Colombian Painter, Sculptor Fernando Botero Passes Away at 91

Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)
Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)
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Colombian Painter, Sculptor Fernando Botero Passes Away at 91

Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)
Fernando Botero is seen during an interview in New York on October 30, 2013. (AP)

Colombia's most famous artist, Fernando Botero, who was known for his voluptuous depictions of people and animals, has died aged 91.

"Fernando Botero, the painter of our traditions and defects, the painter of our virtues, has died," President Gustavo Petro wrote on the X platform previously known as Twitter.

“The painter of our violence and of peace. He painted the pigeon that was rejected one thousand times, and put one thousand times on a throne,” he added, referring to the bird the late painter used in one of his symbolic paintings.

The president did not mention where the artist died.

Born in 1932, in Medellín, Colombia, Botero is one of the most esteemed artists in the 20th century.

Local media hailed Botero as the greatest Colombian artist of all time, reporting his health had deteriorated in recent days.

"I often think about death and it saddens me to leave this world and not be able to paint more. I love it so much," the late artist said in an interview with AFP in 2012, the year of his 80th birthday.

Botero was drawn to art at a young age, and by 15, he was selling his paintings of bulls and matadors in Bogota.

After a first solo exhibition in the capital Bogota in the 1950s, Botero left for Europe, travelling to Spain, France and Italy, where he discovered classical art. Then, he moved to Mexico and fell under the influence of its muralists.

His artistic journey debuted in the 1970s, when he met Dietrich Malov, the director of the German Museum in New York, with whom he organized several successful exhibitions.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."