Q&A: SAG-AFTRA President Fran Drescher Reacts to Hollywood Studios Breaking off Negotiations

Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)
Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)
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Q&A: SAG-AFTRA President Fran Drescher Reacts to Hollywood Studios Breaking off Negotiations

Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)
Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)

Fran Drescher has steered the actors guild through its monthslong strike. On the heels of Hollywood studios abruptly breaking off talks with the Screen Actors Guild-American Federation of Television and Radio Artists this week, the actor and union president says she's baffled and disappointed.

The Alliance of Motion Picture and Television Producers announced Wednesday that they had suspended contract negotiations, saying the gap between the two sides was too great to make continuing worth it and characterizing their offer as good as the one that recently ended the writers strike. Drescher told The Associated Press in a Thursday interview that she did not understand why negotiations collapsed but that her union's resolve has not weakened.

The interview has been edited for clarity and brevity.

AP: Can you talk about what happened in your negotiations with the AMPTP?

DRESCHER: They had given us a proposal package. We worked for like 36 hours on it. We brought it back to them. We walked them through it and they left and then called a few hours later and said, “We’re breaking negotiations.” So it’s not only baffling but wholly disappointing and counterproductive.

I’ve never really met people that actually don’t understand what negotiations mean. Why are you walking away from the table? To what end do you hope that that will accomplish anything?

And actually, my members are more pumped up than ever. They feel so insulted by this, so degraded by this and dishonored by this that it’s like, “Fran, do not cave. Remain strong. Hold onto your resolve because this can’t be for nothing.”

AP: Can you talk about the mood of the conversations before they broke off? Was there a sense that talks would be smoother after the studios reached a deal with the Writers Guild of America?

DRESCHER: With the writers guild also, they broke negotiations with that too. So now that a contract has been agreed upon, everybody’s all warm and fuzzy. But at the time, I think it was very contentious. They don’t like to give away ice in winter.

So I’ve never really dealt with this kind of affront, of indignation and a need to get their own way. I think that they’re very used to getting their own way. I think that the idea that we want to go into a pocket to compensate for the lack of income that we cannot get for our working members in a streaming model is just so repugnant to them. And they just feel like, “Who are we to want to get compensated the way we used to be? Who are we to think that we deserve to make an honest wage that meets inflation? Who are we to challenge them in any way? We should be so lucky to get whatever they want because they’re the bosses.”

And I keep pointing out to them that that kind of business practice is unsustainable nowadays. It was maybe something that people bought into in the 20th century. But that “dog eat dog, the bottom line is the bottom line,” it just doesn’t pan out. And we can’t think that way anymore. You can’t go into a whole new business and not question how this is going to impact the foundational contributors to your business. And that’s exactly what they did. And now they’re like annoyed at us for pointing out the problem.

It’s really like an alternate universe. I can’t even believe it. And I keep trying to put it into a global context that they have a responsibility to workers. They’re leaders in the industry. They should set the example for industries around the world. This is their opportunity as well to raise the bar on how employers deal with workers. How they thank them, how they include them, how they treat them like people.

AP: This will officially be the longest strike in your guild’s history next week. What are your thoughts on how we got here?

DRESCHER: Well, I think it’s indicative of the fact that they stopped talking to us back on July 12 and didn’t come back until less than 10 days ago. You know, we’ve only met with them a couple of times. Monday, half a day Wednesday, half a day Friday. That was what they were available for. Then this past week, it was Monday and a half a day on Wednesday. And then “Bye bye.”

I don’t even know what they’re thinking. But I did say to them, “With all due respect, we have been waiting for you to come back.” We wanted to avert a strike. We extended an unprecedented extension and we called them in the eleventh hour. ... They don’t really want to negotiate. They just want us to like what they want us to like. They don’t want us to have a mind. They don’t want us to have a thought. They don’t want us to have feelings or complain that we can’t make a living and we can’t support our families and we’re having problems paying the rent.

They don’t want to hear about it because they keep giving us this huge inflated number of how much they’re spending on production and how much they’re paying out to our union in salary. But it’s all divided up amongst so many thousands of people that it doesn’t add up to anything except for our highest paying earners, which I have zero problem with. And we’re fighting for them as well with AI. They’re very concerned about their likeness, their essence of being. The thing that makes them a star is going to be ripped off, going to be turned into something that’s hardly even recognizable.

AP: So, what now?

DRESCHER: Well, they called and said, “We’re walking away. We’re breaking negotiations.” Now, we’re in the midst of a serious negotiating committee meeting. Everybody went out on the picket lines today (Thursday). The resolve is very strong.

So I think that they think that we’re going to cower, but that’s never going to happen because this is a crossroads and we must stay on course.



Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”


Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."