Las Vegas Police Video Shows First-Ever Arrest in Rapper Tupac Shakur’s 1996 Killing

Clark County District Attorney Steve Wolfson stands beside a photo of Duane "Keffe D" Davis during a news conference on an indictment in the 1996 murder of rapper Tupac Shakur, Friday, Sept. 29, 2023, in Las Vegas. Monitor in rear has name misspelled. (AP)
Clark County District Attorney Steve Wolfson stands beside a photo of Duane "Keffe D" Davis during a news conference on an indictment in the 1996 murder of rapper Tupac Shakur, Friday, Sept. 29, 2023, in Las Vegas. Monitor in rear has name misspelled. (AP)
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Las Vegas Police Video Shows First-Ever Arrest in Rapper Tupac Shakur’s 1996 Killing

Clark County District Attorney Steve Wolfson stands beside a photo of Duane "Keffe D" Davis during a news conference on an indictment in the 1996 murder of rapper Tupac Shakur, Friday, Sept. 29, 2023, in Las Vegas. Monitor in rear has name misspelled. (AP)
Clark County District Attorney Steve Wolfson stands beside a photo of Duane "Keffe D" Davis during a news conference on an indictment in the 1996 murder of rapper Tupac Shakur, Friday, Sept. 29, 2023, in Las Vegas. Monitor in rear has name misspelled. (AP)

The man charged with murder in the 1996 killing of Tupac Shakur knew the gravity of his arrest last week near his home on the outskirts of Las Vegas, according to police body camera footage released Friday.

“So what they got you for, man?” an officer asks Duane “Keffe D" Davis.

“Biggest case in Las Vegas history,” Davis says, recounting the date that Shakur was gunned down — “September 7th, 1996.”

Police and prosecutors allege Davis was the mastermind behind the drive-by shooting near the Las Vegas Strip that killed Shakur at the age of 25.

Now, more than 27 years later, Davis was handcuffed around the wrists and in ankle shackles in the backseat of Las Vegas police car headed toward a county jail, where he remains held without bond.

“I ain’t worried," Davis told the officer. "I ain’t did (expletive).”

The police videos, totaling more than an hour of footage, show Davis arrested around sunrise on Sept. 29 while walking in his otherwise quiet neighborhood.

“Hey, Keffe. Metro Police,” an officer said. “Come over here.”

Davis, holding a water bottle, cooperated as he was patted down and handcuffed next to an unmarked police vehicle.

The 60-year-old had been a long-known suspect in the case. He publicly admitted his role in the killing in interviews ahead of his 2019 tell-all memoir, “Compton Street Legend.” His arrest came two months after police raided his home, renewing interest in one of hip-hop’s most enduring mysteries.

In the videos, Davis recalled the July 17 raid and peeking over a gate at the same time as a SWAT officer. He said his arrest that morning was much more low-key.

As they drove on the freeway en route to police headquarters to interview Davis, he asks if he was followed the previous night. The officer says no.

“So why you all didn’t bring the media?” Davis said.

The officer asked why police would bring the media.

“That’s what you all do," Davis said.

The self-described gangster from Compton, California, hasn’t yet entered a plea in the case, and he denied a request from The Associated Press for an interview at the jail. His longtime lawyer in Los Angeles, Edi Faal, told AP he has no comment on Davis' behalf.

Davis told police that he had moved to the Las Vegas area in January because of his wife's job. But the audio is redacted when police later ask him what he has been doing since the move.

In an indictment unsealed last Friday in Clark County District Court, Davis is accused of orchestrating the killing of Shakur and providing his nephew, Orlando “Baby Lane” Anderson, with the gun to do it. Anderson, who denied involvement in Shakur's killing, died in 1998.

Grand jurors also voted to add sentencing enhancements for the use of a deadly weapon and alleged gang activity. If Davis is convicted, that could add decades to his sentence.

In Nevada, a person can be convicted of murder for helping another person commit the crime.

Davis' first court appearance this week was cut short when he asked the judge for a postponement while he retains counsel in Las Vegas. He's due in court again Oct. 19.

Authorities say Shakur’s killing stemmed from a rivalry and competition for dominance in a musical genre that, at the time, was dubbed “gangsta rap.” It pitted West Coast members of a Crips sect that Davis has said he led in Compton against East Coast members of a Bloods gang sect associated with rap music mogul Marion “Suge” Knight, founder of Death Row Records, the music label representing Shakur at the time of his death.



Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
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Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)

Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.
On a quiet weekend, even for the typically frigid movie-going month of January, the top spot went to the Lionsgate thriller starring Mark Wahlberg as a pilot flying an Air Marshal (Michelle Dockery) and fugitive (Topher Grace) across Alaska. But it wasn’t a particularly triumphant result for Gibson’s directorial follow-up to 2016’s “Hacksaw Ridge.” Reviews (21% fresh on Rotten Tomatoes) and audience scores (a “C” CinemaScore) were terrible.
President Donald Trump recently named Gibson a “special ambassador” to Hollywood, along with Jon Voight and Sylvester Stallone.
Going into the weekend, Hollywood’s attention was more focused on the Sundance Film Festival and on Thursday’s Oscar nominations, which were twice postponed by the wildfires in the Los Angeles region, The Associated Press reported.
The weekend was also a small test as to whether the once more common Oscar “bump” that can sometimes follow nominations still exists. Most contenders have by now completed the bulk of their theatrical runs and are more likely to see an uptick on VOD or streaming.
But the weekend’s most daring gambit was A24 pushing Brady Corbet’s “The Brutalist” a three–and-a-half-hour epic nominated for 10 Academy Awards, into wide release. Though some executives initially greeted “The Brutalist,” which is running with an intermission, as “un-distributable,” Corbet has said, A24 acquired the film out of the Venice Film Festival and it’s managed solid business, collecting $6 million in limited release.
In wide release, it earned $2.9 million — a far from blockbuster sum but the best weekend yet for “The Brutalist.”
The audience was downright miniscule for another best-picture nominee: RaMell Ross’ “Nickel Boys.” Innovatively shot almost entirely in first-person POV, the Amazon MGM Studios release gathered just $340,171 in 540 locations after expanding by 300 theaters.
Coming off one of the lowest Martin Luther King Jr. weekends in years, no new releases made a major impact.
Steven Soderbergh’s “Presence,” a well-reviewed horror film shot from the perspective of a ghost inside a suburban home, debuted with $3.4 million in 1,750 locations. The film, released by Neon and acquired out of last year’s Sundance, was made for just $2 million.
The top spots otherwise went to holdovers. The Walt Disney Co.’s “Mufasa: The Lion King,” in its sixth weekend of release, scored $8.7 million to hold second place. After starting slow, the Barry Jenkins-directed film has amassed $626.7 million globally.
“One of Them Days,” the Keke Palmer and SZA led comedy from Sony Pictures, held well in its second weekend, dropping just 32% with $8 million in ticket sales. In recent years, few comedies have found success on the big screen, but “One of Them Days” has proven an exception.