Calligraphy, Sculpture Unify Artworks, Structures at Moroccan-Spanish Exhibition

The “Role of Paper” exhibition includes two types of works, one
of which is known as experimental sculpting (Rida Tadlawi)
The “Role of Paper” exhibition includes two types of works, one of which is known as experimental sculpting (Rida Tadlawi)
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Calligraphy, Sculpture Unify Artworks, Structures at Moroccan-Spanish Exhibition

The “Role of Paper” exhibition includes two types of works, one
of which is known as experimental sculpting (Rida Tadlawi)
The “Role of Paper” exhibition includes two types of works, one of which is known as experimental sculpting (Rida Tadlawi)

The Hassan II Center for International Forums, in the Moroccan city of Asilah, recently hosted a collective exhibition by Moroccan-Spanish artist Said al-Masari and Syrian-Spanish Ali Sultan.

The exhibition blends calligraphy and stone sculpting, unify artworks and structures of two artists from the West and the East, and reflects the multicultural pattern of the Cultural Moussem of Asilah Festival through contemporary art.

Held as part of the 44th edition of the Cultural Moussem of Asilah Festival, one of the exhibitions showcases graphics and 3D visual arts under the theme “Artistic Ingenuity”.

Ali Sultan told the media that his exhibition, “Suleiman and Salaawi” displays 22 of his stone-printed artworks accompanied by a text by Francisco Fernández Naval. “The works are inspired by the memory of a child, me in this case, who was born and raised listening to popular stories and myths that formed the Syrian vocal heritage,” he added.

For his part, artist Said al-Masari said his exhibition, dubbed “Role of Paper”, includes artworks made using two different techniques, adding that “it features two types of works, one known as experimental sculpting that led to the structures. The other type relied exclusively on paper to create an artistic expression.”

Ali Sultan was born in Syria, studied in Damascus, and later moved to Galicia, Spain, where he developed the comic novel “Suleiman and Salaawi”. He belongs to the fourth generation of Syrian artists who inherited the traditions of the Damascene artistic renaissance during the second half of the 20th century.

Said al-Masari was born in Tetouan, in 1956. He graduated from the National School of Fine Arts in the city, and later studied at the fine arts school of Spain’s Universidad Complutense de Madrid. He wrote articles on culture and art in newspapers and magazines, drew book covers and designed posters, and oversaw calligraphy and sculpting workshops in Spain, Italy, and Morocco.



Chinese Tea Hub Branches into Coffee as Tastes Change

A worker raking coffee beans during the drying process at the Xiaowazi, or Little Hollow, coffee plantation in Pu'er - AFP
A worker raking coffee beans during the drying process at the Xiaowazi, or Little Hollow, coffee plantation in Pu'er - AFP
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Chinese Tea Hub Branches into Coffee as Tastes Change

A worker raking coffee beans during the drying process at the Xiaowazi, or Little Hollow, coffee plantation in Pu'er - AFP
A worker raking coffee beans during the drying process at the Xiaowazi, or Little Hollow, coffee plantation in Pu'er - AFP

At a mountainside cafe in southwestern China, Liao Shihao brews handfuls of locally grown beans into steaming cups of coffee, a modern twist on the region's traditional drink.

For centuries, Pu'er in Yunnan province has given its name to a type of richly fermented tea -- sometimes styled "pu-erh" -- famous across East Asia and beyond.

But as younger Chinese cultivate a taste for punchy espressos, frothy lattes and flat whites, growers are increasingly branching out into tea's historic rival.

"People are coming to try our hand-drip coffee... and more fully experience the flavours it brings," Liao, 25, told AFP.
"In the past, they mostly went for commercialised coffee, and wouldn't dabble in the artisanal varieties," he said.

Liao´s family has run the Xiaowazi, or Little Hollow, coffee plantation for three generations.

Nestled in a shady valley, spindly coffee trees line its steep hillsides, their cherry-like fruit drying on wooden pallets outside.

When AFP visited this month, clusters of tourists sipped boutique brews in the airy cafe overlooking its verdant slopes.

"It's very good," said Cai Shuwen, 21, as he perched on a bar stool lifting sample after sample to his lips.

"Even though some beans are more astringent than I imagined, others have exceeded my expectations."

- Brewing success -

Every year, Pu'er's plantations sell tens of thousands of tons of coffee to major Chinese cities, according to government data.

In metropolises such as Beijing and Shanghai, a thriving cafe scene has emerged in recent years, driven by people aged between 20 and 40.

To Liao, a trained roaster and barista, coffee from his home region possesses "a creamy flavour with a silky, viscous mouthfeel".

Modern commercial plantations only sprang up in Pu'er in the 1980s, and the area is still better known for its centuries-old tea trade.

Liao's grandfather, Liao Xiugui, said "nobody knew anything about coffee" when he arrived in Pu'er a few decades ago.

At the time, the older man was one of very few people in China who had studied coffee cultivation.

But the region's relatively high altitude and temperate climate were well-suited to the unfamiliar crop, the now 83-year-old told AFP.

"The quality of the coffee we plant here is strong but not too bitter, floral but not too heady, and slightly fruity," he added.

Free from artificial pesticides and interspersed with other species for biodiversity, Little Hollow yields about 500 tons of raw coffee fruit per year.

Liao Xiugui himself drinks two or three cups a day, and credits the caffeinated beverage for keeping him spry in his advanced years.

"Drinking coffee can make you younger and healthier... and prevent ageing," he smiled.

"Also, everyone is tired at work these days... and they want to give their brains a boost."

- Richer pickings -

China's coffee output has risen dramatically in recent years, though it still lags far behind traditional powerhouses such as Brazil, Vietnam and Colombia.

Yunnan, near three borders with Southeast Asian nations, accounts for virtually all of China's coffee production, much of it concentrated in Pu'er.

On a visit to Yunnan last month, President Xi Jinping said the province's coffee "represents China", according to state media.

Keen to further expand the sector, officials have rolled out policies to improve production, attract investment and boost exports, according to government statements.

They have also merged coffee production with tourism, dovetailing with a central government push to increase domestic consumption.

Longtime farmer Yu Dun, 51, said she had opened new income streams with plantation tours, homestays and a restaurant fusing coffee with the cuisine of her native Dai ethnicity.

Her prospects were bright, she said, adding that she also earned "10 times" more revenue from her beans since learning to process and roast them herself.

"We used to say only rich people could drink coffee, but that's all changed now," she said.