Q&A: SAG-AFTRA President Fran Drescher Reacts to Hollywood Studios Breaking off Negotiations

Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)
Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)
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Q&A: SAG-AFTRA President Fran Drescher Reacts to Hollywood Studios Breaking off Negotiations

Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)
Fran Drescher, president of SAG-AFTRA, is interviewed at a Writers Guild of America rally outside Paramount Pictures studio on May 8, 2023, in Los Angeles. (AP)

Fran Drescher has steered the actors guild through its monthslong strike. On the heels of Hollywood studios abruptly breaking off talks with the Screen Actors Guild-American Federation of Television and Radio Artists this week, the actor and union president says she's baffled and disappointed.

The Alliance of Motion Picture and Television Producers announced Wednesday that they had suspended contract negotiations, saying the gap between the two sides was too great to make continuing worth it and characterizing their offer as good as the one that recently ended the writers strike. Drescher told The Associated Press in a Thursday interview that she did not understand why negotiations collapsed but that her union's resolve has not weakened.

The interview has been edited for clarity and brevity.

AP: Can you talk about what happened in your negotiations with the AMPTP?

DRESCHER: They had given us a proposal package. We worked for like 36 hours on it. We brought it back to them. We walked them through it and they left and then called a few hours later and said, “We’re breaking negotiations.” So it’s not only baffling but wholly disappointing and counterproductive.

I’ve never really met people that actually don’t understand what negotiations mean. Why are you walking away from the table? To what end do you hope that that will accomplish anything?

And actually, my members are more pumped up than ever. They feel so insulted by this, so degraded by this and dishonored by this that it’s like, “Fran, do not cave. Remain strong. Hold onto your resolve because this can’t be for nothing.”

AP: Can you talk about the mood of the conversations before they broke off? Was there a sense that talks would be smoother after the studios reached a deal with the Writers Guild of America?

DRESCHER: With the writers guild also, they broke negotiations with that too. So now that a contract has been agreed upon, everybody’s all warm and fuzzy. But at the time, I think it was very contentious. They don’t like to give away ice in winter.

So I’ve never really dealt with this kind of affront, of indignation and a need to get their own way. I think that they’re very used to getting their own way. I think that the idea that we want to go into a pocket to compensate for the lack of income that we cannot get for our working members in a streaming model is just so repugnant to them. And they just feel like, “Who are we to want to get compensated the way we used to be? Who are we to think that we deserve to make an honest wage that meets inflation? Who are we to challenge them in any way? We should be so lucky to get whatever they want because they’re the bosses.”

And I keep pointing out to them that that kind of business practice is unsustainable nowadays. It was maybe something that people bought into in the 20th century. But that “dog eat dog, the bottom line is the bottom line,” it just doesn’t pan out. And we can’t think that way anymore. You can’t go into a whole new business and not question how this is going to impact the foundational contributors to your business. And that’s exactly what they did. And now they’re like annoyed at us for pointing out the problem.

It’s really like an alternate universe. I can’t even believe it. And I keep trying to put it into a global context that they have a responsibility to workers. They’re leaders in the industry. They should set the example for industries around the world. This is their opportunity as well to raise the bar on how employers deal with workers. How they thank them, how they include them, how they treat them like people.

AP: This will officially be the longest strike in your guild’s history next week. What are your thoughts on how we got here?

DRESCHER: Well, I think it’s indicative of the fact that they stopped talking to us back on July 12 and didn’t come back until less than 10 days ago. You know, we’ve only met with them a couple of times. Monday, half a day Wednesday, half a day Friday. That was what they were available for. Then this past week, it was Monday and a half a day on Wednesday. And then “Bye bye.”

I don’t even know what they’re thinking. But I did say to them, “With all due respect, we have been waiting for you to come back.” We wanted to avert a strike. We extended an unprecedented extension and we called them in the eleventh hour. ... They don’t really want to negotiate. They just want us to like what they want us to like. They don’t want us to have a mind. They don’t want us to have a thought. They don’t want us to have feelings or complain that we can’t make a living and we can’t support our families and we’re having problems paying the rent.

They don’t want to hear about it because they keep giving us this huge inflated number of how much they’re spending on production and how much they’re paying out to our union in salary. But it’s all divided up amongst so many thousands of people that it doesn’t add up to anything except for our highest paying earners, which I have zero problem with. And we’re fighting for them as well with AI. They’re very concerned about their likeness, their essence of being. The thing that makes them a star is going to be ripped off, going to be turned into something that’s hardly even recognizable.

AP: So, what now?

DRESCHER: Well, they called and said, “We’re walking away. We’re breaking negotiations.” Now, we’re in the midst of a serious negotiating committee meeting. Everybody went out on the picket lines today (Thursday). The resolve is very strong.

So I think that they think that we’re going to cower, but that’s never going to happen because this is a crossroads and we must stay on course.



Britney Spears Charged with Driving Under the Influence of Alcohol and Drugs

Britney Spears Charged with Driving Under the Influence of Alcohol and Drugs
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Britney Spears Charged with Driving Under the Influence of Alcohol and Drugs

Britney Spears Charged with Driving Under the Influence of Alcohol and Drugs

Britney Spears was charged in California on Thursday with driving under the influence of drugs and alcohol, authorities said.

The 44-year-old pop star was charged with a single misdemeanor count of driving under the combined influence of alcohol and at least one drug, the Ventura County District Attorney’s Office said.

A Spears representative had no immediate comment to The Associated Press.

The criminal complaint does not specify what kind of alcohol or drugs, or what amount, Spears is accused of having used.

Spears, who has since entered substance abuse treatment, was arrested March 4 after she was pulled over for driving her black BMW fast and erratically on US 101 near her home, the California Highway Patrol said. She appeared to be impaired, took a series of field sobriety tests, was arrested on suspicion of driving under the influence of a combination of alcohol and drugs and was taken to a Ventura County jail, the CHP said.

She was released on bail the following day. Police completed their investigation and presented it to prosecutors on March 23.

A representative at the time called Spears’ actions “completely inexcusable” and said it would ideally be “the first step in long overdue change that needs to occur in Britney’s life.”

Spears voluntarily checked into a substance abuse treatment facility just over a month after the arrest, her representative said.

Spears’ arraignment is set for Monday. Because it is a misdemeanor charge, she will not be required to appear in court, prosecutors said.

Prosecutors said the case will be handled according to their standard protocol for defendants with no DUI history, no crash or injury on the road and a low blood-alcohol level.

In court on Monday, Spears will be offered what is commonly known as a “wet reckless,” allowing a defendant to plead guilty and get a year of probation, credit for any time served in jail, a required DUI class and state-mandated fines and fees, prosecutors said.

The offer is common especially for defendants who have independently shown motivation to address their problems and seek treatment, the district attorney’s office said.

The singer has a home in Ventura County just outside the Los Angeles County line. Her arraignment will be held in the city of Ventura, a seaside community of about 110,000 people about 70 miles (113 kilometers) northwest of downtown LA.

The onetime teen pop phenomenon and “Mickey Mouse Club” alum became a defining superstar of the 1990s and 2000s with hits like “Toxic,” “Gimme More” and “I'm a Slave 4 U.”

Most of Spears' albums have been certified platinum, according to the Recording Industry Association of America, with two diamond titles: 1999’s “ ... Baby One More Time” and 2000's “Oops! ... I Did It Again.”

Spears became a tabloid focus in the early 2000s, and a source of public scrutiny, as she battled mental illness and paparazzi documented the details of her private life.

In 2008, Spears was placed under a court-ordered conservatorship, run primarily by her father and his lawyers, that would control her personal and financial decisions for well over a decade. It was dissolved in 2021.

Since then, she has married and divorced, and released a bestselling, tell-all memoir, “The Woman in Me.”

She has essentially been retired as an artist in recent years, releasing only a few collaborative singles since her last full album in 2016.


Spotify Rolls Out Badge to Distinguish Human Artists from AI

02 December 2025, Saxony, Dresden: The logo of the music streaming provider Spotify can be seen on a smartphone in Dresden. (dpa)
02 December 2025, Saxony, Dresden: The logo of the music streaming provider Spotify can be seen on a smartphone in Dresden. (dpa)
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Spotify Rolls Out Badge to Distinguish Human Artists from AI

02 December 2025, Saxony, Dresden: The logo of the music streaming provider Spotify can be seen on a smartphone in Dresden. (dpa)
02 December 2025, Saxony, Dresden: The logo of the music streaming provider Spotify can be seen on a smartphone in Dresden. (dpa)

Spotify on Thursday unveiled a new verification system designed to help listeners distinguish human musicians from AI-generated content, as artificial intelligence floods streaming platforms with a growing volume of synthetic tracks.

The Swedish streaming giant said its "Verified by Spotify" badge -- marked by a green checkmark -- will begin appearing on artist profiles and in search results in the coming weeks, signaling that a profile has been reviewed and meets the platform's standards for authenticity.

Profiles that primarily represent AI-generated music or AI-created personas will not be eligible for the badge, the company said in a blog post.

"In the AI era, it's more important than ever to be able to trust the authenticity of the music you listen to," Spotify said.

To earn verification, artists must demonstrate sustained listener engagement over time, comply with Spotify's platform rules and show signs of a genuine presence both on and off the platform, such as concert dates, merchandise and linked social media accounts.

The company said more than 99 percent of artists that listeners actively search for will be verified at launch, representing hundreds of thousands of musicians -- the majority of them independent -- spanning genres and geographies.

The initiative arrives amid mounting concern across the music industry over AI-generated content overwhelming streaming catalogs.

Deezer, a competing platform, disclosed last week that synthetic tracks now make up 44 percent of all new music uploaded to its service each day.

Major labels have also pushed back. Sony Music said recently that it had sought the takedown of more than 135,000 AI-produced songs that mimicked its signed artists across streaming services.

Beyond the badge, Spotify is adding a new information section to all artist pages -- whether or not they hold verified status -- displaying career highlights, release patterns and live performance history. The company compared the feature to nutritional labeling for food, giving listeners a way to quickly gauge an artist's track record on the platform.

The announcement followed Spotify's first-quarter 2026 earnings report, in which the company said its paying subscriber base had reached 293 million.


King Charles Boosts His Charity Fundraiser with First Appearance at Gala Joined by Lionel Richie

 Lionel Richie speaks during a cultural reception with Britain's King Charles III and Queen Camilla, Wednesday, April 29, 2026, in New York. (AP)
Lionel Richie speaks during a cultural reception with Britain's King Charles III and Queen Camilla, Wednesday, April 29, 2026, in New York. (AP)
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King Charles Boosts His Charity Fundraiser with First Appearance at Gala Joined by Lionel Richie

 Lionel Richie speaks during a cultural reception with Britain's King Charles III and Queen Camilla, Wednesday, April 29, 2026, in New York. (AP)
Lionel Richie speaks during a cultural reception with Britain's King Charles III and Queen Camilla, Wednesday, April 29, 2026, in New York. (AP)

Spring gala season tends to draw celebrated artists and fashion icons to star-studded black-tie fundraisers around New York City. With a guest list boasting Lionel Richie and Anna Wintour, The King's Trust Global Gala looked no different Wednesday evening.

But one distinguished guest — even if his fleeting stop consisted of a three-and-a-half-minute speech — brought a buzz that had some members of high society lining up along velvet ropes and craning their necks inside Christie's New York auction house. That would be King Charles III, who made his first appearance in the five-year history of the event supporting his nonprofit that helps young people find work.

The buzz was evident from the red carpet. Charlotte Tilbury, the British cosmetics entrepreneur, asked Martha Stewart, who wore a sparkling blue dress, if she would tell Charles that she wore “royal blue just for you.” Natasha Poonawalla — the executive director of the Serum Institute of India, the world's largest vaccine manufacturer — said “everyone's been waiting for him."

“I think the fact that he’s here is going to strengthen the presence of the foundation so much more," Poonawalla said.

It appears so. Organizers reported a record fundraising total exceeding $3 million, affirming hopes that the arrival of the monarch and Queen Camilla might boost the sum collected Wednesday as the nonprofit tries to establish an endowment for its work in the United Kingdom and deepen its relationships in more than two dozen countries.

Charles is wrapping up the first visit to the US since his coronation, a four-day trip intended to celebrate the 250th anniversary of American independence from Britain and strengthen the countries' fraying relationship.

The King's Trust counts 1.5 million people worldwide who have been reached in some way by its education and employment programs. In brief remarks before guests sat for dinner, Charles noted that many of their beneficiaries return to support disadvantaged young people much like themselves.

“Only now do quite a lot of them actually admit they were started (here),” he joked.

Edward Enninful, the former editor-in-chief of British Vogue and a co-chair of the gala, has seen the trust's impact in West London. He said his cousins and brothers have been able to make something of their lives despite being classed by society as “not worthy.”

He described Charles' appearance as the nonprofit's “glory moment."

“He’s set the example that philanthropy matters," Enninful told The Associated Press. "No matter how well you are doing, you’re not doing enough unless you’re passing it on to a newer generation.”

The event was more intimate than previous years with just about 160 guests. There weren't musical performances either; Richie informed guests from the get-go that he wouldn't be singing. Other attendees included supermodels Karlie Kloss and Iman, actors Leo Woodall and Meghann Fahy as well as designers Donatella Versace and Stella McCartney.

Stewart recalled her own luck as she built a multi-million-dollar media empire centered around cooking, entertaining and homemaking. The lifestyle entrepreneur said she paid for her “fine education” through scholarships. And she was fortunate that all of her jobs were “excellent.”

“But I know today there’s a big challenge in getting a good job, a big challenge in getting a good education,” she said. "And we’re here to help those people.”