‘Past Lives,’ Lily Gladstone Win at Gotham Awards 

Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
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‘Past Lives,’ Lily Gladstone Win at Gotham Awards 

Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)

Celine Song’s wistful romance "Past Lives" earned top honors at the Gotham Awards on Monday evening at an award-season kickoff where the night's biggest drama came in a political speech by Robert De Niro that the actor claimed had been edited without his permission.

"Past Lives," a breakout at the Sundance Film Festival in January and an arthouse hit in June for A24, may be poised to be an Oscar sleeper this year after winning best feature film at the Gothams. Affection is strong for Song’s directorial debut, starring Greta Lee as a woman born in Seoul who, after marrying an American (John Magaro), reconnects with a childhood friend from South Korea (Teo Yoo).

"This is the first film I've ever made and a very personal film about an extraordinary feeling I had in an ordinary bar in the East Village, not too many blocks away from here," said Song, accepting the award. "As this film has been shared with the world, it has taught me — and taught us — that you're never alone in that extraordinary feeling."

"Past Lives" was expected to win, but the ceremony went off-script when De Niro, co-star in Martin Scorsese's "Killers of the Flower Moon," took the podium to present a tribute award to the film. While giving his remarks, De Niro noticed a section had been omitted on the teleprompter. After attempting to scroll back through, he completed his speech before returning to read from his phone.

"The beginning of my speech was edited, cut out," De Niro said. "I didn’t know about it."

De Niro, known for his fiery rhetoric against former President Donald Trump, then expanded on what he called America's "post-truth society" and chided Hollywood — specifically John Wayne — for earlier depictions of Native Americans.

"The former president lied to us more than 30,000 times during his four years in office, and he’s keeping up the pace with his current campaign of retribution," De Niro said. "With all of his lies, he can’t hide his soul. He attacks the weak, destroys the gifts of nature and shows his disrespect for example using Pocahontas as a slur."

De Niro seemed to blame Apple, which produced "Killers of the Flower Moon," for the changes to his speech.

"So, I’m going to say these things — to Apple and thank them, all that. Gothams. Blah blah blah. Apple. But I don’t really feel like thanking them at all for what they did," said De Niro. "How dare they do that, actually."

Apple didn't immediately respond to requests for comment late Monday evening.

It was still a big night for Scorsese's epic, about the Osage murders in the early 20th century, even though Scorsese unexpectedly wasn't in attendance. Lily Gladstone, who stars in the film opposite Leonardo DiCaprio, won for best lead performance — though not for that performance.

Gladstone won for a lesser-known film released earlier in 2023: "The Unknown Country," in which stars as a woman embarking on a road trip though the Midwest. In each of her speeches — for "Killers of the Flower Moon" and "The Unknown Country" — Gladstone praised the filmmakers for prioritizing Native perspectives.

"I challenge everybody in this room who makes films: Invest. When you have a budget, invest it in the people," said Gladstone. "Invest in the people that you’re telling your story about. Your film will be better for it. Your lives will be better for it."

The Gotham Awards, now in their 33rd year, leapfrog most of the major ceremonies that lead up to the Academy Awards. But over time, they’ve established themselves as the first big party of the season, and an early hint at some of the favorites.

Put on by the Gotham Film & Media Institute and held annually at Cipriani Wall Street, the Gothams have some quirks that make them different than other awards. Prizes are chosen by small committees of film professionals, critics and journalists. Their acting categories are also gender neutral, with 10 actors nominated for lead performance, and another 10 up for supporting performances.

This year, one of the most competitive categories was best international film. There, Justine Triet's Palme d'Or winning courtroom drama "Anatomy of a Fall" triumphed over the likes of "Poor Things,All of Us Strangers" and "The Zone of Interest." Triet's film also won for best screenplay.

Andrew Haigh’s tender metaphysical drama "All of Us Strangers," starring Andrew Scott and Paul Mescal, had come into the Gothams as the lead nominee with four nods, but went home without a trophy.

The Gothams this year removed a $35 million budget cap for nominees, but many big-budget films still opted not to submit themselves. The monthslong Screen Actors Guild strike meant awards season got off to a slower start, but one of the early questions is if anything can rival those diametrically opposed summer sensations of "Barbie" and "Oppenheimer."

Greta Gerwig and Margot Robbie of "Barbie" were among the numerous tribute awards. In their joint speech, Gerwig said her partner, Noah Baumbach, found out he was co-writing the movie with her from a Variety article that cited them both. He sent the article to Gerwig with just a question mark, she said.

"Then he wrote back: ‘It’s OK, we'll make each other laugh,’" added Gerwig.

Best supporting performance went to Charles Melton of Todd Haynes' "May December." He plays a young father who first began his relationship with his wife (Julianne Moore) when he was a minor.

A.V. Rockwell, whose directorial debut "A Thousand and One" stars Teyana Taylor as a single mother, won for breakthrough director. She noted all of her fellow nominees were women. "It's a fight just to get here," she said.

"Just to be frank, it is very hard to tell a culturally specific story when you look like this," said Rockwell.

Best documentary went to Kaouther Ben Hania’s Tunisian film "Four Daughters," a true story about a Tunisian women with two daughters who became radicalized. The film reconstructs their disappearance.

In the TV categories, the Netflix series "Beef," starring Steven Yeun and Ali Wong as a pair locked in a feud after a road rage incident, won for both breakthrough series under 40 minutes and for Wong's performance.

"If you haven't seen ‘Beef’ yet, I swear it’s more than me and Steven crying," Wong said.

Tribute awards ensured that some star power hit the Gothams stage. They were given to: Bradley Cooper, the director, star and co-writer of "Maestro"; Ben Affleck, the director and co-star of "Air"; George C. Wolfe, the director of "Rustin"; and Michael Mann, the director of "Ferrari."

Affleck, however, wasn't in attendance. The film's screenwriter, Alex Convery, instead accepted the award.

"Well, you thought you were getting Ben Affleck," said Convery. "Sorry."

The Gothams have a checkered history of forecasting future awards glory. Last year, it was the first win in what became a runaway Oscar campaign for "Everything Everywhere All at Once," and where Ke Huy Quan’s supporting-actor bid got its start. The year before that, Gotham winner "The Lost Daughter" faded on the campaign trail, but 2020-winner "Nomadland" went the distance to the Academy Awards.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".