For Rave-Ready Electronic Duo the Chemical Brothers, a 10th Studio Album Is a Feat and a Challenge

Ed Simons, left, and Tom Rowlands of the Chemical Brothers perform onstage at Field Day, Aug. 20, 2022, at Victoria Park in London. (AP)
Ed Simons, left, and Tom Rowlands of the Chemical Brothers perform onstage at Field Day, Aug. 20, 2022, at Victoria Park in London. (AP)
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For Rave-Ready Electronic Duo the Chemical Brothers, a 10th Studio Album Is a Feat and a Challenge

Ed Simons, left, and Tom Rowlands of the Chemical Brothers perform onstage at Field Day, Aug. 20, 2022, at Victoria Park in London. (AP)
Ed Simons, left, and Tom Rowlands of the Chemical Brothers perform onstage at Field Day, Aug. 20, 2022, at Victoria Park in London. (AP)

Beloved British electronic duo the Chemical Brothers released their 10th album on Friday, more than three decades into their career. But does it get any easier with time?

Not according to one-half of the outfit, Tom Rowlands.

“I think it’s just more complicated” he said, speaking via Zoom from his studio in the UK. “Everyone’s got a new theory on how to do it.”

Prior to the album’s release, Rowlands and Ed Simons shared four singles from the forthcoming album, “For That Beautiful Feeling” — including their second collaboration with Beck, the track “Skipping Like A Stone.” They previously worked with the singer on the 2015 track “Wide Open.”

They also made it a point to test the tracks out on dance floors and festival fields prior to the album — “playing them (live) as we write them,” as Rowlands explains — which, in turn, influenced their studio decisions.

“I don’t know if it’s the right way to release an album,” he smiled. “I can’t quite keep up with what is the right way, but it’s how it’s happening.”

It’s working. Audiences responded well to the smattering of tracks from “For That Beautiful Feeling” that the Chemical Brothers wove into their sets this summer, no doubt drumming up excitement for the new release.

The rave-ready “No Reason” became the lead single from the record — because it felt “fresh and different” and also “really fun to play live,” says Rowlands. But really, it’s all about how he and Simons feel about the track — and sometimes if a song doesn’t go over well in front of an audience, well, that just solidifies its value to the duo.

“Sometimes something going down really badly, will just convince you of its greatness even more,” Rowlands says of this live-first tactic. “You’re like, ‘Yes. People aren’t ready for this!’”

Together since 1989, with 10 albums and countless performances across the globe, the duo has seen their fair share of the good and the bad.

Headlining the Pyramid Stage at Glastonbury Festival in 2000 is a standout — though Rowlands says it was “so massive it’s hard to get a handle on what you’re doing.”

And then there’s the bad: A very different experience during a 9:30 a.m. set in Ibiza, early on in their career that didn’t quite go to plan.

They were “the wrong people at the wrong place at the wrong time,” Rowlands recalled. “Just lots of anger and tears ... sensible people would’ve gone to bed and then have a nice juice breakfast.”

For the nighttime live music lovers, the Chemical Brothers are looking forward to getting back on the road for a tour that kicks off Oct. 26 in Glasgow. They’re eager to use stunning visuals from longtime collaborators Adam Smith and Marcus Lyall — and test drive additional music that didn’t make the record, or as Rowlands puts it: “thousands of hours of noodling.”

On tour, “you can do your lights exactly how you want and get everything really tuned to how you want it to be,” Rowlands added. “That’s really exciting for us.”

In addition to the new album and the tour, the duo will release a book in October titled “Paused in Cosmic Reflection,” authored by Simons and Rowlands’ friend Robin Turner, with their input. But as a band who are constantly looking forward, it isn’t something Rowlands is quite ready to read.

“I’m going to save it for a flight or retirement.” He smiled.



Eva Marie Saint, Oscar Winner of Hollywood Classics, Dies at 102

Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)
Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)
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Eva Marie Saint, Oscar Winner of Hollywood Classics, Dies at 102

Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)
Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)

Eva Marie Saint, the pale, willowy actor who won an Academy Award for her first movie, “On the Waterfront,” and starred opposite Cary Grant in the Alfred Hitchcock thriller “North by Northwest,” has died. She was 102. 

Saint, whose acting work lasted well into her 90s, died at her home in Los Angeles on Tuesday, confirmed family representative Jeff Sanderson. 

Saint had one of the most spectacular debuts in Hollywood history, as the love interest of Marlon Brando’s tormented Terry Malloy in “On the Waterfront,” and her first trip to the Academy Awards was memorable too. Pregnant with her first child, Saint accepted her Oscar from Frank Sinatra and smilingly murmured a unique winner's speech: “I think I may have the baby right here.” (Her son, Darrell, was born two days later.) 

The award for the 1954 classic made her an instant star, but she soon astonished Hollywood with a firm independence that would mark her career. She refused offers of studio contracts and declined chances to follow up on her great success, explaining that she was taking time off to become acquainted with her new son. (A daughter, Laurette, was born in 1958.) 

In her first decade in Hollywood, Saint appeared in a mere seven films. She declined such top-level productions as “The Man in the Gray Flannel Suit” with Gregory Peck, “Summer and Smoke” with Laurence Harvey and “The Rainmaker” with Burt Lancaster. She credited her husband, TV and stage director Jeffrey Hayden, with persuading her to star in Hitchcock’s “North by Northwest,” the classic 1959 thriller in which Saint plays a spy who seduces Grant, but ends up falling for him. 

“I vividly remember him saying, ‘Honey, I think you should find a quiet spot. I’ll take care of the children and I want you to really think about this and reread this script,’” she told Vanity Fair in 2014. “He was so right. And that’s what husbands are for.” 

Instead of being put off by her selectivity, studios continued offering her starring roles in such films as “Exodus” (with Newman), “Raintree County” (Elizabeth Taylor, Montgomery Clift) and “All Fall Down,” with Warren Beatty. 

She turned more to television in the 1970s and enjoyed renewed popularity in the 1980s as the mother of Cybill Shepherd in the hit sitcom “Moonlighting” and as Tom Hanks’ mother in the film comedy “Nothing in Common.”  

She won an Emmy for the 1990 miniseries “People Like Us,” and had roles in such 21st century movies as “Because of Winn-Dixie,” “Superman Returns” and “Winter’s Tale,” adapted from Mark Helprin's novel of the same name. In 2021, she played Marisa Tomei's aunt in the brief audio play “The Bus Ride,” part of “The Pack Podcast.” 

Saint was married to Hayden for 55 years, until his death in 2016. 

That was her real name  

When Saint emerged in the public consciousness, many believed her theatrical-sounding name must have been invented. She was born with it on July 4, 1924, in Newark, New Jersey. The family moved to Delmar, a small town near Albany, New York, where her father was a Goodrich Rubber Co. manager. Eva's goal was to become a third-grade teacher like her mother, but at Bowling Green State University in Ohio she tried out for a play and won the leading role. 

After graduation she lived with her parents in Flushing, Long Island, and began hunting for acting jobs in Manhattan. After a fruitless year, she landed a two-line role as a telephone operator on a radio drama and soon was working steadily on soap operas and nighttime dramas, appearing for two years as Claudia on “One Man's Family.” Network television was booming in the early 1950s, and her looks and dramatic sense made her a favorite with casting people and producers. 

A critical turn in Saint's career came when she auditioned before Elia Kazan and was accepted into the Actors Studio, which shaped a generation of method-actor stars. She credited acting coach Lee Strasberg with helping her overcome her shyness. 

“Lee Strasberg, when he got to know me a little bit, gave me a scene to do where I had to cry in front of my peers,” she told The Santa Barbara Independent in 2009. “I worried about it, I worked on it, I tried to use what I was learning at the studio. I finally did the scene, and I cried, and my peers were crying with me. It was just an incredible moment for me.” 

Saint was rejected for the single female role in the play “Mister Roberts,” but was hired to understudy the actor chosen, Jocelyn Brando, Marlon's sister. In six frustrating months Saint never got to substitute for Brando. She finally made it to Broadway in “A Trip to Bountiful,” which she had played on television. 

Kazan invited her to try out for the female lead in “On the Waterfront” by improvising a scene with Brando. She was told to try to stop a young man from entering her apartment. She told the Los Angeles Times in 2001: “All I know is that Marlon got in the door and turned on the music. We started dancing. He flicked my skirt. Kazan saw the sparks fly, and that's how I got the part.” 


Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026

Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026
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Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026

Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026

The fourth edition of Saudi Film Confex 2026 will be held on October 28 and 29 at JAX Film Studios in Riyadh under the patronage of Minister of Culture and Chairman of the Board of Directors of the Saudi Film Commission Prince Bader bin Abdullah bin Farhan.

Held under the supervision of the Saudi Film Commission and organized by Benchmark, the event will take place under the theme "Industry Shapers' Edition," bringing together film sector leaders, decision-makers, professionals, and industry specialists.

The new edition will continue the Confex's role as a key catalyst for advancing Saudi Arabia's film industry and expanding investment and partnership opportunities across this vital sector, in line with the National Culture Strategy under Saudi Vision 2030.

The Confex serves as a specialized business platform that brings together the full spectrum of the film ecosystem, from production and distribution companies and technical service providers to investment entities, financing funds, educational institutions, and relevant government bodies. It creates opportunities to forge partnerships, sign agreements and exchange expertise across the industry.

The 2026 edition will take the form of a focused, two-day industry event designed for film professionals and sector stakeholders. It will serve two principal groups: executives and decision-makers, including corporate leaders and representatives of government entities and nonprofit organizations active in the sector; and industry professionals and specialists, including producers, directors, screenwriters, production and distribution companies, and creative and technical service providers.

The program will feature a conference with panel discussions, an exhibition showcasing companies operating across the film sector, and specialized workshops. These activities will enable participants to exchange knowledge and expertise and connect with organizations and companies working throughout the industry.

The 2026 edition builds on the Confex's track record of tangible partnerships. Across its first three editions, 94 agreements were signed with a combined value exceeding SAR1 billion.

Through the Confex, the Saudi Film Commission reinforces Saudi Arabia's position as a regional hub for film industry development and support, contributing to the growth of a thriving Saudi film sector capable of competing regionally and globally.


Kanye West's Planned Russia Concerts Cancelled, Organizer Says

FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020.  REUTERS/Randall Hill/File Photo
FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020. REUTERS/Randall Hill/File Photo
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Kanye West's Planned Russia Concerts Cancelled, Organizer Says

FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020.  REUTERS/Randall Hill/File Photo
FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020. REUTERS/Randall Hill/File Photo

Two concerts by ‌US rapper Kanye West in Russia that had been scheduled for October have been cancelled, the show's organizer, Say Agency, said.

West, who is also known as Ye, had been due to perform in St Petersburg. However, a week after the concerts were announced in mid-August, the venue due to host them said it had never signed a contract with the organizers, a separate Moscow-based company.

The ‌shows had ‌remained in limbo ever since, ‌with ⁠organizers providing no clear ⁠confirmation of whether they would go ahead.

"Friends, it is with sincere regret that we inform you that the YE concerts in St. Petersburg will not be able to take place on the scheduled dates. We will issue an official ⁠statement regarding the status of the project ‌and our future plans ‌in the near future," Say Agency posted on Telegram ‌on Wednesday.

West has faced concert cancellations and ‌performance bans in several European countries this year following a series of past antisemitic remarks, including praise for Adolf Hitler, and the use of Nazi imagery.

In January West ‌apologized for the remarks, which he attributed to an undiagnosed brain injury and ⁠untreated bipolar disorder.

Had ⁠the concerts gone ahead, West would have become one of the biggest international music stars to visit Russia since Moscow launched its full-scale war against Ukraine in 2022.

The planned gigs had drawn criticism from some Russian pro-war military bloggers, who questioned the appropriateness of hosting a US performer while Washington continues to provide military and financial support to Ukraine.

Russian Foreign Ministry spokeswoman Maria Zakharova criticized the planned shows, calling them unacceptable and citing what she described as the West's "glorification" of Hitler.