British Museum Says It Has Recovered Some of the Stolen 2,000 Items

Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)
Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)
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British Museum Says It Has Recovered Some of the Stolen 2,000 Items

Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)
Visitors arrive to the British Museum in London, Britain, January 25, 2023. (Reuters)

The head of trustees at the British Museum said Saturday that the museum has recovered some of the 2,000 items believed to have been stolen by an insider, but admitted that the 264-year-old institution does not have records of everything in its vast collection.

Chairman of trustees George Osborne acknowledged that the museum’s reputation has been damaged by its mishandling of the thefts, which has sparked the resignation of its director and raised questions about security and leadership.

Osborne told the BBC Saturday that 2,000 stolen items was a “very provisional figure” and staff were working to identify everything missing. The items include gold jewelry, gemstones and antiquities as much as 3,500 years old. None had been on public display recently.

He said the museum was working with the antiquarian community and art recovery experts to get the items back.

“We believe we’ve been the victim of thefts over a long period of time and, frankly, more could have been done to prevent them,” he said. “But I promise you this: it is a mess that we are going to clear up.”

Museum director, Hartwig Fischer, announced his resignation on Friday, apologizing for failing to take seriously enough a warning from an art historian that artifacts from its collection were being sold on eBay. Deputy director, Jonathan Williams, also said he would step aside while a review of the incident is conducted.

In early 2021, British-Danish art historian and dealer Ittai Gradel contacted the Museum bosses with his suspicions, but they assured him nothing was amiss. However, at the start of this year, the museum called in London’s Metropolitan Police force.

The museum has fired a member of staff and launched legal action against them, but no arrests have been made.

Gradel told The Associated Press Friday he became suspicious after buying one of three objects a seller had listed on eBay. Gradel traced the two items he didn’t buy to the museum. The object he bought wasn’t listed in the museum’s catalog, but he discovered it had belonged to a man who turned over his entire collection to the museum in 1814.

The historian said he found the identity of the seller through PayPal. He turned out to be the museum staff member who has since been fired.

Gradelsaid Williams had assured him that a thorough investigation found no improprieties. “He basically told me to sod off and mind my own business.”

Fischer said in his resignation statement that “it is evident that the British Museum did not respond as comprehensively as it should have in response to the warnings in 2021.” He also apologized to Gradel.

The thefts, and the museum’s bungled response, have plunged the institution into crisis. The 18th-century museum in central London’s Bloomsbury district is one of Britain’s biggest tourist attractions, visited by 6 million people a year. They come to see a collection that ranges from Egyptian mummies and ancient Greek statues to Viking hoards, scrolls bearing 12th-century Chinese poetry and masks created by the Indigenous peoples of Canada.

The thefts have been seized on by those who want the museum to return items taken from around the world during the period of the British Empire, including friezes that once adorned the Parthenon in Athens and the Benin bronzes from west Africa.

“We want to tell the British Museum that they cannot anymore say that Greek (cultural) heritage is more protected in the British Museum,” Despina Koutsoumba, head of the Association of Greek Archaeologists, told the BBC this week.

Osborne, a former UK Treasury chief, said the museum has launched an independent review led by a lawyer and a senior police officer. He said it also had built a state-of-the-art off-site storage facility so the collection would no longer be housed in an “18th-century basement.”

“I don’t myself believe there was a sort of deliberate cover-up, although the review may find that to be the case,” he said.

“But was there some potential groupthink in the museum at the time, at the very top of the museum, that just couldn’t believe that an insider was stealing things, couldn’t believe that one of the members of staff were doing this? Yes, that’s very possible.”



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.