World War I Memorials in France, Belgium Are Vying Again to Become UNESCO World Heritage Sites 

Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)
Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)
TT

World War I Memorials in France, Belgium Are Vying Again to Become UNESCO World Heritage Sites 

Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)
Canadian soldiers march at a sunset ceremony and mounting of the vigil at the WWI Canadian National Vimy Memorial in Givenchy-en-Gohelle, France on April 8, 2017. (AP)

With war ravaging Europe's heartland again, the countless headstones, cemeteries and memorials from World War I are a timeless testimony to its cruelty. Belgium and France want them recognized as UNESCO World Heritage sites to make sure people stop and think.

They bring pause and introspection to just about everyone visiting the sites dotted along the former battle lines of the 1914-1918 Great War that killed some 10 million soldiers.

At 12, Robin Borremans is dreaming of becoming a helicopter pilot in Belgium's elite Special Forces. At the Tyne Cot cemetery, where 12,000 Commonwealth soldiers are buried row upon row, his perspective on life and death, war and peace is being honed.

“It makes you so very quiet when you know what happened in this war,” he said as he took a break from walking between the rows of the fallen. “It's really terribly impressive.” He and his party planned to visit a cemetery for Germans, the erstwhile enemy, later that day.

It is because of that impact that both nations want UNESCO to include the area on its famed list of sites along with the Great Wall of China, Peru's Machu Picchu and Greece's Acropolis. A decision on the issue is expected to be made around Sept. 21 during UNESCO's World Heritage Committee meeting in Riyadh, Saudi Arabia.

The area has 139 sites spanning western Belgium and northern France and has been a living history almost since the guns finally fell silent in 1918. In neighboring Ypres, “every evening — every evening — of every single day since the 1920s there has been a couple of people blowing a horn out of the Menin Gate,” where the names of 54,000 soldiers who were never found in the chaos spawned by the war are engraved on its walls, said Matthias Diependaele, heritage minister of northern Belgium's region of Flanders.

"That is the idea of commemorating every individual lost life in that war,” he said.

But that is not necessarily enough to achieve such lofty recognition, UNESCO has already ruled. To the dismay of the two nations, it snubbed their request in 2018 with the advice of the International Council on Monuments and Sites marking its conclusions with comments like “several questions,” “lack of clarity,” “too narrow and limited” and “shortcomings.”

As well, it was long perceived that a site like the Auschwitz Birkenau German Nazi concentration camp in Poland should stand alone as witness to the horror and suffering and not be a precedent for a long list linked to wars.

That was five years ago and now, Diependaele said, “I believe and I'm counting on the fact that the ideas inside UNESCO changed and that now there is more a context of openness.” And with the 1 1/2-year-old Russian invasion of Ukraine, “the world has changed since then as well. And maybe there is a lot more understanding for the necessity of the defending of peace.”

Since the war in Ukraine started, several of the institutions linked to the memorials and cemeteries have begun initiatives to support the embattled nation.

As in World War I, casualties are also being counted in the tens of thousands, though, fortunately, the overall rate is still much smaller. The sense of loss though, remains the same.

“We get so many people coming through here and making that link with Ukraine just because it is so relevant at the moment,” said Erin Harris, a guide at Tyne Cot. “And you’re seeing the same situation happening — with these two sides fighting endlessly.”

“And you come here to a place like this and you really see, well, this is still happening,” Harris said. “And, you know, not much has changed.”



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
TT

Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
TT

Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
TT

Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.