Visitors Will Be Allowed in Florence Chapel’s Secret Room to Ponder if Drawings Are Michelangelo’s 

A handout photo made available by the Musei del Bargell press office show Michelangelo's secret room, a small room containing a series of drawings attributed to Buonarroti, located under the Medici Chapels of Florence, Italy, 31 October 2023. (EPA/Musei del Bargell Handout)
A handout photo made available by the Musei del Bargell press office show Michelangelo's secret room, a small room containing a series of drawings attributed to Buonarroti, located under the Medici Chapels of Florence, Italy, 31 October 2023. (EPA/Musei del Bargell Handout)
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Visitors Will Be Allowed in Florence Chapel’s Secret Room to Ponder if Drawings Are Michelangelo’s 

A handout photo made available by the Musei del Bargell press office show Michelangelo's secret room, a small room containing a series of drawings attributed to Buonarroti, located under the Medici Chapels of Florence, Italy, 31 October 2023. (EPA/Musei del Bargell Handout)
A handout photo made available by the Musei del Bargell press office show Michelangelo's secret room, a small room containing a series of drawings attributed to Buonarroti, located under the Medici Chapels of Florence, Italy, 31 October 2023. (EPA/Musei del Bargell Handout)

Just four at a time, visitors soon will be allowed access to a long-hidden space inside Florence's Medici Chapel where delicate charcoal drawings sketched on the walls have been attributed by some experts to Michelangelo.

The secret room — a tiny 10-by-3 meters (33-by-10 feet) space — was discovered in 1975, when officials were searching for a new exit from the Medici Chapel to accommodate increasing visitors.

The museum's then-director Paolo Dal Poggetto “firmly believed that they were by Michelangelo,” said the current director, Paola D’Agostino. A fierce debate ensued and continues to this day.

“The major scholars of Michelangelo’s drawings dismissed the attributions” at the time of discovery 50 years ago, she said. “Others had a more moderate view, in the sense they thought that some could be by Michelangelo and others could be by followers. So, the debate is ongoing.”

The room was used to store coal until 1955, and then sealed closed and forgotten for decades below a trapdoor that was in turn hidden beneath furniture. The drawings themselves were discovered under two layers of plaster.

According to Dal Poggetto’s theory, Michelangelo hid in the tiny space from “the wrath of Pope Clement VII” for supporting a short-lived republic that overthrew the Medicis, sketching studies for some of his projects. They include sketches believed to be the legs of Giuliano de’ Medici, as included in the New Sacristy near the secret room’s entrance.

For most of the last 50 years, access to the room has been restricted.

Officials decided to open the room to the public on a limited basis, and will alternate exposure to LED lights with extended periods of darkness to protect the works.

Starting Nov. 15, up to 100 visitors will be granted access each week by reservation, four at a time, spending a maximum of 15 minutes inside the space.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.