The collection includes ancient Saudi coins, as well as currency from the Umayyad, Abbasid, and Ottoman eras.

The museum welcomes visitors, heritage enthusiasts, and researchers to explore its extensive collection of coins and other historical artifacts.

Beyond preserving rare collections, heritage museums play a vital role in safeguarding national and human heritage, promoting awareness of civilizational history, and connecting generations to their cultural and historical legacy.


Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
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Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)

Italy on Tuesday put on display one of the best-known examples of Etruscan painting, panels from a tomb that it acquired for 15 million euros ($17 million) in the Culture Ministry’s buying spree of big-ticket pieces of the country's cultural heritage.

The ministry announced in May that it had acquired the fresco panels, dating from the 4th century, from members of the Torlonia family, one of Italy’s ancient noble families whose vast collection of antiquity has long been kept out of the public domain.

The Francois Tomb was discovered in 1857 by the French archaeologist Alessandro Francois in Vulci, on land owned by the Torlonia family. The frescoes were detached from the necropolis in 1863 and became part of the Torlonia private collection, while the contents of the tomb were divided up among Francois, colleagues and the family.

The Italian government has been trying to get possession of the tomb since 1921, as part of its effort to bring back into the Italian public patrimony artifacts and antiquities that were acquired or looted during the boom of archaeological excavations in the 1800s and beyond.

The Etruscan Civilization occupied swaths of what is today central Italy for centuries was a major Mediterranean trading power. Much of it was destroyed by the subsequent Roman Empire.

The tomb is opening to the public Wednesday at Rome’s Villa Giulia National Etruscan Museum. Alongside the fresco panels are jewels, Etruscan vases and other items that were discovered inside the tomb, now belong in museum collections around the world and were loaned to Italy for the exhibition.

The tomb marks the Culture Ministry’s third major acquisition this year of expensive, culturally important artworks. It paid $14.9 million for Antonello da Messina’s “Ecce Homo” and around $35 million for a rare portrait by Caravaggio depicting Maffeo Barberini, the future Pope Urban VIII.

The funds have come from the ministry’s annual budget for acquisitions, but Culture Minister Alessandro Giuli has prioritized buying fewer, bigger-ticket items of cultural importance rather than smaller, lesser artworks and antiquities, officials said.

“In recent months, the Ministry of Culture has invested a great deal of money in acquiring masterpieces,” said Massimo Osanna, director general of Italian museums in the ministry.

Giuli has said the tomb is a “fundamental” part of Italian history that was now being returned to the Italian public to enjoy.

Luana Toniolo, director of the Villa Giulia museum, called the tomb one of the greatest masterpieces of antiquity and Etruscan painting, and one of the best preserved. Among other things, the paintings depict the sacrifice of Trojan prisoners and battles of Etruscan heroes.