Venice Faces Possible UNESCO Downgrade as It Struggles To Manage Mass Tourism 

A view of boats and gondolas on a canal, in Venice, Italy, Wednesday, Sept. 13, 2023. (AP)
A view of boats and gondolas on a canal, in Venice, Italy, Wednesday, Sept. 13, 2023. (AP)
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Venice Faces Possible UNESCO Downgrade as It Struggles To Manage Mass Tourism 

A view of boats and gondolas on a canal, in Venice, Italy, Wednesday, Sept. 13, 2023. (AP)
A view of boats and gondolas on a canal, in Venice, Italy, Wednesday, Sept. 13, 2023. (AP)

A scowling gondoliere ferrying sightseers 10 at a time across the mouth of Venice's Grand Canal scolds passengers to sit still and frets over being shorted the bargain 2-euro fare.

The brief journey perched along the sides of a packed gondola is a far cry from romantic scenes of gondolieres serenading couples as they ply Venice’s picturesque canals but is emblematic of the city's plunge into mass tourism.

The storied and fragile lagoon city is not alone in its struggle to manage an onslaught of tourists in the low-cost flight era. But the stakes are particularly high this week as the UNESCO World Heritage Committee decides whether to add Venice to its list of endangered world sites. A decision could come as early as Thursday.

A declassification would appear an indictment of the city’s management of tourism, after it escaped a downgrade two years ago when the Rome government enacted a ban on cruise ships off St. Mark’s Square and in the Giudecca canal.

“We are trying to avoid this,” said Michele Zuin, Venice’s top budget official. “But it is not as if we are slaves of UNESCO.”

The decision comes just days after housing activists announced over the weekend that the number of tourist beds in Venice now outnumbers the number of residents, citing official city data.

A ticker updating the number of tourist beds in a bookstore window aims to keep the alarming trend high in the minds of citizens, interplaying with another nearby that counts the dwindling number of citizens.

Tempers flew at a city council meeting this week ahead of a vote that made Venice the first city in the world to charge visitors an entrance fee. Local television clips showed the mayor and a political opponent trading heated insults over the dais as a crowd of concerned citizens overflowed into the corridor.

Critics charge that the tax was rushed through to impress the UNESCO committee that the city is acting to curb mass tourism. Visitors will be charged 5 euros a day to enter the city on 30 high-traffic days, still to be determined, in a much-truncated version of a day-tripper tax that was set to begin before the pandemic took a hit at global tourism.

UNESCO officials have emphasized that a downgrade is not meant to be punitive, but to alert the world community that more needs to be done to address issues plaguing a World Heritage site.

The recommendation to downgrade Venice cites not only management of mass tourism, but also the impact of climate change. It notes, for example, that the underwater barriers to protect Venice are not yet fully operational.

Venice is one of six sites, including two in war-ravaged Ukraine, that the committee may officially declare to be in danger.

The other at-risk sites under consideration are the Saint Sophia Cathedral in Ukraine’s capital, Kyiv; the historic center of Lviv, in western Ukraine; the ancient city of Nessebar in Bulgaria; the Diyarbakir Fortress in Türkiye; and the Kamchatka Volcanoes in Russia’s far east.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.