UNESCO Puts Rwanda Genocide Memorials on World Heritage List

A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)
A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)
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UNESCO Puts Rwanda Genocide Memorials on World Heritage List

A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)
A picture taken on March 21, 2019 shows the entrance of the Nyamata Genocide Memorial. (AFP)

Four memorials to the 1994 genocide in Rwanda of more than 800,000 people, mainly Tutsi, were added to UNESCO's World Heritage list on Wednesday, the UN cultural body said.

The sites at Nyamata, Murambi, Gisozi and Bisesero commemorating the mass killings were "just inscribed on the UNESCO World Heritage list", the organization posted on X (formerly Twitter).

The four sites commemorate the genocide that targeted the Tutsi minority in large part but also moderate Hutus who were shot, beaten or hacked to death by Hutu extremists between April and July 1994.

"This historic decision will help safeguard memory, counter denial and strengthen genocide prevention efforts globally. #NeverAgain," Rwandan government spokeswoman Yolande Makolo posted on X.

The UNESCO move was also welcomed by Naphthali Ahishakiye, executive secretary of Ibuka, the association representing survivors of the genocide.

"This will make the genocide that was committed in Rwanda against the Tutsi more known across the world," he told AFP in Kigali.

Skulls, bone fragments, torn clothing and images of piled up corpses confront visitors to the Kigali Genocide Memorial in Gisozi, the final resting place of around 250,000 victims.

Each year more are buried as new graves are uncovered around the country, with remains also housed at a former Catholic church at Nyamata, a school complex at Murambi and a memorial at Bisesero built in 1998.

In addition to human remains, the sites also feature material evidence of the 100-day killing spree by Hutu extremist forces -- spears, machetes, clubs and bladed weapons.

Three of the sites were themselves the scene of massacres.

At Nyamata, more than 45,000 people who had sought shelter in the church were slaughtered in one day, according to UNESCO.

Its chapel now houses the clothing and rosaries worn by the victims along with the weapons used by the perpetrators of the killings.

Mass graves are situated behind the church, with a vault that houses the skulls of victims and other human remains, according to the memorial's website.

At Murambi, tens of thousands of people who were encouraged to take refuge in the technical school on the pretext of ensuring their safety were executed in one of the genocide's bloodiest episodes.

At Bisesero, a "resistance memorial" pays tribute to Tutsis who fought back with spears and stones as Hutu extremists murdered hundreds of people in the surrounding hills.

The genocide was unleashed shortly after the ethnic Hutu president was killed when his plane was shot down in an attack blamed by the government on Tutsi rebels.

The killing ended only when the Tutsi-led Rwandan Patriotic Front (RPF) took over in July 1994, having defeated the Hutu extremists.

Trials of genocide suspects have been held in Rwanda, at a UN tribunal in the Tanzanian city of Arusha, as well as in France, Belgium and the United States among others.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.